From the representative work of Jian an Fenggu , we can see the literary connotation of Jian an Fe

In the late Han Dynasty, the literary giants of the Jian'an period, the "Three Cao" (Cao Cao, Cao Pi, Cao Zhi) and the "Seven Sons" (Kong Rong, Chen Lin, Wang Cang, Xu Gan, Ruan Yu, Ying Ling, Liu Zhen) inherited the realist tradition of Han Yuefu folk songs, and generally adopted the form of five words, which was known for its strength and strength, and had a generous and sad masculinity, forming a unique style of "Jian'an style and bones" in the history of literature, which was respected as a model by later generations. Whether it is "Cao's father and son" or "Jian'an's seven sons", they have lived in the land of Heluo for a long time, and this kind of cool and robust style is closely related to Heluo culture. "Wind and bones" is an important concept in the history of Chinese literary criticism, and it has been the main criterion for literary evaluation from the Southern Dynasty to the Tang Dynasty.

What is "wind bones".

The term wind bone was first used in a large number of Wei, Jin, and Southern Dynasties character reviews, generally speaking, "wind" refers to spiritual temperament, and "bone" focuses on the shape of the finger bone, and the two are inseparable, and they are combined into one wind bone. Later, it was cited in painting and calligraphy theory and literary criticism. As for literary criticism, Liu Xian's "Wenxin Carving Dragon: Wind Bones" by Liu Xian of the Southern Tang Dynasty is the most sophisticated

The melancholy narration must begin with the wind; Silent rhetoric, don't precede bones. Therefore, the words are treated to the bones, like the remains of the body; The wind of love, the shape of the envelope. If the conclusion is straight, the text will be complete; Spirited and cool, the style of writing is vigorous.

It means that the straightforward rhetoric combined with the cool spirit forms a "wind bone" with strong style and artistic appeal.

What is "wind".

Wind is the vitality of the article, is an intrinsic, can infect people's spiritual power, with the wind, the article can be vivid and vivid, of course, "wind" is always more virtual, it is related to the content and emotion of the work, but does not refer to the content and emotion itself. The bone refers to the expressiveness of the article, that is to say, the article should be strong and powerful, and "bone" is a more practical concept, which is directly reflected in the use of language; The language is accurate, concise, and clear, and the article can be powerful. The concept of wind bones emphasizes integrity, and they can be understood from different aspects, but they cannot be viewed as two concepts.

Jian'an style refers to the group of writers represented by "Three Cao" and "Seven Sons" during the Jian'an period at the end of the Han Dynasty. They have experienced social turmoil, and their lives and thoughts have undergone great changes. Their creations inherited the realist tradition of Han Yuefu folk songs, reflected the rich social life, reflected the spirit of the new times, and had a unique style of generosity and sadness, which later generations called "Jian'an Fenggu".

Zhong Rong's "Preface to Poems" proposed "Jian'an Wind Power" is the original expression of "Jian'an Wind Bone", Liu Xian's "Wenxin Carving Dragon".

The articles of "Wind Bone", "Ming Poems" and "Time Sequence" give a comprehensive theoretical explanation of it, and Chen Ziang's "Preface to the Bamboo Cultivation Chapter" uses "Han and Wei Feng Gu" to refer to this concept.

Representative people and works

The outstanding representative of Jian'an literature is Cao Zhi. He has more than 80 poems, 40 poems, and about 100 other genres. His poems are "extremely high-spirited and eloquent", and he is the first outstanding poet in China to write a large number of five-character poems and have a high artistic level.

The leading figure in the "Seven Sons" is the banquet Wang Cang, his "Seven Mourning Poems".

and "Ascending the Tower".

It is widely recited. "Seven Sons" In addition to poetry, Chen Linshan wrote essays, and Xu Gan left a theoretical work called "The Theory of the Middle".

Cao Cao was a hero and poet whose poems surpassed Cao Zhi in reflecting social life. His four-word poems have a strong style and straightforward language, and there is no other four-word poem that can compare with it except for the four-word poems in the Book of Songs. His representative works include "Artemisia Travel".

Tanka Xing", "Step Out of the Summer Gate".

Wait. Cao Picun has more than 40 poems, and his style is soft and graceful. His "Yan Ge Xing".

It occupies a prominent position in the history of the development of seven-word poetry. His "Treatise on the Classics**".

