The basic skill of painting is sketching, so why do you have to draw some still lifes?

I have been practicing sketching since junior high school to university, and sketching is also indispensable in the school classroom, so sketching is a compulsory course for painters. Sketching is the foundation, no matter what you learn, the foundation is not good, if you want to understand something deeper, to reach a deeper realm, it is very difficult. Of course, sketching is not so simple, and it involves a wide range, such as sketching is divided into (still life, head, half-body, whole body, human body, landscape, design sketch, sketch (character, landscape sketch) and so on.

If you want to learn costume design, you need to know the structure of the human body, and you can deepen your understanding of the structure of the human body by drawing more character sketches and full-body sketches. Of course, if you want to draw these well, it is still the same sentence, the foundation must be solid! In my experience, doing sketching well can make a big difference to your modeling ability......As long as you will work hard you will succeed, come on!

。Painting is a very important thing, only if you really love it can you discover the essence of it, learning art mainly depends on a lot of practice and the correct guidance of the teacher, if you can find a way to do it, diligent practice will improve quickly.

The most important thing is that the accumulated painting experience and the understanding and generalization of the form, our teacher also said that the more people can generalize, the more wonderful the painting is, of course, this is under the premise of strong ability to grasp the form.

Basic: Learning art is nothing more than sketching. Color.

Appreciation, sketches are divided into still lifes. Plaster headshot. For life-size heads, we generally start with geometry, then move on to sketching still lifes, and then to plaster.

Really reach a certain level and then draw a real person's head. Color still life is mainly for the college entrance examination, which is inserted behind the sketch scene, it requires a certain sketching skill, and the last college entrance examination is the silent writing of real head portraits and color still lifes. As a high school student, I only know so much, so if it's a job in the future, I'll consult more professional people.

1.Copying is not about resembling the original painting, it is just a shortcut for us to understand the meaning conveyed in the painting and its expression more quickly, referred to as the painter's painting style. Therefore, you should try to change some different styles, to understand the different styles of different painters, (of course, not to change randomly, but on the basis of understanding), and after practice, you can find your own painting techniques and styles in the near future.

2.Be sure to persevere, our teacher said: when you can't stand it because you can't start or feel that you will be looked down upon by others, you must try to make yourself through, you can't draw can let the teacher tell you how to draw next, sometimes you don't have to force yourself to be how strong, we can't do our best right away, only better than the past is really improved.

3.This level is difficult to say, it is best to improve slowly under the guidance of the teacher, because the teachers have their methods and understanding of drawing, and asking for advice from time to time can improve your level faster.

Friend, painting is more important than being content because of a little improvement, it is endless to learn. Persistence is a must, just like climbing a mountain and getting tired of climbing a mountain, I want to go home several times, but the thought of being able to see the scenery at the top of the mountain that others can't see will give us upward motivation and eventually reach the top. When you have your own creative methods and inspirations, you can also follow the path of Leonardo da Vinci.

I wish you an excellent painter soon.

Because still lifes are relatively easy to draw, and they usually draw geometry first.

According to your request, I will send you the following sketch copy of the work

The eight steps are:

1.Whether copying or sketching, the first thing to look at is to look at the object, and the second is to think.

2.Brushing, positioning, composition, and generalization.

3.Find the shape of each object specifically, pay attention to the perspective, the accuracy of the shape.

4.Find light and dark boundaries and projections.

5.Pave the color, unify the dark part, and treat the dark part and the projection as a whole.

6.Aggravate the dark part, over-gray the surface, distinguish the inherent color of different objects, as well as the color of the environment, and enhance the contrast.

7.Rub the picture.

8.Shape and adjust the picture in depth. Accentuate first, then brighten. Delineate the details.

To draw a sketch is to look at the painting more, the painting that is worth learning, think more and think more about the problems that still exist in your own picture, correct it in time, and paint it with more hands, practice makes perfect. You need to be high-eyed.

First, it is necessary to master the correct method of observation. Through the observation and analysis of the structure, composition, light and shade, rhythm, relationship between virtual and real, spatial relationship, texture and overall relationship of still life, etc., the overall understanding of students will be improved.

Second, modeling training and the use of various relationships. The relationship between the virtual and the real, the relationship between black, white and gray, the relationship between contrast and the relationship of the whole.

Third, the overall adjustment. The overall adjustment is the final stage in the formation of a good sketch.

The basic process of learning to sketch still life is to first master the correct observation method, improve the overall awareness of the students, then improve the students' modeling ability and composition ability, and finally adjust the overall work, so that it is an excellent sketch work.

First learn the basic principles of perspective and observe light, objects are three-dimensional, so there are three sides: light, dark and gray, generally draw a cube first, then learn to draw fruits, and then combinations, including bottles, jars, cubes, fruits, etc. In the process, I also have to copy some works. Once you have mastered the key, you can draw a plaster cast of higher difficulty.

