Liu Yong and Li Qingzhao compare, whose style is better?

Li Qingzhao is better and tactful.

Liu Yong and Li Qingzhao are both representatives of the Wanyue school. The Wanyue school is a school of Chinese Song poetry. Tactful, that is, tactful and subtle. It is mainly characterized by the content focusing on children's customs, the structure is deep and meticulous, the rhythm is tactful and harmonious, the language is mellow and beautiful, and there is a soft and graceful beauty.

Liudan Huayong (about 984 - about 1053), originally known as Sanchang, the word Jingzhuang, later renamed Liu Yong, the word Qiqing, because of the seventh ranking, also known as Liu Qi, Fujian Chong'an, the famous poet of the Northern Song Dynasty, the representative of the Wanyue faction. Liu Yong was born in a family of eunuchs, studied poetry when he was young, and had the ambition to make a name for himself in the world. Liu Yong was the first lyricist to carry out a comprehensive reform of Song poetry, and he was also the lyricist who created the most intonation in the two Song Dynasty poetry circles.

Li Qingzhao (March 13, 1084 - May 12, 1155) was a native of Zhangqiu, Qizhou (now Zhangqiu, Shandong). The Song Dynasty (the turn of the two Song Dynasty) female lyricists, the representative of the euphemistic word school, is known as "the first talented woman in the ages".

In addition to Liu Yong and Li Qingzhao, the representatives of the Wanyue School also include Zhang Xian, Yan Shu, Yan Jidao, Ouyang Xiu, Qin Guan, He Zhu, Zhou Bangyan, etc. (the penitential ruler generally includes Wen Tingyun and Li Yu in the late Tang Dynasty).

Li Qingzhao is even better, Li Qingzhao's poems are still more appropriate to life, and her poems vividly express the thoughts of a person, so that readers have a lot of empathetic scenes.

Li Qingzhao is even better. Because Li Qingzhao is a little stronger in terms of poetry talent. And the appearance is also very high, and the height is also very high.

Liu Yong is even better, and his words are more widely circulated, and others say that wherever there is well water, willow words can be sung.

When we were in high school, we all studied the poems of Liu Yong, Li Yu, and Li Qingzhao, and their style of words was almost the same, and they were all more euphemistic and sadHowever, their "sorrow" is different, which is reflected in all aspects.

Liu Yong's sorrow is manifested in the frustration of his career and the sadness of emotional frustration。Like every talent, Yoo Yong has great ambitions, he wants his talent to be useful, and he also wants his talent to be seen and appreciated by everyone. But he did have some ambitions after all, and no one appreciated his talent, so that Liu Yong was very disappointed in officialdom.

Even when he had a reputation for writing lyrics for the singer, he was ridiculed by the scholars, and it was a very identifiable act to write the lyrics for the singer at that time. Finally, when he was old, he finally officially stepped into the official career. So summing up his life, he has always been in the first place repeatedly, criticized by others, lonely, and frustrated in love.

Li Yu We all know that he is the lord of the dead country, when he was still a king, he was very fond of writing poems and music, so his early poems were relatively luxurious; But when the country was ruined and the family died, Li Yu's style of words changed from before, and his poems were always sad, complaining about his country, sad about his life, missing his previous luxurious life, and hesitating about his future life。Therefore, a series of cool tones such as sycamore, rain, and autumn often appear in his poems. For a deceased king, the poems he wrote were indeed sad, such as one of his most famous poems, "The Poppy", which also wrote:

Ask how much sorrow you can have, just like a river of spring water flowing eastward.

Li Qingzhao's sorrow is divided into two kinds. In the early stage, it was some sorrow as a girlhood and missing her husband, because at that time, his family was happy, and his husband was in harmony with him, so his sorrow was only a small spice in life; But after Li Qingzhao crossed to the south, his style of words changed from the previous kind of beautiful and graceful, and when his husband died, he fled from a place he was familiar with and went to a completely unfamiliar place, and the country was in a turbulent period. Therefore, Li Qingzhao at this time in his poems is all about betraying the country, the sorrow of the rise and fall of the country, and the sorrow of old age and loneliness.

Their identities and genders are different, so their sorrows are different. Liu Yong has no way to serve the country, Li Yu is in the position of the emperor, but he doesn't like to be the emperor, Li Qingzhao, as a woman, wants to stay with her husband and looks like her, on the other hand, she is worried about the country's broken mountains and rivers.

Liu Yong's sorrow is the sorrow of personal frustration in his career and emotions, Li Yu's sorrow is broader and far-reaching, it is the sorrow of the country's ruin, the sorrow of missing the homeland, Li Qingzhao's sorrow in the early stage is the sorrow of the children's boudoir and lovesickness, and in the later stage, it is the sorrow of resentment of the Southern Song Dynasty court and the sorrow of lamenting his own misery and drifting.

Li Yong and Li Yu's sorrows belong to their own, and Li Qingzhao's sorrows belong to the country's sorrows. Here's the difference between them.