How to identify a bass clef, and how to look at a bass clef?

You're so patient, congratulations.

The 4th line of the bass clef counted from bottom to top is the F of the small character group, and the bass clef is written from this line, and a black dot is drawn below (3rd) and above (4th) on the 4th line, making this "4th line" easier to judge. The first thing to remember is bass clef line 4"f"The position of the notes between the other lines can be calculated according to the sequential relationship.

The bass clef indicates that the four lines of the staff are f, and the clef is also the English flower "f". Keep in mind when drawing this clef; Start with the fourth line. Start by drawing a small dot close to the fifth line, draw a half-circle clockwise, and skim to the left through the fourth line until the second line stops.

Then dot a small dot in the third and fourth rooms. The plus line indicates **c.

Stave. The correspondence between the bass clef and the short sheet music is as follows:

Above is the treble clef.

below, below is the correspondence of the bass clef.

The addition of a line to the bass spectrum is **c......Others and so on ......In fact, the bass spectrum and the treble spectrum are added together, which is a keyboard with **c as the center and extending up and down, if you turn the stave horizontally, it will correspond to the piano keys one by one.

It represents the 7 basic scales in the scale, and the pronunciation is do, re, mi, fa, sol, la, si, and the rest is represented by o. The time value of each number is equivalent to a stave.

of 4th notes.

Generally speaking, there are four basic elements in the composition of all **, and the most important of them are "the pitch of the tone" and "the length of the pitch":

1. The pitch of the pitch: Any piece of music is composed of high and low tones, straight from the piano is the lower the keyboard tone to the left, and the higher the keyboard tone to the right. In the case of numeric notation, there are a number of dots directly above or below the number, and the number of dots can be understood as intensity, the more the stronger, above it for the treble and below it for the bass.

The principle is expressed in the vibrational frequency of the object, the higher the sound vibration, the higher the frequency of vibration, and vice versa.

2. The length of the tone: In addition to the height of the tone, there is also an important factor that is the length of the tone. The high and low tones and the annotation of the length determine that the piece is different from other pieces, so it has become the most important basic element of the composition. The principle is expressed in the length of time of the sound.

3. The strength of the sound: The strength of the sound is easy to understand, also called intensity. There will always be some notes in a ** work that are stronger and weaker in some places. And the change of dynamics is one of the factors that express emotions in ** works. The principle is expressed as amplitude.

size. 4. Sound quality: It can also be called timbre. That is, the instrument or vocals that make **. For the pitch of the same melody, boys and girls sing different timbres; Violin.

It's not the same as the tone of the piano.

These four items form the basic elements of any piece. It should be said that the simple notation can basically label these basic elements correctly.

1. The fourth line of the bass clef from bottom to top is the f, the bass clef.

It is with this line that the writing is started, and a black dot is drawn at the bottom (3rd room) and above (4th room) of the 4th line to make it easier to judge. The first thing you have to do is memorize bass clef line 4"f"and then the notes between the other lines can be extrapolated according to the sequential relationship.

2. The bass clef, which represents the stave.

The fourth line is f, also known as the f clef, and the clef is also the English flower "f". Keep in mind when drawing this clef; Start with the fourth line. Start by drawing a small dot, then press against the fifth line, clockwise.

Draw a half-circle and skim to the left through the fourth line until the second line stops. Then dot a small dot in the third and fourth rooms.

The staff in the first column is the treble spectrum, the staff in the second column is the bass spectrum, 1 is the first key of the group in the middle of the piano, 2 is the second key, and so on.

The second room is the small word group do, the bass do

1. Using the connection between the treble clef and the bass clef, the lower line of the treble clef is **c, and the upper line of the bass clef is **c, it is this plus line that connects the two cleves, which is very important;

2. The shape of the bass clef is the F of the variant, and its center position is on the fourth line, so the tone on the fourth line is bass 4 (f tone);

3. The second upper room on the bass clef (counted from bottom to top), this tone is do, and it is generally the third do on the piano from the left.

After remembering the above characteristics for a long time, beginners can play and sing by reckoning, and practice more repeatedly.

1. Using the connection between the high group sedan music clef and the bass clef, the lower line of the treble clef is **c, and the upper line of the bass clef is **c, it is this plus line that connects the two cleves, which is very important;

2. The shape of the low-touch Mingyin clef is the F of the variant, and its center position is on the fourth line, so the tone on the fourth line is the bass 4 (F tone);

3. On the bass clef, the second room is on the top of the collapse (counting from the bottom to the top), this tone is do, and it is generally the third do on the piano from the left.

After remembering the above characteristics, beginners can play and sing at the same time by reckoning, and practice more repeatedly, practice makes perfect.

Summary. The third note of the first measure is the 1 (do) with the upper line, and j is the 1 of **c. And the first note of the first measure is the 1 of the bass, in the second compartment of the bass clef.

The difference between the bass and treble is that the treble is counted from the bottom up, while the bass is counted from the top down. And so on, the second note of the first measure is 5 (sol). I don't know if you understand this or not, this actually depends on yourself to watch more, sing more, mostly, and get used to it after a long time.

Dear, glad to answer for you. The piano score looks at the bass score as follows, and when you see the source Weiheng bass score, you can count from the top down, from c to down, 1-7-6-5-4-3-2-1 so that the hail is relatively simple, and the treble clef is from the bottom to the top, 1-2-3-4-5-6-7-1 <>

The third note of the first measure is the 1 (do) with the upper line, and j is the 1 of **c. The first note of the first measure of the Qing Yu is the 1 of the bass, in the second compartment of the bass clef. The difference between the bass and treble is that the treble is counted from the bottom up, while the bass is counted from the top down.

And so on, the second note in the first measure is considered to be 5 (sol). I don't know if you understand this or not, this actually depends on Qin Sleepy to watch more and sing more, mostly, and after a long time, you will get used to it. Hope it helps.

Help me circle this low note.

I'm sorry, it's not announced to the public at the moment, and I can't find it for you here, dear. <>Don't you understand? Sorry <> we couldn't find it for you