If you want to learn how to mix, where do you start?

Psychoacoustics, room acoustics, and instrumental acoustics are the basic courses for mixers, just like learning Chinese pinyin. For example, under today's two-channel stereo system, people with intellectual disabilities often ask me why I have copied the vocals to a track of extreme left and extreme right, why is there no effect of side width? That's because he doesn't know the imaging principle of binaural stereo at all.,The physical principle of people's binaural stereo sound image in **is**The same volume without time difference material,He redid what the software did automatically, and it was still smelly and shameless, and he felt that he had to be rewarded if he paid it。

It's not that my mouth is too poisonous, it's that many people who want to learn are too anxious and don't read too much. This is like saying that Chinese still doesn't go downstream, and non-scholars start to recite the moonlight on the lotus pond. The human ear uses sound waves to reach the difference between the ears for precise orientation, and when the sound is not directly in front of the listener, it will first reach the closer ear and then the farther one.

The time difference between the ears is called ITD. Binaural intensity difference (IAD) works in conjunction with time difference to help locate the direction of the sound source. It is caused by the difference in sound pressure levels between the ears of the high-frequency components of the voice.

Due to the occlusion of the listener's head, certain frequencies of the sound will be diffracted around the head, resulting in a difference in intensity between the two ears. This phenomenon is known as the "head effect". <

First of all, the self-feeling of the self-proclaimed feeling school is not necessarily right, but it is self-righteous, take 10,000 steps back and say, even if there is a Jackson in the first 100 years, and a you in the next 100 years, such a talented person, if there is no solid theoretical foundation, it is easy to fall into the situation of walking without legs and eating without mouth. The mixer is an interdisciplinary discipline, and the cultivation and theoretical foundation are indispensable, so the so-called two schools of thought belong to the type of pumping their own big mouths. The mixer's body of knowledge – **:

This is the core, and it is also the place that determines the height, this is the internal strength, and it is the source. Generally, excellent mixers at least Tongzigong are also learned. Because this part is deep in the bone marrow and infiltrates the soul, you need to be moved by countless good **, switch yourself between reason and sensibility, understand well**, and analyze well**, so that there is the possibility of progress.

So I'm afraid of being occupied by countless jobs, unable to appreciate, learn, and even lose the ability to be moved, but I'm afraid that it won't work......I almost don't have time to listen to ** at all, and my work has already made my ears tired for a long time, which is not desirable, but it is also something I can't help but do. <>

Honestly learn to mix for 1 month, the theory is finished, the operation practice is 3 months, you can make something, of course, to most people think the mix is good, you make at least 100 songs, generally speaking, you can honestly do a year of mixing to reach this order of magnitude.

Mixing is a step in the production of a variety of voices that are combined into a stereo or mono track. These mixed sound signals** may come from different instruments, vocals, or orchestral instruments, and are recorded from live performances or recording studios.

During the mixing process, the mixer adjusts the frequency, dynamics, sound quality, positioning, reverberation, and soundstage of each original signal individually to optimize each track, and then superimpose it on the final product. This treatment creates a perfect layered effect that the average listener can't hear during a live recording.

Mixing isn't just an art, it's a crucial step in assembling a track into the final one. A good mix can bring your best in front of people.

Think of it as a way to put all the spotlight on the most important detail of the song, to add a little surprise to an already excited listener, while also making sure that the music doesn't sound loud whether it's listened to on a transistor radio or from an audiophile's "dream group".

In theory, mixing should be a very simple thing: all you have to do is adjust a few knobs until everything sounds good. But it's not as good luck as usual.

Mixing is as difficult for a mixing engineer as it is for a mixing engineer to play an instrument. So let's take a closer look at each step in the mix.

Here's how to learn mixing:

First and foremost, a good monitor setup is the most important thing for a successful mix. Secondly, the creator should understand that he wants the effect. Finally, there is the choice of mixing software.

In the introduction of the mixing tutorial, we analyzed the problems that should be paid attention to when learning to mix from three aspects: first, the frequency is confused, resulting in no depth in the mix; the second is that the voice is too narrow, so that the voice lacks width; The third is to be a blockbuster, and there must be a "catch" point in the mixing, so that the audience will not lack years of fun.

Frequency Confusion: Mixing is very deep, penetrating, and not like a stuffy jar. Reason: Poor listening system was used. Excellent monitoring system that clearly hears the exact range of frequencies of the entire mix.

Solution: Separate instruments in the same frequency band, which can reduce the interference between the instruments. It's like building a house, starting from the low frequency and swinging upwards one by one.

The sound is too narrow: make the mix wide, so that the beautiful stereo sound is like a big bed on the frequency spectrum. You can't pile everything up on a narrow spectrum and end up as shrill as a screaming chicken.

Solution: Use good audio tools when mixing. Place the source like a dish, and place the percussion noise and foreshadowing flow on the far left or far right.

And the heavyweight vocals should be placed in the middle. Of course, this is not for the creator to form a fixed mindset, and after getting familiar with the mix, by breaking this tacit stereotype, it can produce contrasting beauty.

**The specific steps on how to mix are as follows:

1. Choose a song to mix or choose some melodies and choruses.

2. Click the red button to add your voice and change the feel of the song until the whole song is recreated.

3. Listen to your own audio file and identify the part you want to cut. Then select the clip you want to put in the audio software and make sure the full version is selected.

4. After entering the clip and correcting the timing, select the beat you like with less loss of quality and start reconstructing the song.

5. Convert the mixing file to *** format, and click to confirm that the mixing is complete.

First of all, you need to export each instrument in ** into an audio file, and then adjust the frequency, dynamics, sound quality, positioning, reverberation, etc. of each track to optimize the sound of each audio track; And then go to the bus. In fact, it is impossible to express all the mixing through words, so it is recommended that the landlord still find a professional mixing education institution to learn mixing.

Here's how to practice the mix:Mixed singing is an important skill in vocal singing, and improper mixing of true and false voices will cause various problems in the voice, affecting the widening of the vocal area and the unity of timbre. Only by mastering the correct and scientific mixing and singing method can we produce a smooth and mellow sound with free conversion of the vocal area and penetrating beauty.

Lip trilling exercise: We can inhale in the way of smelling the fragrance of flowers, exhale instantly, blow our lips through our breath, and the breath is evenly conveyed, making the mouth shake. Bubble Tone Exercises:

First of all, the larynx and face are fully relaxed, the mouth yawns and makes an "E" sound, and a weak air flow slowly rises from the chest, and the vocal cords vibrate when it reaches the larynx.

Hum practice: It is necessary to keep the entire internal pharyngeal wall and the inner oral cavity concentrated, and the teeth, tongue, and chin should be kept naturally relaxed during the whole process, and the eyebrows and nasal cavity should be vibrate.