Artistic analysis of Tao poems, the artistic style of Tao Yuanming s poems

The artistic characteristics of Tao Yuanming's poetry are: simple language, vivid and exquisite, harmonious and complete, and far-reaching artistic conception.

1. Harmonious and complete, far-reaching artistic conception.

In Tao Yuanming's poems, there are many sentences that describe the scenery. These sentences use white description and freehand techniques to write the bits and pieces of life poetically, enriching the reader's imagination, as if showing a vivid and interesting picture with far-reaching artistic conception in front of the reader.

2. The language is simple, vivid and exquisite.

Advocating nature is Tao Yuanming's core idea, and his poetry is certainly no exception. His language is simple and down-to-earth, not delicate or pretentious. Just like himself, Tao Yuanming has always maintained the purity of moral integrity in his career.

Because of the firmness of personality and the high degree of unity of life experience, the poems created are very infectious.

Biography: 1. Early life:

Tao Yuanming's great-ancestor may be Tao Kan (there is still controversy, but the kinship between the two is definitely concise). Maternal grandfather Meng Jia, a famous scholar in the Jin Dynasty, married Tao Kan's tenth daughter. Grandfather did Taishou (grandfather's name has two words, or Ming Dai or Ming Mao), and the specific deeds of my father are no longer available.

There is a sister, Xiao Yuanming is three years old, and later married a family surnamed Cheng, so Tao Shiwen called Cheng's sister when she mentioned her.

Judging from his father's concubine, Yuanming's original family background was not too bad. When he was eight years old, Yuan Ming's father died, and the family gradually declined. His mother died at the age of twelve, and his family was particularly poor when he was twenty years old.

In that era when Laozhuang was prevalent, he was also influenced by Taoist thought, and liked nature very early, and in his body, he had both Taoist and Confucian cultivation.

2. Career:

At the age of twenty, Yuanming began his career as a wanderer to earn a living. At this stage, the details of the low-ranking officials he was forced to serve by life are no longer available. After a short period of home life, at the age of twenty-nine, he served as a priest in Jiangzhou (the specific responsibility of this official position is still to be examined), and soon he was unable to serve as an official and resigned and returned home.

Soon, the state called him to be the chief bookkeeper, and he resigned from the matter, and still ordered the sedan chair to live at home.

In the second year of Long An (398 AD), Yuan Ming joined Huan Xuanmu. At the beginning of the fourth year of Long An (400 A.D.), he was sent to enter the capital, returned home from the capital in May, and was blocked by the wind in the forest, and there was a poem "Gengzi Year in May from the capital to block the wind and the forest", expressing his desire to return home and the nostalgia for the garden and the old residence. A year later, due to his mother's funeral, he returned to Xunyang for funeral.

At the end of the three-year Ding Wei period, Yuanming went out again and joined the army as Liu Yu, the general of the town army. At this time, his mood was contradictory, he wanted to show his ambitions for the official, but after he became an official, he still missed the countryside.

In March of the first year of Yixi (405 AD), Yuanming joined the army for Liu Jingxuan, the general of Jianwei, and passed through the capital of Qianxi, and the turmoil between Shi and Ploughing has been more than ten years, and he has been tired of seeing through the life of the eunuchs.

First, Tao Shi's style is plain and natural. This is inseparable from the content and expressive characteristics of his poems. The main content of his poems is the ordinary pastoral scenery, the daily life in the countryside, and the quiet state of mind in this life; And through simple language and white drawing techniques, it is written frankly and naturally, making people feel as if they are really obedient"It flows naturally from the chest", without a trace of an axe chisel.

For example, the first poem of "Reading the Classic of Mountains and Seas" (Mengxia Grass and Trees Grow) is completely used in white description, and the language is very plain, so that people do not have any difficulty reading it, and only feel that they have come into contact with a life scene, and these scenes, life, and the poet's interests and moods are all the poet's real feelings, so it is written very kindly.

Second, Tao Shi's style is plain and pure. Although Tao poems are plain, they are not shallow, on the contrary, they only make people feel pure and flavorful. Although his poetic language is only very ordinary?

quot;Tianjia language"However, it has undergone a high degree of artistic refinement, and it contains rich images in a very quintessential language, which have a very deep foundation for life, whether it is natural scenery or social life.

Third, Tao poems are also full of artistic conception. Nowhere is this more evident than in his idyllic poems. His pastoral poems are different from Xie Lingyun's landscape poems, Xie poems often only give people objective landscape pictures, while Tao poems bring people into contact with the pictures of pastoral life, and at the same time, lead people to a realm.

Fourth, Tao poems have different styles due to different contents. For example, most of his idyllic poems are plain and natural, with pure meaning, but poems such as "Yongjing Ke" seem bold and powerful. But although it is bold, it is nevertheless"Unbelievable", and his idyllic style still have something in common.

First, it is the harmony of feelings, scenes, things, and reason, which is plain and meaningful. Tao Yuanming's description of scenery does not pursue the similarity of objects, nor does the narrative pursue the twists and turns of the plot, but expresses the feelings that are higher than the world through things that are visible to everyone and ordinary things, and writes about the truth that people may not be able to understand.

Second, the language style of Tao Yuanming's poetry is plain and pure, with caution in the plain and beautiful in the simple. In the poem, everything is told truthfully, and even adjectives are rarely used, just white descriptions, simple and natural. And this language is not untempered, but it does not show traces, and it seems plain and natural.

