The difference between a five character poem and a four character poem, and the difference between a

The five-character ancient poem has five words per sentence, and the number of words in the whole poem is not limited. Five rules: that is, a sentence of five words, eight sentences, limited to flat rhyme, one rhyme to the end. The five laws take the first sentence without rhyme as a positive example, and rhyme as a variation.

The four-word style no longer exists in near-style poems, although the word "ancient" is not added, but it is self-evident that it is an ancient style poem. The ancient poems collected in the Book of Songs are mainly four-character poems.

Five-character poetry, also known as five-rhyme, pays attention to leveling, rhyming and fighting, is a style in Chinese near-style poetry (rhythmic poetry), the whole poem has a total of 8 sentences, each sentence is 5 words, the rhyme is strict, generally only rhyme with flat water, a rhyme to the end, can not change the rhyme halfway. Three or four sentences, five or six sentences are all antiphonal sentences. The more famous poems include "Spring Hope" by the Tang Dynasty poet Du Fu and "Sending Friends" by Li Bai.

Four-word style, refers to the basic or all of the four-character composed of four-character sentences written poems (text), limited to the ancient style of poetry, the requirements for the flat, the battle, the rhyme and so on are not strict, can be used flat rhyme can also be used rhyme, can be changed rhyme, prevailed in the Western Zhou Dynasty. It belongs to the category of ancient style poetry. This style of poetry is widely used in the Book of Songs, such as "Taoyao" and "Ge Sheng" in the national style.

The five-character quatrain and the five-character rhythm poem are different in terms of development process, abbreviation and number of sentences, and the requirements for the battle, and the specific differences are as follows:

1. The development process is different. The five-character quatrain has been formed in the Northern and Southern Dynasties, originating from the ancient poems of the Han and Wei dynasties. The five-character rhythm poems were basically finalized in the early Tang Dynasty and the Song Dynasty, and they had matured in the Tang Dynasty.

2. Abbreviations and sentence numbers are different. The five-character quatrain is referred to as the five quatrains, and the quatrain is four sentences, each with only two crosses. The five-character poem is referred to as the five laws, and the whole poem has a total of eight sentences, each sentence has five words, and each poem has four crosses.

3. The requirements for the battle are different. The five-character quatrain can be regarded as an interception of the poem, so the requirements for the battle are relatively free. If the quatrain is regarded as the second half of the poem, it means that one or two sentences should be opposed, and three or four sentences should not be used.

The strict performance of the rhyme of the five-character quatrain is that it generally only rhymes flat and cannot rhyme, that is to say, it cannot rhyme and the rhyme feet must use the words in the same rhyme, and the words that rhyme with each other must not be used.

Five-word rhythm poems require the jaw couplet and the neck couplet to fight, for the first couplet and the tail couplet is not a clear requirement for the battle, the flat must be arranged in accordance with a specific format, one couplet is right, the two couplets are sticky, can only rhyme flat, and the rhyme has a fixed position, that is, even sentences rhyme (the first sentence can be rhymed or not), a rhyme to the end, can not change the rhyme.

Shengchazi Yuanxi is a five-character quatrain or a five-character poem.

1. Luchai. Author] Wang Wei.

Dynasty] Tang. There is no one in the empty mountain, but there is a sound of people's voices.

Return to the deep forest, and revisit the moss.

Vernacular translation: In the secluded valley, no one can be seen, only the voice of the voice can be heard. The shadow of the setting sun is reflected in the deep forest, and the scenery is pleasant on the moss.

2. Sujian Dejiang.

Author] Meng Haoran.

Dynasty] Tang. Move the boat to park the smoke, and the sunset is new.

The wild sky is low and the trees are low, and Jiang Qingyue is close to people.

Vernacular translation: Dock the boat on a smoky island, and at dusk new sorrows come to the hearts of the guests. The wilderness is boundless, the sky is lower than the trees, the river is clear, the moon is clear, and people are close to each other.

3. Climb the Stork Tower.

Author] Wang Zhilian.

Dynasty] Tang. At the end of the day, the Yellow River flows into the sea.

If you want to be poor, go to the next level.

Vernacular translation: The setting sun slowly sinks against the West Mountain, and the surging Yellow River rushes towards the East China Sea. If you want to see enough of the scenery for thousands of miles, you have to climb a higher floor.

4. Takeri Pavilion.

Tang Dynasty: Wang Wei.

Sitting alone in the secluded grate, playing the piano and howling.

People in the deep forest don't know, and the bright moon comes to take pictures.

Vernacular translation: Sitting alone in a quiet bamboo forest, sometimes playing the piano and sometimes howling. Who in the jungle knows I'm here? Only a bright moon quietly accompanies me.

Wuyan poetry is a genre of traditional Chinese poetry, referred to as Wulu, which belongs to the category of near-style poetry. This style originated in the Qi Yongming period of the Southern Dynasty, and its prototype was Shen Yue and other new style poems that paid attention to sound rhythm and duality, and it was basically stereotyped in the early Tang Dynasty and the Song Dynasty, and matured in the Tang Dynasty. There are a total of eight sentences in the whole article, each sentence has five words, there are two basic forms, and the two couplets in the middle must be opposed.

Representative works include Li Bai's "Sending Friends", Du Fu's "Spring Hope", Wang Wei's "Autumn Evening in the Mountain House" and so on. ”

The words of the lyric poem should be eight lines, quadruple. Only four sentences should be quatrains.

The four-line poem is a quatrain, and the rhyme poem has a total of eight sentences, divided into four couplets, each two sentences are a couplet, and the middle two couplets are required to be neat.

