There is no limit to which words in the poem are plain

According to the traditional saying, the flat tone is a flat tone, the upper tone is a rising tone, the sound is a falling tone, and the sound is a short tone

The flat voice is not low, the upper voice is loud and strong, the voice is clear and mournful, and the voice is short and urgent.

To put it simply, the key to distinguishing between the uneven is "uneven is the unequal".

Pingsheng, which is roughly equivalent to the first and second tones in Mandarin; The sound is roughly equivalent to the third and fourth tones of Mandarin. In the quatrain, the upper and lower sentences, the second word, the fourth word, and the sixth word should be evenly opposed, if the word in the previous sentence is flat, the word in the next sentence should be the same sound, and vice versa.

The ancients paid attention to the relative of the ordinary and the opposite when writing poems, and used the balance and alternation of Chinese tones to create the beauty of the tone in the language, which was catchy to read and the rhyme was pure.

Are you very demanding? Do you have to be even?

The requirements in the poems are strict, the rhythmic poems pay attention to the plain, the lyrics should pay attention to the plain, and the ancient style poems do not pay attention to the plain except for the rhyme.

The poems and songs from the pre-Qin to the Wei and Jin dynasties were all rhymes, and they were all used for singing at the earliest.

The concept of four tones and Pingxuan began to exist in the Northern and Southern Dynasties, and Qi Liang did not have any Pingxuan before, and of course he did not consider Pingxuan when writing poems. During the Yongming period of the Qi Dynasty, Yongming poets represented by "Jingling Eight Friends" began to pay attention to the four tones: Pingshang entered.

Among them, Ping is the sound of Ping, and going up and entering is the sound of Ping.

After Qi Liang, poets began to pay attention to the application of the four tones and the flat line, and Shen Yue and others even came up with the "eight diseases" that should be paid attention to when composing poems, and the theory of "eight diseases" was completely based on the theory of the four tones and the flat line, but later generations did not fully recognize the eight diseases.

In the early Tang Dynasty, close style poems (metrical poems) began to have clear rules, and the four basic sentence patterns that were equal to each other were combined into four types of poems according to the rules of battle and adhesion. Gelu poems were included in the imperial examination during the Tang Gaozong period, and when the judges wrote poems, they were out of the game if there was a problem with the "Pingxuan", and there must not be any sloppiness.

However, even in the Tang Dynasty, not all poems should be considered Pingxuan, many poets like to write ancient style poems that do not pay attention to the rhythm, this kind of poetry only needs to pay attention to the Pingqian of the rhyme, and other words do not need to be paid attention to.

To sum up, the ancients before Qi Liang did not consider the level of poetry when composing poems; The ancients after Qi Liang wrote poems in two kinds, they should pay attention to the level of rhythmic poems, and they only need to pay attention to the level of rhyme feet when writing ancient style poems.

Pingqi rhythm is a set of rhythmic tools to help us create near-body poems, we don't write near-body poems, we can ignore it, but if we want to appreciate and create near-body rhythmic poems, we have to learn anyway.

The ping of poetry is the sound of ping (Mandarin is divided into yin ping and yang ping). 仄 is to go up and enter the three tones (Mandarin is classified as the upper sound, go to the sound, and the sound is classified into each sound respectively).

The so-called "仄" is "side", that is, the meaning of unevenness. If you use these two types of tones in a poem, you can diversify the tones without being monotonous.

Brief table of equals. The five laws are equal: the first and second words of the first sentence are all flat.

Five rules from the beginning: the first and second words of the first sentence are all voices.

Seven rules are equal: the second word of the first sentence must be flat.

Seven rules from the beginning: the second word of the first sentence must be in a voice.

Couplet: (couplet) up and down.

Pingqian itself was created for metrical poetry. Before the production of metrical poems, the four-tone rhyme was kept. This was due to the need for the simplification of the rules of the metrical poem. The pronunciation relationship is instantly clear and clear. One or two sentences are opposite, two or three sentences are sticky, and three or four sentences are opposite.

Ping Qian is to say that the yin and yang are flat, such as the upper sound and the lower sound, and the sound refers to the upper sound, the flat sound refers to the flat sound, and the sound refers to the lower two sounds, we have learned the sound of the sound, but in ancient times there was also the sound of the voice, and the sound of the voice refers to the short sound, such as the crow, which is the flat sound now, and the occupation of the generation is the sound.

The level of the poem is the most basic of the poems, and the tone of ancient Chinese is divided into four tones: flat, up, go, and in. "Ping" refers to the flat sound in the four tones, including the two tones of Yin Ping and Yang Ping; "Xu" refers to the sound of the four tones, including up, go, and in.

The flat meaning of the poem refers to the fact that the dual sentences in the poem should be flat and relative, the rhyme is harmonious, the reading is rhythmic, and catchy.