It is an important work in the history of literary criticism, and has put forward unique insights on the function of literature, stylistic characteristics, and writers' styles.

1. Ying Ling: <>

Ying Ling's character Delian, a native of Nantun in Runan of the Eastern Han Dynasty. Literary scholar in the late Eastern Han Dynasty, one of the "Seven Sons of Jian'an". Ying Lingchu was Cao Cao, the king of Wei.

He was appointed as the prime minister, and later became the marquis of Pingyuan.

Concubine. Cao Pi.

When he was appointed as the general of the five officials, Ying Ling was the literature of the general's mansion. In the twenty-second year of Jian'an, Ying Ling died of an epidemic.

2. Ruan Yu: <>

Ruan Yu Yinheng character Yuan Yu, a native of Chen Liuwei's family, was a literary scholar in the late Eastern Han Dynasty and one of the seven sons of Jian'an. Ruan Yu's chapter list secretary is very good, and most of the militaristic scripts at that time were drafted by Ruan Yu and Chen Lin. His famous works include "Writing Books for Cao Gong and Sun Quan".

3. Xu Gan: <>

Xu Ganzi Weichang, a native of Beihai County. He was a famous writer, philosopher, and poet in the Eastern Han Dynasty, and one of the "Seven Sons of Jian'an". Diligent and studious since childhood, well-informed and knowledgeable.

After Cao Cao pacified the north, he served as the subordinate of the division of the air force to seek sacrifices to the wine Peng, and was transferred to the five senses Zhonglang General Wenpeng. In the spring of the twenty-second year of Jian'an, he died of illness at the age of forty-eight.

4. Wang Cang: <>

Wang Cangzi Zhongxuan. A native of Gaoping County, Shanyang County. Literary scholar in the late Eastern Han Dynasty, **, one of the "Seven Sons of Jian'an", great-grandson of Taiwei Wang Gong, and grandson of Sikong Wang Chang.

Wang Cang has been famous since he was a child, and he is a scholar Cai Yong.

appreciated. Situ wanted to recruit him as the Huangmen squire, but Wang Cang did not go to the post because of the chaotic situation in Chang'an, and chose to go south to attach himself to Liu Biao, the pastor of Jingzhou, but was not reused by Liu Biao. In the thirteenth year of Jian'an, Prime Minister Cao Cao conquered Jingzhou in the south, Liu Biao's son Liu Cong surrendered to Juzhou, and Wang Cang also returned to Cao Cao, who won the trust of Cao's father and son, and was given the title of Marquis of Guannei.

5. Chen Lin: <>

Chen Linzi Kong Zhang, a native of Guangling. Literary scholar in the late Eastern Han Dynasty, one of the "Seven Sons of Jian'an". There is no definite test of the year of birth, but it is known that he is older in the "Seven Sons of Jian'an", and he is about to be with Kong Rong.

Fairly. Emperor Ling of Han.

In the last years, Chen Lin served as the general He Jin's chief bookkeeper. He Jin summoned the Quartet border generals to enter the capital Luoyang in order to punish the eunuchs, Chen Lin once admonished him, but He Jin did not accept it, and finally was defeated and killed.

Dong Zhuo. Recklessly arguing about doing evil in Luoyang, Chen Lin took refuge in Jizhou and entered Yuan Shao.

Shogunate. After Yuan Shao's death, Chen Lin followed Yuan Shang. Yecheng was lost, and Chen Lin was captured by Cao's army. Cao Cao loved his talent and did not blame it, and he was appointed as the air force division to sacrifice wine, so that he and Ruan Yu were in charge of the same room.

Jian'an style bone, called "Wei Jin style bone", this is in the Jian'an period to Cao Cao's three father and son as the representative of the creation type, mainly reflects the social turmoil and people's livelihood suffering, with the "generosity and sadness" of the unique style at the same time, but also shows the ideal and ambition of unifying the world, with very distinctive characteristics of the times.

Chapter 1: From Jian'an Style to the Sound of the Beginning Jian'an Literature What is Jian'an Literature: 1. Emperor Jian'an of the Han Dynasty gave an example of the use of the figurative technique in the poem, and the linguistic characteristics of the poem? Answer: "Morning dew" is a metaphor for life.

I remember the most that Liu Ling held the wine and asked the little guy to run behind the car with a hoe, saying that if he was drunk to death, he would be buried on the spot.

Just look for the history of Chinese literature and come out.