Why didn t Du Fu stop the stone trenchers from arresting people at night

Du Fu had lost the right to choose, and after he seemed to figure out what was going on, he could only stand speechless, watching the messenger take away the weeping old woman. What kind of pain is this? was worried about Li Yuan, but in the end, the object of his desire for protection was captured and taken to the battlefield in front of his eyes, and he couldn't do anything.

This is a conflict between two kinds of misfortunes: a "great misfortune" - the misfortune of the country, the misfortune of the people, brought about by the Anshi Rebellion, is war; A "little misfortune" - the misfortune of one family, the misfortune of several individuals, is the arrest of the old woman, and it is the further fragmentation of the family. Who should the poet be oriented?

Teacher's Teaching Book" analyzed: "To a certain extent, it reflects his (Du Fu's) ideological contradictions. If there is a contradiction, I think it is also a "shallow contradiction", and the struggle of this contradiction soon ends in the poet's thinking.

If the skin does not exist, the hair will be attached", anyone can understand it, but the poet doesn't understand? What is the relationship between "big" and "small", and the poet doesn't understand? After careful analysis, we can find that the contradictions and conflicts here are only superficial, they are not contradictory in essence, and their interests are compatible.

If the "big misfortune" is discarded, the "small misfortune" will definitely be even worse, not only will the old woman's family be affected by the greater impact of the war, but also more "old woman's family"; And endure a certain number of "small misfortunes" for a while, and the "big misfortunes" will gradually shrink and disappear, and in turn, the "small misfortunes" will gradually shrink and disappear. They intersect and contain each other. The poet understood, so following the direction of their consistent interests, Du Fu watched as the servants took the old woman, but he couldn't stop it.

Because Du Fu supports the country's just war and does not oppose the arrest of the army, only with enough troops can the rebellion be quelled, and the people who come to arrest are the officers, not the bandits, and the officers are the officials of the state. Du Fu loves the country, so he will not stop the stone trenchers from arresting people at night.

Because at that time, the Tang army collapsed on all fronts, retreated to Heyang, and drew troops everywhere to replenish troops. Du Fu was a patriot, and naturally hoped that the Tang army could defeat the judgment army, so he did not stop it. At the same time, Du Fu is also contradictory, he praises the spirit of the old woman who has the courage to bear the suffering, but also expresses sympathy for the people, and implicitly exposes the brutality of the ruling class.

When writing about the stone trench officials, Du Fu was implicated in the case of the housing official, and was demoted to Huazhou Sigong to join the army, and went from Luoyang to Huazhou. At that time, it was the Anshi Rebellion, Yecheng was defeated, Guo Ziyi and others retreated to Heyang, and drew Ding everywhere to replenish their troops. Du Fu himself could not be protected, so he never stood up.

"The Stone Trench Officer" is a poem written by the great poet Du Fu in the Tang Dynasty, which is one of the "Three Officials and Three Farewells". This poem exposes the brutality of the feudal rulers through the story of the stone trench officials who caught people at night that the author saw with his own eyes, reflects the profound disasters brought to the people by the war caused by the "Anshi Rebellion" in the Tang Dynasty, and expresses the poet's deep sympathy for the working people. One of the major artistic characteristics of this poem is that it is refined, lyrical and argumentative in the narrative, and the love and hate are clear.

The scenes and details are described naturally and realistically, good at cutting, the center is prominent, and the style is clear and clear, tragic and gloomy, which is a model work of realist literature.

The reason why the stone trench officials did not arrest Du Fu was that Du Fu was not a local in Shihao Village, Shaanzhou.

From the general logic, the officials in Shaanzhou can only arrest the locals in Shaanzhou, not passers-by. There is also the fact that Du Fu is in the place where he is working, when Du or Yanfu stayed in Shihao Village, he was very clear about his in-service identity, and his official position was Huazhou Sigong to join the army. Therefore, when the stone trench officials met Du Fu, who was then the Huazhou Sigong to join the army, the stone trench officials not only did not dare to arrest Du Fu.

Du Fu (712-770), known as Shaoling Yelao, was a great realist poet of the Tang Dynasty, and was called "Li Du" together with Li Bai. Born in Gong County, Henan Province, he is originally from Xiangyang, Hubei. In order to distinguish it from the other two poets Li Shangyin and Du Mu, that is, "Little Li Du", Du Fu and Li Bai are also called "Big Li Du", and Du Fu is often called "Old Du".

When Du Fu was a teenager, he traveled to Wu Yue and Qi Zhao successively, during which he went to Luoyang to fail to act. After the age of thirty-five, Du Fu created famous works such as "Ascending", "Spring Hope", "Northern Expedition", "Three Officials" and "Three Farewells". Although Du Fu is a realist poet, he also has a wild and uninhibited side, from his famous work "Song of the Eight Immortals in Drinking", it is not difficult to see Du Fu's heroic spirit.

Li Bai introduced:

Li Bai (701-762), a famous poet of the Tang Dynasty, was known as Taibai and Qinglian Jushi. He was born in the Western Regions (present-day Talas, Kyrgyzstan), studied in Chang'an as a teenager, and later traveled around the world. His poetry style is heroic and unrestrained, and his artistic conception is magnificent, and he is known as "poet immortal".

Li Bai's poems are famous for their lofty and fresh, prideful and elegant, and graceful and tender. He is especially good at writing about the beauty of landscapes and magnificent scenes, such as "The Ballad of Lushan", "Yebo Niuzhu Nostalgia" and so on. In addition, he also wrote many poems of the bold school, such as "Will Enter the Wine" and "Difficult to Walk", which express his free and uninhibited character.

In addition to poetry creation, Li Bai is also involved in politics, history, **, dance and other fields. He served as a staff member to Pei Du, the prime minister of the Tang Dynasty, but left the officialdom because his political views did not agree with Pei Du. He is also said to have been proficient in pipa and dance, and once performed for audiences at the drinking grounds.

His poetry has also been admired and influenced by many descendants, such as Du Fu in the Tang Dynasty and Su Shi in the Song Dynasty.

1. Because although Du Fu was dilapidated at that time, he was also an official person, and he did not have to serve labor. The feudal society was hierarchical, and those trappers were very humble.

2, Du Fu is not a native of Shihao Village, Shaanzhou, but an official [Huazhou Sigong Participates in the Army], no matter how young the official is, he is still an official, and the official can't move the official.

3, because Du Fu was an official at the time, the official didn't seem to be big, but he was an official, and the stone trench officials didn't dare or had no reason to make up for Du Fu.