Evaluate one of Sanmao s works and what are Sanmao s works

Sanmao's works include: "The Rainy Season Will Not Come Again", "The Story of the Sahara", "Scarecrow Notes", "Gentle Night", "How Much Do You Know About the Flowers in Your Dreams".

1, "The Rainy Season Will Not Come Again".

"The rainy season will not come again" takes Sanmao's life course as the theme, records the growth process of Sanmao from 17 to 22 years old, and truly presents the growth of Sanmao's girlhood.

2. "The Story of the Sahara".

The most popular of Sanmao's works is "The Story of the Sahara", which is composed of more than a dozen wonderful and moving prose essays, among which "Hotel in the Desert" is the first article that Sanmao wrote after adapting to the desolate and monotonous desert life, and since then, Sanmao has written a series of stories with the desert as the background, which has poured Chinese readers all over the world.

3, "Scarecrow Notes".

The book contains 16 essays, most of which describe Sanmao's life in the Canary Islands. "Scarecrow's Notes" is humorous, bit by bit describes the joy of life, and the unpretentious style of a reckless woman jumps on the paper, which makes people sometimes can't help laughing, and sometimes sighing.

4, "Gentle Night".

This article inherits the style of "The Story of the Sahara", forming a soothing and calm tone, and is the pinnacle of the Sanmao Desert Tales series. After reading all kinds of human feelings, what overflows with the end of the three brushes is still a gentle observation of the world, sincere and moving.

5, "How Much Do You Know About the Flowers in Your Dreams".

Jose's death was another catastrophe for Sanmao, so from "Back" to this book, it is very different from the early days in literature and mood, and the narrative is extremely restrained, but in addition to the tortuous space, the reader should feel Sanmao's sad but not sad tone, more of which is Sanmao's firmness in life.

Sanmao's books should be read less because some of them are poisonous chicken soup.

If you really listened to her and read her books. If you believe in the hail lifestyle she preached, then for girls, it is likely to be an emotional abyss that will never get out of it for the rest of their lives.

In addition, many readers say that the cultural value of Sanmao's books is not high, because there are not many big truths in her books, and she can't improve her skills after reading them.

If you want to improve your ability and learn how to behave in the world through reading, then Sanmao's book may not be suitable for reading. Because she is a chronicler of life, not a mentor. There is not much loose technical structure in her books, just ordinary and trivial life, and those true feelings that are told.

Character Profile:

Sanmao (March 26, 1943 - January 4, 1991), whose real name is Chen Ping, was born in Dinghai District, Zhoushan City, Zhejiang, and was born in Huang Jueya, Nan'an District, Chongqing, a contemporary female writer and traveler from Taiwan, China.

In 1967, he studied in Spain, Germany, and the United States, and wrote a collection of essays, "The Rainy Season Doesn't Come Again". In 1973, Chonglu settled in the Spanish Sahara Desert and subsequently married Jose.

In February 1976, he moved to the Canary Islands. In May, he published his first collection of essays, The Story of the Sahara, about the couple's life in the desert. From 1977 to 1979, he published essay collections such as "The Crying Camel", "Scarecrow's Notes" and "Gentle Night". In 1980, Jose returned to Taiwan after his unexpected death.

In 1981, he published a collection of essays "How Much Do You Know About the Flowers in Your Dreams" to express her longing for her husband. In 1982, a collection of essays based on his travels in Central and South America was published. In 1987, she published a collection of essays, My Baby, showcasing some of the items she collected.

In 1990, her first Chinese script and her last work "Rolling Red Dust" was published. On January 4, 1991, he died at Taiwan Veterans General Hospital at the age of 47.

The Rainy Season Will Not Come Again", "Gentle Night", "How Much Do You Know About the Flowers in Your Dreams", "My Baby", "Lilies of the Plateau" Patting and Grinding, He Nai's "Troubled Learning" Yundou, "My Soul Rides on the Back of Paper", "Talking Heart", "Caprice", "Thousands of Rivers and Mountains", "Allure", "Weeping Camel", "Send You a Horse", "Back", "Scarecrow's Notes", "My Happy Paradise", "Dear Sanmao", "Rolling Red Dust".

1. Gentle Night:

Gentle Night is a book published by Beijing October Literature and Art Publishing House in 2011, written by Sanmao, which continues Sanmao's consistent writing style and describes Sanmao's life in the Canary Islands.

2. Scarecrow notes:

Scarecrow Notes is a book published by Beijing October Literature and Art Publishing House in March 2009, and the author is Sanmao. This book mainly introduces the author's trivial matters after marriage and the author's feelings.

3. The weeping camel:

The Weeping Camel is a novella written by writer Sanmao**, first published in 1977 and included in the essay collection The Story of the Sahara. Set against the backdrop of the war of self-determination of the Spanish Saharan nation, it tells the tragic love of Basiri, the leader of the Shahrawi guerrillas, and his wife, Shaida.

4. The story of the Sahara:

Tales of the Sahara is a series of stories set in the desert. Because of the attraction of a geographical magazine, Sanmao walked into the desolate and monotonous Sahara Desert with his bags on his back, looking for the truth, goodness and beauty of life in the desert.

5. The rainy season is no longer coming:

The rainy season is a book published by Beijing October Literature and Art Publishing House in 2007. The book takes Sanmao's life course as the theme and records Sanmao's growth from 17 to 22 years old.

It truly shows the growth of Sanmao's girlhood, dropping out of school, autism, rebellion, after studying in Spain, Germany, and the United States, she gradually grew into an independent and confident young man, and the innocence and heterogeneous beauty revealed in this book can clearly confirm the traces of her legendary character.

Sanmao's works include "The Rainy Season Will Not Come Again", "The Story of the Sahara", "The Crying Camel" and so on.

1, "The Rainy Season Will Not Come Again".

The book takes Sanmao's life course as the theme, records the growth process of Sanmao from 17 to 22 years old, and truly presents the growth of Sanmao's girlhood.

2. "The Story of the Sahara".

Because of the attraction of a geographical magazine, Sanmao carried his bags and went into the desolate and monotonous Sahara Desert, looking for the truth, goodness and beauty of life in the desert.

3. The weeping camel:

Set against the backdrop of the Spanish Saharan people's war for self-determination, it tells the tragic love of Basiri, the leader of the Saharavi guerrillas, and his wife, Shaida. ** Breaking the author's consistent clear and relaxed language style of "desert literature" in the middle of his creation, the tone is heavy and sad, showing the readers the living conditions of people in the context of war, and strongly condemning the ruthless destruction of people's lives and lives by war.

Sanmao's linguistic characteristics:

Simplicity and naturalness are the most important aesthetic characteristics of the prose language of Sansheng Mao. The formation of the simple and natural characteristics of Sanmao's prose is related to his character: the old Sanmao Hall has a free and frank personality, frank and willful, and is a writer who is full of personality and very rebellious in his bones.

Sanmao's personality is smart and lively, and he is humorous. This personality is expressed through language, which forms the humorous character of his prose.

In her creation, she got rid of the shackles of traditional creative methods, boldly used humorous brushwork to process her own language, and made language artistic, which greatly enhanced the aesthetic efficacy and artistic charm of language. Its language will always make the reader unconsciously captured by the story he tells in a relaxed and natural way, and grasp the philosophy in the laughter.