Appreciating the Spring Festival Overture and appreciating the Spring Festival Overture .

The Spring Festival Overture is an orchestral work "Spring Festival Suite" composed by Mr. Li Huanzhi, a famous composer in China, in 1956

in the first movement. This set of works is based on the author's life experience and feelings during the Spring Festival in Yan'an in his early years, and Mr. Li Huanzhi shows everyone the revolutionary base through music.

The scene of the people's warm and jubilant celebration during the Spring Festival and the moving picture of unity and friendship and mutual celebration and congratulations.

The level of love for this cheerful and emotional piece is absolutely unprecedented in the history of Chinese symphonic works. In 1989, "Spring Festival Overture" won the "Golden Record Award" of China Record Corporation; In June 1993, "Spring Festival Suite" and other works were selected as "Twentieth Century Chinese Classics", which shows its charm.

The whole work is divided into four movements: the first movement, "Overture", is a warm and cheerful Yangge.

The general description of the dance includes the gongs and drums and singing of Yangge, the dancing posture of Yangge players and the dexterous flower-wearing scene, as well as the scene of singing Baihe. The second movement, "Love Song", resembles a lyric poem, is an episode in the Spring Festival. The music began with an introduction played by the British orchestra and brought out of northern Shaanxi.

The theme of the love song is like a young man and woman strolling and talking by the moonlit river. The third movement, "Pange", is a waltz in the form of a rondo.

The author regards the first theme as the theme of unity and fraternity of the people in the festival, and there are two other subthemes, all of which have evolved from different Yangge tunes sung by the leaders of northern Shaanxi. Sometimes they resemble the heart-to-heart conversation of friends, and sometimes they resemble the humor of old people and young people. Here, according to the actual situation of the weekend dance party in Yan'an that year, the author deliberately used the combination of folk style ** and modern ballroom dance music to write this waltz with national style quite innovatively.

The fourth movement, "The Lantern Festival", is in trilogy style.

The main part is the northern Shaanxi folk queue ** suona.

The tone of the song "Big Pendulum Team" is toned and magnificent, the syntax is coherent, and the beginning and end are completed in one go. It reflects the high skill of continuous breathing of suona artists in northern Shaanxi. Although it is now orchestralized, it still retains this continuous characteristic.

All the suites are conceived with the characteristics of the dance image, which is similar to the traditional festival.

The customs and moods remain closely linked, and at the same time are depicted as new festive scenes.

The orchestral "Spring Festival Suite" focuses on the lively scene of the Chinese Spring Festival, and often plays the first movement of the suite, the "Spring Festival Overture".

The name of this piece is "Spring River Flower Moonlight Night".

At first, the music was crisp and exciting, and a feeling of happiness suddenly rose in my heart. It was as if I had seen people who had celebrated the Spring Festival flocking into the streets and setting off crackling firecrackers. Continuing to listen to it, the music became more and more cheerful and lively.

It seems that after the firecrackers, people start various activities: walking on stilts, blowing horns, and setting off fireworks. The whole country celebrates.

I listened to the ** and couldn't help but laugh. After experiencing the joy of the people, the music gradually calmed down, and it sounded refreshing. Joy is revealed in peace, and softness is revealed in elegance.

The music slowly becomes melodious, making people feel extremely comfortable. Then the tempo picks up, and the music gradually becomes lively again. The notes are beating, and people seem to burst out of their previous enthusiasm again, truly releasing the joy, festivity, and happiness of the Spring Festival from the bottom of their hearts, and throwing away all the burdens of the accumulated year's fatigue.

Until late at night, people still sang and danced, as if to exude the infinite joy in their hearts, and they were not tired at all.

"Spring Festival Overture" is a symphony composed by Li Huanzhi, which was released in 1955.

The Spring Festival Overture is based on Yangge and folk songs of northern Shaanxi, and adopts the Chinese pentatonic scale creation technique, Yangge is a representative form of folk song and dance in northern China.

Dancers usually dress up as various characters and dance with props such as fans, handkerchiefs, and colored silk in their hands. The form of the performance is divided into three parts: street crossing, large field and small field. Crossing the street is when the Yangge team marches on the street, some simple dance moves performed according to the rhythm of the first, the big field is a large group dance that is hot and red, often out of a variety of complex formations, and the small field is a small dance or song and dance drama performed by two or three people with a simple plot.

"Spring Festival Overture" content introduction:

1."Spring Festival Overture" is a bright, rough and enthusiastic music, the beginning of the introduction by the orchestra played by the grand sound of the prelude to the folk festival song and dance, the first section is simple, beautiful dance **.

2.The middle part of "Spring Festival Overture" is a lyrical contrast paragraph, ** the material comes from Yangge in northern Shaanxi. The third stanza is a reproduction of the austerity of the first, which is more compact and fervent, and ends powerfully in an atmosphere of jubilation among the peoples.

The above content reference: Encyclopedia - Spring Festival Overture.

"Spring Festival Suite" was composed in 1955-1956, the music is based on the tone and rhythm of the folk Yangge in northern Shaanxi, the melody is bright, vividly showing the Chinese people in the traditional festival of lively and jubilant, full of joy, beating gongs and drums, singing and dancing. "Spring Festival Overture" is the prelude to the "Spring Festival Suite", and the music is characterized by a bright melody.

It is beautiful and rich in national style, and the rhythm is distinct and enthusiastic, vividly embodying the scene of the Chinese people being lively and jubilant in the traditional festival, jubilant, beating gongs and drums, singing and dancing. The structure of the piece is a complex trilogy with reproduction, and it is a subtle idea to integrate a Western trend into the Chinese tradition.

Northern Shaanxi Yangge has a long history:

An inexhaustible treasure trove of art, giving composers inspiration and inspiration, a source of motivation and motivation. The orchestral piece "Spring Festival Suite" composed by composer Mr. Li Huanzhi more than 60 years ago absorbed a lot of melodies from northern Shaanxi folk songs.

Northern Shaanxi Yangge has a long history, which originated from the activities of sacrificing the land lord. People on the plateau on the fifteenth day of the first month make a social fire, twist Yangge, the leader's "umbrella head" is tied with a white sheep's belly handkerchief, the waist is tied with red silk, one hand holds a dry umbrella that has been cut open to the umbrella surface, decorated with colorful stripes, one hand holds the "tiger support" (the string bell of the doctor), shakes his head, and sings the "Yangge Tune" while twisting, the atmosphere is warm and warm, one person sings, everyone is harmonious, and the loud singing voice spreads all over the ravines and ravines of the Loess Plateau.