The story of Chauboner.

It's a journalist, I spent time in Yan'an during the Revolutionary War.

Generally speaking, allusions are previous stories, including myths, stories, fables and famous words and poems (generally four-character idioms or words) said by the ancients, and fables are ancient and modern stories, with certain meanings and truths.

Allusions are real things that have existed in history, fables are not made up by the ancients, and the two you said are fables.

Historical allusions are based on, but fables are not necessarily, it can be said to be beautiful nonsense, but it makes you understand the truth that you should understand.

Myths and legends idioms: Hou Yi shoots the sun, Nuwa mends the sky, Jingwei reclamation, Kuafu day by day, eight immortals cross the sea, the cowherd and the weaver girl, insinuation, seamless, open the world, Chang'e runs to the moon.

Fable idiom: White-faced scholar, Ye Gong Haolong, sitting in the well and watching the sky, incorrigible, incorrigible, pulling seedlings to help grow, hanging beams and thorns, doctors buying donkeys, Banmen getting axes, Bole Xiangma.

Historical idioms: Returning to Zhao after the end, encircling Wei to save Zhao, retreating and retreating, Mao Sui recommended himself, took the guilt of Jing and asked for the guilt, talked on paper, made a big move, bought bones with a thousand dollars, and avoided medical treatment.

Literary Idioms for Good Reputation:

Suddenly enlightened, paradise, and "The Story of the Peach Blossom Spring".

I don't think about Shu, look at the thatched house three times, and pawn out the "Three Kingdoms: Shu Volume".

The next chapter is written, and the "Chronicles of the Three Kingdoms: Wei Zhi" is exemplified

Jiang Lang exhausted his talents and exemplified "Southern History: The Biography of Jiang Yan".

Luoyang paper is expensive, and the book of Jin is exemplified by Zuo Sibiography

Don't hug the pipa, half-cover and half-hide, Sima Qingshan, thousands of calls, snub in front of the door, vomit and mock, from Bai Juyi's "Pipa Xing".

Confusing, from "Mulan Poem".

Helpless, déjà vu, from "Huanxi Sand".

Number idioms: one heart and one heart lead and one mind one thought difference one breath still exists one willful line one into one brigade one set in one hand of death one hand of loess a hit and one hug up a wave of a push two shove.

Warring States: Returning to Zhao (Lin Xiangru) Wai Wei to save Zhao (Sun Bin) Retreat from the three houses (heavy ears) 62616964757a686964616fe59b9ee7ad9431333238643033 Mao Sui self-recommended (Mao Sui).

Bear the guilt of Jing (Lian Po) talk on paper (Zhao Kuo) in one go (Cao Di) and buy bones (Guo Kui).

Avoiding illness and avoiding medicine (Cai Huangong), lying on the salary and tasting gall (Gou Jian), killing his wife and begging for a general (Wu Qi), and frightening the bird of the bow (Geng).

Alpine flowing water (Yu Boya, Zhongzi period).

Qin: The word Qianjin (Lü Buwei) refers to the deer as a horse (Zhao Gao), the book burning pit Confucianism (Qin Shi Huang), and the poor picture dagger (Jing Ke).

Cantilever thorn strand (Su Qin, Sun Jing).

Han: A meal and a thousand daughters (Han Xin) embattled (Xiang Yu) three chapters of the law (Liu Bang) and a son can be taught (Zhang Liang).

The last battle (Han Xin), the broken cauldron (Xiang Yu), the hand is not released (Liu Xiu), and the golden house is hidden (Liu Che).

Secretly crossing Chen Cang (Han Xin) ambushed (Xiang Yu) on all sides, and threw a pen from Rong (Ban Chao) and Ma Leather Shroud (Ma Yuan).

The more the merrier (Han Xin), the old should be strong (Ma Yuan), Xiao Gui, Cao Sui (Xiao He, Cao Shen).

I didn't have a face to see Jiangdong's father (Xiang Yu).

Three Kingdoms: Bow and do your best (Zhuge Liang) Sangu Thatched House (Liu Bei) boiled beans and burned (Cao Zhi) and looked at each other impressively (Lu Meng).

Fledgling (Zhuge Liang), happy to think about Shu (Liu Chan), seven steps into poetry (Cao Zhi), exaggerated (Ma Tan).

Seven captures, seven verticals (Zhuge Liang), the sword is not old (Huang Zhong), the talent is high, eight buckets (Cao Zhi), and the whole body is gall (Zhao Yun).

Seal the gold seal (Guan Yu) Go to the meeting (Guan Yu) and look at Mei to quench your thirst (Cao Cao).

Everything is ready, only Dongfeng (Zhou Yu, Zhuge Liang) is owed

Jin: Into the wood three points (Wang Xizhi) smell the chicken and dance (Zu Ti) Dongshan comeback (Xie An) Luoyang paper gui (Zuo Si).

Plants and trees are soldiers (Fu Jian), chiseling the wall to steal the light (Kuang Heng), and the dog's tail continues to be mink (Sima Lun).

Northern and Southern Dynasties: The finishing touch (Zhang Sengqiu) Jiang Lang is exhausted (Jiang Yan).

Song: Jingzhong Serves the Country (Yue Fei) The East Window Incident (Qin Hui) is confident (Wen and Ke).

"Sound Rhythm Enlightenment" and "Rhyme of Liweng" quote a lot of historical allusions and mythological fables, but it is better to buy a copy of "Enlightenment of Sound Rhythm and Exploration of the Source of Rhyme", otherwise it is a little difficult to understand.

Fables are a broad category of literary works that do not belong to a certain person. In fact, the word fable was only invented by later generations to distinguish it from other literary works, and the ancients did not have this concept when they wrote.

What kind of parable do you want to be specific? For example, there are "Aesop's Fables", and there are also fables in "Zhuangzi".

Fables are literary works that use the anthropomorphism of fake stories or natural objects to illustrate a certain truth or lesson.