The mechanism of cultural capital, the relationship between cultural capital and economic capital

Capital plays a role in promoting the development of the cultural industry. The cultural industry can be basically divided into three categories: first, the production and sales of cultural products presented in a relatively independent form of material (such as the production and sale of books, newspapers and periodicals, film and television, audio-visual products and other industries); the second is the cultural service industry in the form of labor services (such as drama and dance performances, sports, entertainment, planning, brokerage, etc.); The third is to provide cultural added value to other commodities and industries (such as decoration, decoration, image design, cultural tourism, etc.).

And no matter what kind of it is, it is inseparable from the capital of Yingyou.

There is a facilitating effect.

The adjustment of the national industrial structure emphasizes "advance and retreat", and it is necessary to seize the opportunity of "entering" and encourage all kinds of funds to enter the cultural industry in a variety of ways, such as sole proprietorship, joint venture, cooperation, joint venture, equity participation, and franchising, through the formulation of various preferential policies, so as to realize the diversification of investment.

First of all, it is necessary to create a fair, open and just investment environment. In order to give full play to the role of the main body of investment in the cultural industry and the cultural market, it is necessary to create a fair, open and just investment environment, we must adhere to the principle of the rule of law, and adhere to the premise of the law to let the market select, eliminate and encourage investors. At present, on the one hand, it is necessary to improve the legal and regulatory system, and on the other hand, it is necessary to carry out diversified transformation of the existing state-owned cultural enterprises, break down monopolies and barriers, improve the corporate governance structure of newly established cultural enterprises from the beginning, and establish a reasonable equity system in accordance with the provisions of the "Company Law".

For the cultural enterprises managed by the development research center, the transformation from the original institutions should be completed as soon as possible, and the "three meeting system" should be gradually established in accordance with the requirements of the modern enterprise system.

Second, it is necessary to encourage non-public capital to enter the cultural industry. It is necessary to innovate the investment mechanism of the cultural industry, broaden the investment channels, and guide non-public capital to enter the field of cultural industry in accordance with the principle of "who invests, who owns, and who benefits". Of course, when non-public capital invests in the cultural industry, it is necessary to fully understand the attributes and characteristics of the cultural industry, prudently choose the investment direction and goals, grasp the direction of the national cultural industry policy, and achieve steady development while capturing investment opportunities.

Third, it is necessary to promote foreign investment in the field of cultural industries. On the premise of not affecting the national cultural security, revise and improve the relevant policies and regulations for foreign investment to enter the field of cultural industries, gradually lower the threshold for foreign investment to enter the field of cultural industries, and actively guide and encourage foreign capital to enter the field of cultural industries in the form of sole proprietorship, joint ventures and cooperation. In order to absorb foreign investment, the state has issued some laws and regulations in the field of cultural industry, on the one hand, it should timely study and follow up the problems encountered in the implementation of these laws and regulations; On the other hand, it is also necessary to adhere to the cultural, ideological, and political attributes, and adhere to the principle of moderate opening up and gradual progress in the introduction of foreign investment.

While introducing foreign capital, we should also pay attention to absorbing advanced foreign technology and management experience, improve the management level of the cultural industry, and improve production efficiency.

Summary. 1. Different nature: economy is the management of materials.

Capital is the principal and property that is invested to make a profit. 2. Different roles: capital provides financing for commercial banks, and the economy is the creation, transformation and realization of value.

3. Different forms: capital is a kind of social power formed by the stacking of surplus labor, which is a specific political and economic category in capitalist production relations. The frequency of financial transactions is an important indicator of the economic prosperity of a region, region, or even country.

Can you tell us more about that?

1. Different nature: economy is the management of materials. Capital is the principal and property that is invested to make a profit.

2. Different roles: capital provides financing for commercial banks, and the economy is the creation, transformation and realization of value. 3. Different forms:

Capital is a social power formed by the accumulation of surplus labor, which is a specific political and economic category in capitalist relations of production. The frequency of Jinxiang closed financial transactions is an important indicator of the ability of a region, region, or even a country to prosper without breaking up.

a.Knowledge, upbringing rent Wang Huai.

b.Skill, cheating, friend, linglun taste.

c.Diplomas and qualifications.

d.Books, paintings.

Correct answer: ABCD

The main exponent of the theory of cultural capital is the British sociologist Edward Holden.

