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<> art is higher than life. The former teacher Guo was crawling at the bottom and suffering from the warmth and coldness of the world. The little devil inside is infinitely magnified.
At the peak, those jokes used old techniques, and then filled them with personal experience or life that they had seen with their own eyes. You can vaguely see your own shadow in your works, often empathize, and think more about your own problems through those ridiculous baggage. Now, Mr. Guo is no longer familiar with the bottom, and it is becoming more and more difficult for ordinary people to understand the lives of ordinary people.
Previous cross talk: There is the freshness of hearing about the Yu family's happy things for the first time. I feel that the people and things in those works are not far away from us.
Even some wild imagination once appeared in your mind. It's just that you haven't depicted it like that. Some of them are casual conversations between the small theater and the audience.
That's the most primitive appearance of cross talk.
What the current cross talk has is just memories. The baggage of idols that appeared in order to cater to modern society. There's really no such coke feeling.
Compared with before, there are fewer and fewer real people, no matter what kind of industry, this is undeniable.
The decline in the quality of Guo Degang's cross talk has its own reasons, and the factors of the cross talk market cannot be ignored.
Lao Guo said, cross talk is a performance, on stage, he is not Yu Qian, I am not Guo Degang, we are two actors, we are playing this character, how can you take it seriously? But now Mr. Guo's jokes are getting less and less in the state of entering the characters, and more often he has become a cross talk popularizer, and the state of performing small people is gone. Naturally, everyone will find it boring!
Teacher Guo in 06 is active in a small theater, people are not famous, pigs are not too strong, the audience is mostly people who can listen to cross talk in the capital, the jokes are very smooth, and there was no big plan at that time, the focus is to eat, in that environment can talk a lot, there is a lot to say, and to play.
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It's not going downhill, Guo Degang's cross talk is a traditional cross talk, "Picking a Horse Jacket", "Eight Screens", etc., if you listen to it more, you will know what the next burden is, so you will naturally feel bored.
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I think it's because the more famous people are, the more scruples they have, and there are many who don't dare to use it at all, Guo Degang's small theater performance is okay, and it has regressed a lot on the Internet and on TV, and it is indeed the improvement of everyone's appreciation level, some of them used to be good, but now they are average.
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I think it's going downhill, and the main reason is that because people now have higher and higher requirements for cross talk, and the speed of Internet transmission is very fast, so everyone's love is becoming more and more diverse.
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Because the subject matter is limited, and he doesn't bother to pay attention to cross talk, the content is empty and boring.
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What is boredom! Chat elegant! Nobody listened! Talk about politics! Will talk! It's good to have someone laugh!
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It's been so long, where did you come up with so many jokes.
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I don't completely agree with it because of the so-called "Guo Degang has left the bottom" and other statements.
is out of the bottom, which may lead to him no longer being suitable for saying jokes like "Uncovering the Tile", "Vinegar Lighting the Lamp", "Buying Noodle Tea", "Timid Bath", etc., which were often said to ridicule the poor life when he first became famous in his early years.
But Yu Lun does not affect him to pretend to be ruined and say that "Five Red Pictures", "Five Elements Poem", "The Great Trial", "Looking for a Church", "The Big Bodyguard" and other jokes that make funny actors are to some extent detached from their own identity and background; Even works such as "Offering a Wife and Offering a Child" and "Dream of the Western Expedition" mentioned by some people actually have little impact. In short, Guo Degang, who is rich in life, does not affect him too much to disguise himself as a military strategist, dancer, martial artist, writer, calligrapher, great poet, great benevolent,-smelling expert, second-hand scientist, critic of the three customs, funeral planner, caregiver of brothers and wives, etc.
In addition, Guo Degang's well-known stand-up comedy in the early years, such as "Three Tests of Steaming Bones", "Ugly Niangniang", "Liao Zhai", "Bai Zongwei Falling from the Tower", "Peach Blossom Girl Breaks Zhou Gong" and other works, I think it is not an exaggeration to describe them as "a perfect example of Chinese oral humor art". But if you want to talk about these works, is the underlying identity of the artist a sufficient and necessary condition? Room rent.
No need to explain too much. In fact, there is one fundamental reason why Lao Guo's cross talk is becoming more and more boring, that is, the fact that everyone is not willing to admit and accept in their hearts: he can't say it well.
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Because their cross talk is very cheesy and doesn't have too much connotation, they will feel that Liang Sannian is getting more and more boring. I think that although they have developed cross talk, they should increase the connotation of cross talk more, so that they can develop steadily.
