What are the three main factors that influenced the development of literature in Danner s philosophy

a) Danner argues that the work of art is a social phenomenon. A work of art belongs to a whole.

The first belongs to the totality of the artist's entire work.

Second, the artist and all his works belong to a larger artistic sect or family of artists than art.

Thirdly, the family of artists also includes within a larger whole. This is the society that surrounds it and is interesting to it.

The work of art is subordinate to a whole, and this whole has three levels, and these three levels are gradually expanded and encompassed. The study of works of art must start from the largest totality of society, and ultimately realize the study of the work of art itself.

2) Danner further proposed that race, environment, and era are the three basic motivations of art.

iii) Danner also proposed criteria for judging artistic value.

This criterion is the extent to which the work of art reproduces ethnic, environmental and contemporary characteristics.

There are three types of features: the importance of the feature; the degree of benefit of the feature; The degree of concentration of the effect.

The central thesis of the whole text is that the works of art of an era are determined by the social environment and the spirit of the times at that time. The Greek sculptures, Italian Renaissance, and Dutch paintings in the book are all analyzed from the geographical environment, human environment, and mainstream of the times at that time, and the essence of the works of art is to reflect the spirit of the times at that time.

Danner (1828-1893).

He was admitted to the École Normale Supérieure in Paris, where he majored in philosophy. In 1851, Danner graduated magna squat from the École Normale Supérieure in Paris. In order to continue his academic life, he chose to work in the school as a secondary school teacher, but soon after, he resigned due to disagreements with the school's politics, and since then he has been freed from the heavy teaching responsibilities.

Since then, study life has become the main theme of Danner's life, even after teaching at the university. He was fluent in many Chinese and traveled almost all of Europe. In 1878, he was invited to be professor of art history and aesthetics at the École des Beaux-Arts in Paris, and was elected a member of the French Academy of Sciences, the highest honor for a scholar.

After years of hard work, Danner ushered in his academic peak. After receiving this honor, Danner was not satisfied with this, but continued to work hard to write his The Origins of Modern France. After 65 years of illustrious life, Danner died in Paris.

Danner is the author of La Fontaine and His Fables (1854), A History of English Literature (1864-1869), Studies of French Philosophers of the Nineteenth Century (1857), On the Intellect (1870), The Origins of Modern France in 12 volumes (1871-1893), Travels in Italy (1871-1893), Philosophy of Art (1865-1869), and Commentaries, Sequels to Reviews, and Post-Commentaries.

Material, spiritual, natural.

Leading literature back to basics.