What are the design principles of Wright s organic architecture

Summary. Organic architecture is a style of architecture advocated by American architect Frank Lloyd Wright. The design concept of organic architecture is to integrate the building into the surrounding environment, so that it integrates with nature and forms an organic whole.

Wright believes that architecture should not be mechanical and rigid, but organic and natural.

Organic architecture is an architectural style advocated by the American architect Frank Lloyd Wright. The design concept of organic architecture is to integrate the building into the surrounding environment, so that it can be integrated with the self-group to form an organic whole. Wright believes that architecture should not be mechanical and rigid, but organic and natural.

The design principles of organic architecture include:1The building should be in harmony with the surrounding surroundings and blend in with nature.

2.The form of the building should be in line with the function and needs, rather than being confined to traditional forms and styles. 3.

The design of the building should respect the essence and character of the material, and make the most of its potential. 4.Buildings should be economical, functional, and environmentally friendly.

The organic architectural style advocated by Lai Jiao is a very humanized architectural design style, which pays attention to the integration of man and nature, and pursues the harmony and unity of construction and the environment. Organic architecture is characterized by free modeling, smooth curves, natural materials, and unique shapes, which have strong artistic and aesthetic value. The organic architectural style also provides a new idea and direction for the modern architectural design of the sedan car.

First, conciseness should be the test standard of artistry;

Second, architectural design should be diverse in style, as if it were human;

Third, the building should be in harmony with its environment, i.e., a building should appear to grow from there and be in harmony with its surroundings;

Fourth, the color of the building should be consistent with the environment in which it is located, that is, the architectural color factor should be taken from the environment;

5. The expression of the essence of building materials;

Sixth, the unity and integrity of the spirit in architecture.

Treating the environment, he advocates that architecture should be in harmony with nature, as if it grows out of nature; It also tries to extend the interior space outwards and bring the natural scenery into the interior. On the other hand, the buildings in the city adopt the method of shielding the outside to block the noisy and chaotic external environment, and strive to create a lively and pleasant environment inside.

It should be inspired by nature, which is sustainable, healthy, environmentally friendly and diverse.

Like an organism, it develops from the inside of the seed until it blossoms and bears fruit.

Exist in the reality of continuous and continuous innovation.

It follows the forces of nature and is flexible and adaptable.

Meet social, physical, and spiritual needs.

Emphasis on the here and now and the unique.

Be as vibrant, joyful and surprising as young people.

To express the rhythm of ** and the power of dance.

Wright's idea of destroying the loss inherited the architectural concept of Bao Yu Ju Haus, and put forward the concept of "organic architecture". （）

a.That's right. b.Mistake.

Correct answer: B

Wright advocated that the design of each building should be based on its own unique objective conditions, forming a concept, from the inside to the outside, permeating every part of the building, so that each part is related to each other and becomes an inseparable part of the wholeHe believes that the essence of architecture lies in its internal space. He advocates designing with an eye on the effect of the interior space, where entities such as roofs, walls, doors and windows are subordinate and should be subordinated to the envisioned spatial effect.

This breaks with the old notion of designing with entities such as roofs, walls, doors and windows, and opens up a new realm for architecture.

This school of thought treats materials by understanding the different natures of various materials from both an engineering and artistic perspective, and giving full play to the strengths of each material. Organic architecture embraced some of the positives of Romantic architecture and discarded some of its negatives. The attitude of this school towards traditional architectural forms is that it is necessary to understand the reasons why traditions can be formed under the conditions of the past era, and to understand how to do it under the current conditions, which is the correct attitude towards tradition, rather than copying ready-made forms.