In the thirties of the twentieth century, Holden proposed the concept of cultural capital, arguing that the cultural knowledge, skills and experience possessed by individuals are a valuable capital that can influence their status and opportunities in society.

According to Holden, cultural capital can be obtained through a variety of means, including education, family background, social networks, etc. He emphasized the link between cultural capital and economic capital, arguing that the two can be mutually reinforcing and transformative.

Holden also focuses on the impact of cultural capital on social mobility. He argues that people with higher cultural capital are more likely to move from one social class to another because they have more knowledge and skills and are able to adapt to different occupational and environmental requirements. Conversely, those who lack cultural capital may face greater social exclusion and restrictions.

Cultural capital theory provides an important theoretical framework for understanding how knowledge and skills in society affect an individual's social status and opportunities. It underscores the importance of education and other forms of cultural investment for personal development and social mobility, and reminds us of the challenges faced by those who lack cultural capital for a variety of reasons.

The practical application of the theory of cultural capital is as follows:

1. Improve the return on investment of human capital.

Cultural capital theory argues that knowledge and skills are intangible assets whose value can be demonstrated by increasing the return on investment of human capital. Employees with a wealth of knowledge and skills tend to be more desirable in the corporate recruitment and selection process because they can create more value for the business.

2. Promote innovation and technological progress.

Cultural capital theory emphasizes the important role of knowledge and skills in innovation and technological advancement. A country or region with abundant cultural capital is often more likely to attract the world's top talent and innovation resources to promote scientific and technological innovation and technological development.

3. Improve international competitiveness.

In the context of globalization, cultural capital has become an important factor in the competition between countries and regions. Countries or regions with rich cultural capital can be in an advantageous position in the process of globalization and attract more investment and resources.

4. Promote social harmony and inclusive growth.

Cultural capital theory also emphasizes the important role of knowledge and skills in promoting social harmony and inclusive growth. By providing education and training opportunities, disadvantaged groups can be helped to enhance their cultural capital, thereby reducing the gap between rich and poor and social inequality.

cultural capital

culture) is Bourdieu.

An important concept developed after a non-economic interpretation of Marx's theory of capital. Bourdieu pointed out that every social field has its own delicate and orthodox culture. It is a basic principle for distinguishing the advantageous or disadvantageous position of various actors in the field, and it is a classification standard.

For example, in the field of school, cultural accomplishment, knowledge level, and highly specialized language skills are an orthodox culture and a classification standard. That is, although the position of the actor in a given field – in an advantageous or disadvantageous position – depends on his or her own level of knowledge and literacy, and the degree to which this knowledge and literacy correspond to orthodox culture. However, it is not up to the actor to decide which type of culture this knowledge and discrediting culture belongs to, that is, whether it belongs to the orthodox culture or not.

Often, it is bound to be conditioned by multiple cultural factors such as class, stratum and family. Bourdieu argues that the favourable or disadvantageous position of actors is closely related to other factors, such as culture, in addition to economic factors. He uses "cultural capital" to express the advantages and disadvantages of this culture, which is constrained by various social conditions.

"Cultural capital" refers broadly to any tangible or intangible asset related to culture and cultural activities.

Although we can't treat economic capital like that.

It is quantified in this way, but in daily life, it plays the same role as economic capital such as money and material wealth. However, "cultural capital" is not a physical concept. It is a functional concept that expresses culture and the role that cultural products can play.

In other words, although cultural capital has essentially the same function as economic capital, it cannot be directly converted into a specific monetary value. Since "cultural capital" is a very broad concept of functional analysis, Bourdieu divides it into three basic forms: corporeal form, objective form and institutional form for ease of study.

The term "sociology" was first coined by the French positivist philosopher Auguste Comte in the fourth volume of his Tutorial on Positivist Philosophy. Literally, the direct meaning of sociology is the study of society. Comte wanted to create a science of society in the name of this title, modeled on the science of astronomy, physics, chemistry, and biology, and to place it in the last place of the above sciences, and to put it in what he called the five abstract theoretical sciences.

He had earlier followed the practice of calling this science "social physics", and later changed it to "sociology" after careful consideration. This term was first translated as "group studies" or "crowd studies" in China, and later Zhang Taiyan adopted the Chinese character translation method of Japanese scholars and defined it as sociology.