What are the main types of Su Shi s prose, and what are the characteristics of Su Shi s prose?

Su ShiStylistic characteristics of prose: colorful artistic style. He drew extensively from the works of his predecessors, the most important of which are the grandeur of Mencius and the Warring States Period, the rich associations of Zhuangzi, and the natural and unbridled style of writing.

Su Shi is indeed extremely expressive, and there are almost no objective things or inner thoughts that cannot be expressed in his writings. Su Wen's style changes freely with the different objects of expression, as natural and smooth as flowing water. Han Yu's ancient writing relies on eloquence and layout.

Su Shi

Su Shi (January 8, 1037 - August 24, 1101), Zizhan.

One word and Zhong, the number of iron crown people, Dongpo layman.

It is known as Su Dongpo.

Su Xian, Po Xian, Han nationality, Meizhou Meishan (now Meishan City, Sichuan Province), ancestral home of Luancheng, Hebei Province, Northern Song Dynasty writer, calligrapher, gourmet, painter, historical water control celebrity. In the second year of Jiayou (1057), Su Shi Jinshi and the first. Song Shenzong served in Fengxiang, Hangzhou, Mizhou, Xuzhou, Huzhou and other places.

Su Shi theoretically emphasized that the article should have "meaning" (opinions, intentions, emotions, etc.), and believed that "those who have intentions are also money."

If the text can be determined, then all the ancient and modern will rise together, and they will all go to us." That is, the essay should have a center, and the composition should be composed around the center. In connection with this, he also put forward the sayings of "Ci Da" and "Nature as Literature", that is, when writing, according to one's own artistic sense, "always do what should be done, and always stop at the indispensable", and naturally write out the feeling and understanding of things.

Su Shi's prose creation confirms his prose theory. In terms of content, Su Shi's prose touched on almost all aspects of social life at that time, and in this regard, no previous essayist could match him.

Artistically, Su Shi's prose is not only stylistically diverse, but also, like his poetry, touches everywhere. When discussing, he can be like Wang Anshi, whipping into the inside, which is unprecedented, such as "On Staying in the Marquis". "On Staying in the Marquis" is a historical treatise, which discusses Zhang Liang, a famous figure in the Western Han Dynasty, and focuses on the dispatch of the old man who was written on the throne.

When writing scenes, like Ouyang Xiu, he can write the characteristics of the scene in a few words, creating a poetic artistic conception, such as "The Story of Shizhong Mountain", "Former Chibi Fu", "Ji Chengtian Temple Night Tour" and so on. Take the first paragraph of "Former Chibi Fu" as an example: In the autumn of Renxu, in July, Su Zi and the guest were boating under the red cliff.

The breeze is coming, and the water is not rippling. Raise the wine to belong to the guest, recite the poem of the bright moon, and sing the chapter of the fairy. Shaoyan, the moon comes out of the east mountain, wandering between the bullfights.

The white dew crosses the river, and the water shines to the sky. As far as a reed is, Ling Wanqing is at a loss. The vastness is like Feng Xuan resisting the wind, and he doesn't know where it stops; fluttering like a legacy of independence and auspiciousness, feathering and ascending to immortals.

This passage describes the scene of traveling to Chibi on a moonlit night. The author uses concise pen and ink to vividly show a fascinating picture of a moonlit night, which fully demonstrates the author's artistic skills. He is very good at organically combining scene, argumentation, and lyricism, which is natural and does not show traces.

You might as well take a look at "Chengtian Temple Night Tour": On the night of October 12 in the sixth year of Yuanfeng, I undressed and fell asleep, entered the house in the moonlight, and set off happily. Those who have nothing to do with pleasure, then go to Chengtian Temple, look for Zhang Huaimin, Huaimin has not slept, and walk in the atrium.

Under the court, such as stagnant water and empty light, the algae in the water are crossed, and the bamboo and cypress shadows are also covered.

There is no moon at night, where there is no bamboo or cypress, but there are few idlers like the ears of the two of us. This short lyrical prose shows the author's relaxed state of mind. Its free and easy style and concise style are quite the style of the Wei and Jin people.

The things written in the dusty orange text, the scenes written, and the lyrics are not added to the thick ink and color, only a few strokes of Liao Liao, it is fascinating.

In short, Su Shi's prose is varied, has no fixed formula, is full of vitality, has no staleness, and has a special rhyme, which is indeed a treasure in ancient Chinese prose.

1. There are: "Strategy", "Farewell", "Strategy", "Treatise on King Ping", "Treatise on Staying in the Marquis", "Biography of the Gods", "After the Painting of Wu Daozi" and so on.

2. Su Shi (January 8, 1037 - August 24, 1101), Zizhan, Hezhong, Tieguandao people, Dongpo layman, known as Su Dongpo, Su Xian, Han nationality, Meizhou Meishan (now Meishan City, Sichuan Province), ancestral home of Luancheng, Hebei, famous writer, calligrapher, painter in the Northern Song Dynasty, and a famous person in history of water control.

3. In the second year of Jiayou (1057), Su Shi Jinshi and the first. Song Shenzong served in Fengxiang, Hangzhou, Mizhou, Xuzhou, Huzhou and other places. In the third year of Yuanfeng (1080), he was demoted to the deputy envoy of the Huangzhou regiment because of the "Wutai Poetry Case".

After Song Zhezong ascended the throne, he served as a bachelor of Hanlin, a bachelor of waiting, and a scholar of the Ministry of Rites, and knew Hangzhou, Yingzhou, Yangzhou, Dingzhou and other places. Emperor Huizong of the Song Dynasty was granted amnesty and returned to the north, but died of illness in Changzhou on the way. Song Gaozong posthumously presented the Taishi; Song Xiaozong pursued "Wenzhong".