Chinese style love is not an AA production essay

Updated on educate 2024-03-06
9 answers
  1. Anonymous users2024-02-06

    In their view, the historical Chinese society is characterized by agricultural civilization, and people's "mobility" is poor, so when a person invites a guest to pay, it is completely expected that the invited person will also invite him in the future. In the West, people are more mobile, and if one person invites someone else's guest, the person who is invited may never meet again in this life, so in order for everyone not to suffer, sharing with each other is the best choice. If you look further, you will find that Chinese treat guests to dinner and Westerners are essentially no different:

    Westerners have a one-time system, while Chinese have a time-extended one-time system. Why does liquidity affect dinner treats? Because "liquidity" affects the expected return of the guest, the stronger the "liquidity", the greater the risk of the treat, the worse the expected return, and the more people are reluctant to "make a fool" of the treat.

    Now that China's social "mobility" has increased, the Chinese have also played the system, and the answer is not that the Chinese have changed, but that the Chinese have changed on such an issue as "mobility." (Excerpted from Zhao Xiaowen, Issue 3 of "Big Tech").

  2. Anonymous users2024-02-05

    Love and marriage, like all things in the world, have a pattern to follow. People who have not studied the laws of marriage and love will give you that there is no such course in the classroom, however, after all, some people study it and finally find that it has rules to follow, but it is not as simple as we imagined, just like the solution of complex problems in many industries such as taxation, studying abroad, and psychological counseling, all of which have formed the consulting industry. I believe that in the near future, the knowledge and skills of marriage and love will be in the classroom.

  3. Anonymous users2024-02-04

    Yes, I remember not seeing it in the news, it seems to be a love school.

  4. Anonymous users2024-02-03

    Yes, you know: "Love School"!

  5. Anonymous users2024-02-02

    If there is, then how can there be so many crazy men and women?! Emotional marriage and love problems can only rely on yourself, others are bystanders, can not be equated with your own personal feelings, enlightenment and enlightenment, people, or help themselves to actually.

  6. Anonymous users2024-02-01

    There will never be such a class in the classroom.

  7. Anonymous users2024-01-31

    I love China (Tiananmen Square as the background, big headline, the text is preferably red and yellow outline, golden, depending on your hobby) put it in the upper left or right corner.

    Next to the headline, do some calendars or weather forecasts or something (most newspapers have them), leave a thin line under the headline to write the editor-in-chief, the American editor and the like.

    The following is divided into various text boxes for various sections (what I love the motherland excellent essay, the origin of the five-star red flag national anthem, the introduction of revolutionary martyrs, revolutionary ballads, interesting anagrams, brain teasers, small stories. both).

    The newspaper sewing can be drawn as you like or not.

    Insert some interesting, cute, and educational illustrations to see the style of the plates.

    I remember when I was in elementary school, I got it like this! I don't know if it's good or not.

  8. Anonymous users2024-01-30

    Draw a Tiananmen Square and draw some beautiful patterns such as: pigeons, horses, lions, stars, moons, etc.

  9. Anonymous users2024-01-29

    The four major love stories of Chinese folk: The Cowherd and the Weaver Girl, Meng Jiangnu Crying on the Great Wall, The Legend of the White Snake, Liang Shanbo and Zhu Yingtai (a saying of Tianxian matching) are also known as the four major love stories of Chinese folk. They and other folklore stories form an important part of Chinese folk culture and have a profound impact on the lives of the general public.

    These four love stories also reflect people's recognition of sincere feelings from one side.

    The four major love dramas of Yuan miscellaneous dramas: Wang Shifu's "The Legend of the West Chamber", Guan Hanqing's "Moon Worship Pavilion", Bai Pu's "Horse on the Wall", and Zheng Guangzu's "A Chinese Girl's Soul".

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