Start with the boundary between light and dark, pay attention to follow the type when you are in the upper tone, and then begin to transition to the bright and dark parts, and then focus on the shape in the dark part, and then draw too much on the side. In the process of raising the tone, we must pay attention to the turning surface of the scene, the lines should follow the turning relationship, and pay attention to the overall effect of the five major tones and three major sides.

Styling for beginners.

Composition of a large tonal distinction picture.

In-depth portrayal and adjustment.

Shaping - Determining the basic light and shade and projection - Going deep into the relationship between light and dark to further correct the shape.

Have a good composition, novelty! Then there is the boundary between light and dark for each object, which separates the front and back spaces.

Styling (to be accurate).

Pull the relationship between light and dark in a big tone.

In the gradual portrayal.

When depicting, observe the larger environment.

You need to learn how to compose a picture first, and then find the boundary between light and dark.

1 Composition 2

Find the boundary between light and dark.

3.Spread the general tone of the light.

4.From dark to shallow.

5.Spread light and shade according to the law of light receiving.

6.Make an in-depth portrayal and adjust the overall effect. Sign your name date at the end. Hee-hee, personal experience.

You can position it first, then measure the proportion, compose the picture, and color

Finally, draw the projection part、、、

1. Distinguish the two sides of light and dark.

2. Find the boundary between light and dark.

3. Lay a layer on the dark part, and keep up with the projection and reflection. Gray surface at the same time.

4. Express texture and in-depth portrayal. Pay attention to various contrasts, such as the contrast of light and dark levels, the strong contrast between light and dark, the relationship between virtual and real objects, the spatial relationship between front and back, the relationship between objects and the background, etc.

1.Find out the general structure.

2.Find the boundary between light and dark.

3.Find out the projection and darkness.

4.From light to dark, lay a layer of darkness.

5. Take into account the overall tone.

6.Find out the contrasts and lay the tone while taking into account the whole.

First of all, lay out the paper and sharpen the pencil! Hehe.. Just kidding.

First, carefully observe the still life, choose the appropriate angle, and use long large lines on the paper to outline the composition frame.

Second, select the main object, the position of the subject object in the picture, generally a little to the left, or a little to the right, use long lines to give the approximate shape, and use the main object as the standard to determine the position and size of the still life next to it.

Third, further determine the shape of the still life, (don't deduct it too much!) It is best to express it in the form of a structural sketch, find the boundary between light and dark, and use the flanks to spread the tone, regardless of the difference between objects, and the tone on the dark surface without difference, so that the effect will make the picture look neat! Be loose with a pen!

If you feel that the effect is not ideal, you can wipe it appropriately with a paper towel, don't wipe it too hard, and you will find that there is no lead in the back of the tone.

Fourth, go back to the main object and find the darkest place to tone up, from dark to gray layer by layer, and the objects next to you follow! Sometimes you find that the object next to you is as dark as the main object, at this time, it is necessary to subjectively deal with it slightly differently, or the contrast is weaker, pay attention to the object in the sketch is not shaped, the so-called shape is black, white and gray contrast pressed out of the type, remember this point will not be too dead. From the darkest place, step by step.

Layer upon layer! At the same time, pay attention to the uniform color tone of the whole surface! Remember this saying, any sketch with the correct way to draw, any time you stop is a complete sketch!

To be complete is to have black, white and gray!

Fifth, deal with the bright surface, use a hard lead, sharpen it, depict the boundary between light and dark, and use some beautiful lines to make the transition more exciting. Find some details on the main object to depict it, so that the picture looks a little aura and interesting! Don't deduct too much!

Sixth, take out the plastic eraser, polish the shiny surface a little brighter, adjust the whole picture, put the painting in the distance, and see if the picture is whole! Whether the subject object is prominent. Adjust it!

ok！A still life sketch is all you need! As for how well you draw, it depends on your sketching skills! Come on! Drawing takes time to grind! I miss the days of painting sketches and still lifes.

There are many ways to draw, depending on how you use it, but there is only one backbone from beginning to end: the whole - the whole - the whole - the part. The process of painting always revolves around the arrangement of the painting, and only when everything is adjusted can the local refinement be carried out, even if it is the process of refinement, it is necessary to maintain the unity of the whole, which is called local wholeness.

Your painting is "looking" as a whole, not "composition" as a whole.

This step can be understood as the standard painting steps for the exam, I also take students in itself, there will be steps in the general book, in general, from the whole to the part, and then from the part to the whole, you can practice the steps in the book step by step, don't worry about your own casual drawing, otherwise the improvement is slower.

Hard work is the best way, step by step, step by step.