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Xiao Hong. 1911-1942), whose real name was Zhang Naiying.
He used a pen name to whisper. Born in a feudal landlord family in Hulan County, Heilongjiang Province, he lost his mother at an early age and was raised by his grandfather. When I was in middle school, I read a lot of new literature since the May Fourth Movement.
In 1930, in order to rebel against his father's arranged marriage, he ran away from his family and began to live a wandering life. In the autumn of 1932 in Harbin with Xiao Jun.
cohabited and began to embark on the path of literature. In 1933, he wrote short stories such as "Two Collections", "Trekking", and "Watching Kites", and in 1934, he began to write "The Field of Life and Death".
In September of the same year, it was completed in Qingdao, and in October, he and Xiao Jun went to Shanghai via Qingdao and met Lu Xun.
Lu Xun specially wrote the preface to "The Field of Life and Death". The work exposes the profound disasters brought by class oppression and national oppression to the rural areas of Northeast China, and calls on people to rise up and resist. After the publication of this book, it caused quite a stir in the Shanghai literary circle.
In 1936, Xiao Hong went to Japan to recuperate. After the start of the Anti-Japanese War, she successively went to Wuhan, Shanxi, Xi'an, Chongqing, and in January 1940, she met Duanmu Yuliang.
I arrived in Hong Kong to escape the war, to find a relatively quiet environment to write, and at the same time to get rid of emotional and spiritual troubles. On February 5 of the same year, the Hong Kong branch of the Literary and Art Association held a party to welcome the two of them to Hong Kong, at which Xiao Hong reported to the participants the situation of Chongqing's cultural food panic, hoping that the cultural people staying in Hong Kong could step up their work.
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Xiao Hong. Her name was Ronghua, her real name was Zhang Xiuhuan, and she was later renamed Zhang Xiaoying by her maternal grandfather. Pen names Xiao Hong, Whispering, Lingling, Tian Di, etc.
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Xiao Hong's pen name is Xiao Hong.
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Xiao Hong's original name was Zhang Naiying, once used the pen name Whispering, Tian Di, etc. A native of Hulan County, Heilongjiang, a famous modern female ** family, and one of the representative writers of the "Northeast Writers Group". She lost her mother at a young age, spent her childhood and adolescence in loneliness, and then ran away in order to rebel against her father's arranged marriage.
In 1932, he met Xiao Jun in Harbin during hardship, and the two lived together. In 1932, he began to create the stool Jane. He died in Hong Kong in February 1942.
In 1958, the People's Literature Publishing House published "Xiao Hong's Selected Works".
Literary CreationIn the spring of 1933, he wrote the first short story "The Death of Sister-in-law Wang", and in the winter of the same year, he published a collection of short stories co-authored with Xiao Jun "Trek". In 1934, he went to Qingdao with Xiao Jun and began to write the rough "Life and Death Field", and went to Shanghai in the autumn of the same year. At the end of 1935, with the help of Lu Xun, the novella "The Field of Life and Death" was published, and Lu Xun wrote a preface for it.
A collection of essays, "Commercial Street", was also published in this year.
In 1938, at the request of Li Gongpu, he went from Hankou to teach at Linfen National Revolutionary University in Shanxi. Soon separated from Xiao Jun and traveled to Wuhan, Chongqing and other places. In 1940, he went to Hong Kong and worked hard to write.
The works of this period include the short stories "Hazy Expectations" and "The Yellow River", the long stories "The Legend of the Hulan River", "Ma Bole", the pantomime "The Soul of the Nation" and the memoir "Memories of Mr. Lu Xun". In 1941, she completed her last work, the short story "March in a Small Town".
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Xiao Hong's original name was Zhang Xiuhuan. Xiao Hong's ancestral home is Liang Piying Village, Dongduzhuang Town, Shen County, Liaocheng City, Shandong Province, a modern Chinese female writer, known as the "literary Roselle of the thirties" in the 20th century. Her name is Ronghua, her real name is Zhang Xiuhuan, and she was later renamed Zhang Xiaoying.
Pen names Xiao Hong, Whispering, Lingling, Tian Di, etc. In 1911, he was born in a landlord family in Hulan District, Harbin City, Heilongjiang Province. Pure Wu Na.
Xiao Hong's ideological traits.
Xiao Hong believes that the first task of a writer is "to confront the ignorance of human beings", and she believes that writers are superclass, and that writers should write for human beings. Even during the period of the Anti-Japanese War, she refused to make ** go straight to the grand theme of nationalism or patriotism. Xiao Hong's creation gets rid of the narrow class theory and has her own mature literary proposition, which is also an important prerequisite for Xiao Hong to become an excellent writer.
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Xiao Hong's original name was Zhang Xiuhuan.
Xiao Hong's real name was Zhang Xiuhuan, and she later changed her name to Zhang Xiaoying. In 1911, he was born in a landlord family in Hulan District, Harbin City, Heilongjiang Province. Lost his mother at an early age. In 1932, he became acquainted with Xiao Jun.
In 1933, he published the first ** "Outcast" under the pseudonym of Whispering. In 1935, with the support of Lu Xun, he published his famous work "Life and Death Field". In 1936, he traveled to Japan and wrote the prose "Lonely Life" and the long poem "Sand Grain".
Xiao Hong's stylistic characteristics:
Xiao Hong's ** has distinctive stylistic characteristics, creating a scene-like ** structure. The series of essays "Commercial Street" was "incomprehensible" when it was published, because Xiao Hong used a lot of ** skills, such a writing form was very novel in the 30s of the 20th century, from the stylistic point of view, it is closer to **, but it is also an "out-and-out life record".
In the history of modern China, from "Commercial Street", "Life and Death Field" to "Hulan River Summons Stool", Xiao Hong broke the traditional single narrative mode, created a marginal style between the light chain between prose and poetry, and formed a unique style of "Xiao Hongti" with its unique unconventional language, autobiographical narrative method, non-episodic structure and poetic style.
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