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Guo Degang's cross talk is indeed becoming more and more tasteless, because some of Guo Degang's remarks are sometimes insults to women. Personally, I don't like him very much.
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The current development of cross talk is problematic, because the pace of life is too fast now, one is that they have no intention of tasting it, the other is that they are not interested in clearing the code, and the third is that they cannot attract the audience in form, and in the final analysis, they still can't be very late in the recent era.
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My morning attendant thinks that it may be because Guo Degang always uses a routine to talk about cross talk, so it feels more and more boring, but Guo Degang's cross talk still sounds like a sock.
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Don't go deep into life, dig up some leftovers in the pile of old papers, this is the decline of the Guo faction's cross talk. Learning from Ma Ji and Jiang Kun, going deep into life, and reversing Gao Yuanying reality is the only way out.
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It is inevitable that Guo Degang's cross talk will decline, and it will not be able to keep up with the times.
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It's boring, contentless, just a contrived show!
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Isn't it boring to just wait for those rotten stalks? Cross talk also depends on the herd, Feng Gong is not rigid, anyone can tease, anyone can hold it, the whole is very full, there is no fault.
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It's not getting more and more boring, it's boring, lacking morality, and smoking with a hat at the beginning.
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Your topic is wrong, do you think Guo Degang's cross talk is getting more and more boring? Your personal feelings are just that, you don't represent anyone else.
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Because many of Guo Degang's cross talks are traditional cross talks, which do not conform to the aesthetics of young people now, many people feel more and more bored.
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Because Guo Degang rarely talks about cross talk now, sometimes he talks about cross talk as an old stalk in the past. Because Guo Degang has a lot of variety shows.
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That's because Guo Degang almost doesn't talk about cross talk now, and if you listen to the previous cross talk over and over again, of course you will feel bored.
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This is because, after all, some of the elements in cross talk are still the same as before, and there have been no major changes, many young people will feel that they can't keep up with their own aesthetics, and they will feel more and more bored.
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I think it may be because Guo Degang hasn't said cross talk for a long time, and he now basically gives Deyun social networking to his son Guo Qilin to take care of.
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Because now Guo Degang rarely comes out to talk about cross talk. Guo Degang advocates all-round development. From film and television to variety shows. Full flowering. So there will be no new works. The audience feels that it is worse than the original.
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may be because he hasn't said it for a long time, and he has lost the flavor of the original cross talk, and now Guo Degang is training other students to speak cross talk, and he rarely performs cross talk on stage.
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Guo Degang's creative peak has passed, and now Guo Degang almost doesn't create new jokes, which is indeed not as good-looking as before.
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Some people say that Guo Degang's cross talk is much worse than the original time, and that's because he has now become a successful person, every day. There are a lot of socials and things. So to cross talk.
The performance is not as much as before, so the current cross talk is not as good as the previous one.
This is really not easy to find, but you can listen to the passage of Pi Fengshan recruiting relatives and making a fortune, which is also about hooligans
The full name is "The Song of the Righteous Old Man Persuading the Good". >>>More
There are many highly educated people who say cross talk today, and the hot cross talk market has been driven by Guo Degang, and many people have begun to pour into the cross talk industry, all pointing to this bastard, such as the formula cross talk Li Hongye of Jiaotong University, the two of them say cross talk, they are both doctors of Jiaotong University, highly educated, but when it comes to highly educated cross talk actors, one has to be mentioned, he is Li Yinfei, the young man is a doctor from Tsinghua University, this is amazing, a doctor from the highest university in my country, this is even more powerful than Li Hongye. Li Yinfei also participated in "Cross Talk with Newcomers" and CCTV's "First Cross Talk Sketch Competition", and his performance in the two programs is still remarkable, and he also took the road of traditional cross talk, and did not make major innovations in cross talk like the doctors of Jiaotong University. >>>More
I think Guo Degang's contribution is very great. If it weren't for Guo Degang's persistence, maybe modern cross talk would not be as popular with the audience as it is now.
Guo Degang, born in Tianjin in 1973, has been fond of folk art since childhood. At the age of 8, he joined the art world, first learned storytelling from his predecessor Gao Qinghai, and then followed the famous cross talk Chang Baofeng to learn cross talk, and then studied under Hou Yaowen, and received guidance and teaching from many famous cross talk artists. During this period, he also studied Peking Opera, Ping Opera, Hebei Bangzi and other operas, and traveled in Liyuan, which played a very important role in enriching his cross talk performance. >>>More