This section briefly describes the development of modern symphony music in the 20th century

Pro, the centers for the development of symphonies in the 20th century were France and Italy. The symphony is an important form in the history of development. The word "symphony" originates from the ancient Greek line, which means "symphony".

The early symphonies evolved from the Italian opera overtures of the late 17th century, and the structural form of the overture "Allegro-Adagio-Allegro" laid the foundation for the symphony's suite form. In the 18th century, the symphony of the overture gradually broke away from the opera and absorbed the elements of other instrumental pieces, and developed into an independent instrumental genre with three movements, which still belonged to the works of small orchestra or instrumental ensemble. Later, after a large number of creative practices of Haydn and Mozart, the standardized symphony form was finally established, that is, the ancient symphony. It consists of 4 movements:

First movement, Allegro, sonata style; The second movement, Adagio (or slightly slower), is abridged in sonata, three-stage, three-stage, and variation, lyrical; third movement, Allegro (or slightly faster), minuet; Fourth movement, Allegro (or Adagio), rondo, sonata rondo, etc. In addition, the overall tonal layout, harmonic structure, contrast and balance between the movements, and the combination and scale of the instruments in the orchestra have all been standardized and basically finalized. Under Beethoven, the symphony was brought into full play, with the enlarged section and epilogue of the piece, the strong contrast of the theme, the dynamic harmony, and the replacement of the minuet with a scherzo in the third movement, all of which are concrete manifestations of Beethoven's deepening of the symphonic genre.

Symphony music was introduced to China at the end of the Qing Dynasty. At that time, China was reduced to a semi-feudal and semi-colonial society, and it was constantly beaten and bullied, so it had to train the "new army" and train the army according to the Western method, so it also copied the military band.

When he was training the "New Army" near Tianjin, he sent people to Germany to study and set up a military band. Xiao Youmei (1884-1940) returned from studying in Japan and Germany, and ran a small orchestra at the ** Mission Institute of Peking University, playing symphonic works. The Ministry of Industry Bureau of the Foreign Concession in Shanghai also ran a symphony orchestra, and during the Anti-Japanese War, there was a symphony orchestra in Chongqing.

In Yan'an, our party has run the Yan'an ** Orchestra. Comrade He Luting's "Gala" and "Senjidema" are orchestral ensembles written for this orchestra. After I arrived in Yan'an in 1946, I worked as a conductor and teacher in this orchestra, and Xian Xinghai wrote several symphonic works, but due to the conditions at that time, I could not play the symphony orchestra and the comprehensive development of the creation of symphonic works.

At present, China's composers have created a large number of symphonic works, and in May 1981, the "First National Symphony Works Award" was held. China has the ** Orchestra, China Broadcasting Symphony Orchestra, Shanghai Symphony Orchestra, Shanghai Orchestra, Guangzhou Orchestra, Beijing Film Orchestra, Shanghai Film Orchestra, Changying Orchestra, Zhuying Orchestra, Shaanxi Orchestra, Jiangsu Orchestra, **Opera House, China Opera and Dance Theater, **Ballet, Beijing Song and Dance Troupe, Shanghai Ballet, Tianjin Song and Dance Theater all have fully compiled symphony bands; The song and dance troupes of each province, autonomous region and army have their own orchestra.

Symphony music is promising in China. However, it is still an extremely difficult task to improve the level of creation, the combination of our national **, and the training and quality of the band. For example, the solution to the problem of nationalization of symphony music still needs a process of practice and exploration.

I think that Chinese compared with foreigners, under the same conditions, Chinese tend to be more capable, able to endure hardships, and intelligent. In order to create a new situation in the development of symphony music in our country, it is necessary to solve many problems such as creation, orchestra training, and performance. It is also necessary to vigorously popularize the knowledge of symphony music and accelerate the expansion of the audience of symphony.

At present, it is not enough to rely on the spontaneous enthusiasm of some ** workers. It is hoped that the leaders of the relevant parties can incorporate this work into the plan, more effectively mobilize the enthusiasm of workers and teachers, and organize them to create a new situation of popularizing the first culture.

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Analysis: Symphony Hall.

A symphony is a sonata for an entire orchestra.

In the Renaissance, there was a symphony, but the meaning at that time was completely different from now, and the symphony at that time generally referred to all multi-part **. These include vocal and instrumental music.

By the 16th and 17th centuries, when symphonies were used to refer to overtures and interludes in operas and oratorios, vocal music had been excluded from the concept of symphony, and "symphony" became a purely instrumental composition.

At the beginning of the 18th century, overtures and interludes began to break away from opera and began to be played separately at ** meetings. This played an important role in the development of symphonic music, and the composer Scarlatti from Naples, Italy, established a three-part form for the overture in his work, such as "Allegro-Adagio-Allegro (dance style)", which established the most basic format for the movement format of later symphonies.

In the second half of the 18th century, the German Mannheim School pioneered the technique of major key in the creation of overtures, which improved the expressive ability of the instruments and the drama. And to the three-part overture, an allegro finale was added. This stare at the old form forms the prototype of the four-movement instrumental suite.

The three later masters developed the classical symphony to the most mature stage of filial piety, they were Haydn, Mozart and Beethoven. These three masters brought the Viennese School and Classicism to their zenith. Beethoven also developed the connotation and ideology of the symphony to a new realm, and the concept of symphony in the modern sense was formed in this period.

Later, after inheriting the essence of classicism, European Romantic composers innovated the content, shape, orchestration, and even title of the symphony to varying degrees. During this period, the symphony was more free in form, richer in color, and more diverse in expression.

In the 20th century, the symphony continued to develop, and more and more new elements were added to the symphony. The symphony of grandeur, delicate emotion and infinite expressiveness still has a large number of committed enthusiasts.

The classical symphony is structured as follows:

1.First movement: sonata form, 2Allegro.

3.Second movement: 4 to 5Trilogy or Variations, 6Adagio.

7.Third movement: minuet or scherzo, 8Medium and Allegro.

9.Fourth movement: sonata or rondo form, 10Allegro.

Answer: Good potato] :d

Symphonic poetry is a new orchestral genre that emerged in the 19th century, and the emergence of this genre is very closely related to the 19th century's Romanticism. So choose D.