However, under the plain appearance, it has simple and rich feelings, a strong breath of life, a rich and vivid image, and a timeless charm to read.

Third, it is plain and bold. This refers to the diversity of Tao Yuanming's poetic styles. Due to the different content of the poems, the style is not exactly the same. His idyllic poems show idleness and dilution, while some poems such as Yongshi are bold and powerful.

Tao Yuanming's poems are not only the silent struggle of a generation, but also a song of desolate grief and indignation, and also the sound of his iron bones that hate the world and hate the world. His personality, his ambitions, and his poetry have had a profound impact on us today. And his pastoral poems are treasures in the history of Chinese literature, opening up a new realm for classical poetry and making great achievements in art.

Especially in the description of rural scenery and pastoral life, it is unique, and gives readers the enjoyment of beauty with its strong artistic charm.

Tao Yuanming is a representative of the landscape pastoral school, due to the darkness of the politics at that time, he was depressed and unwilling, he was bent on the life of the paradise, and wrote the famous "Peach Blossom Spring" under the east fence of picking chrysanthemums, and leisurely seeing Nanshan It highlights his mood of yearning for a better life.

Tao Yuanming is good at poetry and rhetoric, and his poems mostly depict natural scenery and scenes of life in the countryside, among which the excellent works convey the weariness of officialdom and secular society, showing his desire to clean himself and be unwilling to bend to meet him, but also to promote negative thoughts such as "the impermanence of life" and "the destiny of happiness". Its artistic characteristics are both plain and hearty, the language is simple and natural, and it is extremely refined, with a unique style. He was the first pastoral poet in my country.

And with the theme of yearning for a better life. Mr. Zhou Xinguo is one of Tao Yuanming's masterpieces, written in the second year of Yongchu (421), depicting a paradise. Taking the whereabouts of Wuling fishermen in and out of the Peach Blossom Land as a clue, it depicts a society without class, without exploitation, self-reliance, self-sufficiency, peace and tranquility, and everyone is happy.

[Qing] word Jin Gong, Dengzhou (now Penglai, Shandong) people. Good landscape. "The Continuation of the Illustrated Treasure Book".

Tao Yuanming (about 365-427), the character Yuanliang, Mr. Wuliu, known as Mr. Jingjie, changed his name to Qian after entering the Liu Song Dynasty. At the end of the Eastern Jin Dynasty, he was a poet, writer, writer and essayist in the Southern Song Dynasty. He was born in Xunyang Chaisang (now Jiujiang City, Jiangxi Province) in the Eastern Jin Dynasty.

He has been a petty official for several years, and then resigned and went home, and since then he has lived in seclusion, pastoral life is the main theme of Tao Yuanming's poems, and related works include "Drinking", "Returning to the Garden", "The Story of the Peach Blossom Spring", "The Biography of Mr. Wuliu", "The Words of the Return", "The Peach Blossom Spring" and so on.

Ruan's poem "Twelve Miscellaneous Poems" and Tao's poem "Eighty-two Songs".

1.Imago. The former is a bright moon and a clear breeze and a lonely bird.

The latter is a lonely shadow in the white sun and the moon in the breeze.

2.Artistic conception.

The former begins with a straightforward expression, borrows the scene in the middle to lyrical, and ends with a topic.

The latter creates an atmosphere at the beginning, melts into the scene in the middle, touches the scene, and ends with a topic.

3.Artistic conception. The former is bleak and terrifying, and the latter is empty and deserted.

4. Emotion. The former is lonely, depressed, and angry, and his feelings are vague and tortuous.

The latter expresses the sadness of the passage of time and the difficulty of rewarding ambitions, and the feelings are more direct, pointing out the reasons for the sadness.

Style: The words are simple, unpretentious, quiet and tranquil, such as "ambiguous distant village, smoke in the ruins", the artistic conception is quiet, beautiful, harmonious and indifferent, and there is warmth.

Historical value: Tao poems were not valued at that time, that is, in the Eastern Jin Dynasty in which Tao Yuanming lived and for a long time afterward. It was not until Xiao Tong, the prince of Zhaoming in the Liang Dynasty, personally compiled, prefaced, and biography Tao Yuanming that he began to be taken seriously, and the value was slowly reflected.

Tao Yuanming's poems are sincere, simple and natural, and sometimes reveal the idea of escaping reality and knowing his fate, so Tao Yuanming is known as the "pastoral poet" and the originator of the pastoral poetry school. His poems can be divided into three categories: drinking poems, poetry and pastoral poetry.

Fresh and simple, elegant and tranquil, idyllic. It belongs to the early stage of the development of Chinese poetry quatrains, inheriting the past and opening up the future.

Tao Shi's style is naturally diluted into the mainstream.

Tao Yuanming inherited the realist tradition of Yuefu and formed his simple and natural pastoral integration, which created a new realm for classical poetry and developed the poetic form of five-character poetry. In Tao Yuanming's era, "the true wind is gone, and the great pseudo-Si Xing", he came out of office because of poverty, witnessed the darkness of officialdom, and was unwilling to go along with it, so he was determined to resign and retire to maintain his own personality spirit. His idyllic paintings depict the beauty of natural scenery, praise the peace of rural life, and also express the joy and toil of participating in agricultural production and labor.

It has created an artistic realm where feelings, scenery and reason are intertwined, and plain and mellow are unified. "Returning to the Garden and Pastoral Home" and "Drinking" are his representative works of pastoral stool poetry.