The difference between a lyric poem and a quatrain is that a lyric poem is a metrical poem with eight lines each, and a quatrain is a metrical poem with four lines each.

1. Rhythmic poetry is a genre of traditional Chinese poetry, which belongs to the category of near-style poetry, and is named because of the very strict requirements of rhythm. Lyric poetry has strict rules in terms of words, rhymes, evenness, and antiphons. The most common types are five-character poems and seven-character poems.

Example: Li Bai's "Sending Friends".

The green mountains cross the north Guo, and the white water surrounds the lonely city.

This place is a farewell, lonely and thousands of miles away.

Floating clouds and wandering children, the sunset is old.

Waving his hand, Xiao Xiao Ban Ma Ming.

2. Quatrains, also known as truncated sentences, broken sentences, short sentences, and quatrains, belong to a form of near-body poetry. The interpretation of it is not consistent, some people think"Half of the law of interception"so that they can be sung in music. The quatrain consists of four sentences, which are divided into the law and the ancient law, of which the law has strict rules and regulations.

Common quatrains include five-character quatrains, seven-character quatrains, and six-character quatrains are rare.

Example: Li Duan's "Listening to the Zheng".

Ming Zheng Jin Su Zhu, in front of the jade room.

If you want to get Zhou Langgu, you always flick the strings by mistake.

There are only four quatrains, and a five-character quatrain is twenty words. And the five-word poem is the four crosses. Eight sentences. Then there are different requirements for the battle: the rhyme of the five absolute battles is relatively wide, while the five laws require relatively strict ......

Summary. Each poem has eight verses, each sentence has five characters, and there are four crosses in total.

Generally, even sentences rhyme flat (the first sentence can be rhymed or not), a rhyme to the end, and no rhyme is changed in the middle.

Each of the four couplets of the poem has a specific name, the first couplet is called the first couplet, the second couplet is called the jaw couplet, the third couplet is called the neck couplet, and the fourth couplet is called the tail couplet.

The jaw joint and the neck joint must be opposed, and the first joint and the tail joint can be right or not.

There are four basic sentence structures in the Five Laws:

仄仄平平仄 (仄起仄收式);

Ping Ping Qi Ping (Ping Qi Ping Closed Type);

Ping Ping Ping Qian (Ping Qi Qi Qi Closed Type);

仄仄仄平 (仄起平軄式).

These four sentence patterns are the basis for the variation of the flat form of the lyric poem, thus constituting the four basic forms of the five-character rhythmic poem.

The requirements of the five-character poem.

Each poem has eight verses, each sentence has five characters, and there are four crosses in total. Generally, even sentences rhyme flat (the first sentence can be rhymed or not), a rhyme to the end, and no rhyme is changed in the middle. The four couplets of the poem each have a specific name for the wheel, the first couplet is called the first couplet, the second couplet is called the jaw couplet, the third couplet is called the neck couplet, and the fourth couplet is called the tail couplet.

The jaw joint and the neck joint must be open to the battle, and the first joint and the tail joint can be right or wrong. There are four basic sentence structures in the five laws: 仄仄平平仄 (仄起仄緄組組); Ping Ping Qi Ping (Ping Qi Ping Closed Type); Ping Ping Ping Qian (Ping Qi Qi Qi Closed Type); 仄仄仄平 (仄起平軄式).

These four sentence patterns are the basis for the variation of the flat form of the lyric poem, thus constituting the four basic forms of the five-character rhythmic poem.

Hope mine can help you.

Difference: There is no limit to the number of ancient poems, and there is no talk of equal battles, you can rhyme with rhyme, and you can change the rhyme. There are a total of 8 sentences in the poem, which pays attention to the battle of the equal, and the stool reputation can only rhyme flat, not change the rhyme.

Lyric poetry is a kind of Han poetry genre popular in the Tang Dynasty, which belongs to a kind of near-style poetry, and is named because of the very strict requirements of the rhythm. The common types are the Five Laws and the Seven Laws, which generally have a few words to say a few words.

The five-character ancient poem is a new style of poetry formed during the Han and Wei dynasties. It does not have a certain rhythm, no limit on length, no plainness, and the use of rhyme is quite free, but the sentence structure of five words per sentence is fixed. Because it is not only different from the lyrics of Yuefu in the Han Dynasty, but also different from the near-style poems and quatrains of the Tang Dynasty, it is called the ancient poem of five words.

Although the five-character ancient poems of the Tang Dynasty originated from the Han and Wei dynasties, they were never simulated by attack, showing their own appearance and having distinctive characteristics of the times. At the beginning of the Tang Dynasty, Chen Ziang, Zhang Jiuling and others pursued Jian'an's style, and through their own feelings, they showed their own character, and opened a generation of poetry with thoughts, personalities, and artistic characteristics.

For those who slow down and make mistakes.

There are four quatrains in ancient poetry and eight lines in rhythmic poetry, and "seven laws" refers to a seven-character rhythmic poem in each sentence.

Judging from the number of words in the poems, there are so-called four-word poems, five-word poems, seven-word poems, and miscellaneous poems. Four words are four words and one sentence, five words are five words and one sentence, and seven words are seven words and one sentence.

After the Tang Dynasty, it was called near-style poetry, so it was usually only divided into two categories: five words and seven words. Five-character ancient style poems are referred to as Wugu; Seven-character ancient style poems are referred to as seven ancients, and those who use both three, five, and seven words are generally regarded as seven ancient annihilations.