What kind of composition moved the writer Yu Hua

Yu Hua's ** artistic characteristics:

Fan Meizhong said: "There is basically no unique discovery of life, human nature and life in "Alive", and the only thing to write about suffering is failure, and the destruction of this physical life is a tragedy rather than a tragedy. Therefore, "Alive" simply lacks the thing that literature is literature, and for me it is indeed a worthless and unliterary **".

The same thing as Fan Meizhong's hero is Zhao Yuebin. His "Bearing and Struggling - On Yu Hua" comprehensively discusses Yu Hua's ** creation, from short and medium stories to three long stories. He said, "Yu Hua** conveys a trend of 'noble life' with the storyline of impermanence and fortune, as a person, life becomes the first priority, and the others can be ignored."

To this end, he criticized Yu Hua's ** from the perspective of comparing traditional Chinese culture and Western culture, and contrasting the tragic image of the West.

The first time I read Zhao Yuebin's "Bearing and Struggling - On Yu Hua" was on one of his personal **. I read it for the first time, and I felt pretty good. After reading it carefully, I think it's relatively thin.

The center of the article is to discuss the numb state of existence of the characters in Yu Hua's works, although many Western sentences are quoted and used appropriately, but because of the ordinary intention, no deeper connotation of the work has been explored. The whole article seems relatively simple. Not plump enough.

As far as ideology is concerned, there is a cloak of thought, but there is no analysis of the complex process of thought influencing the characters, and I will not go into detail one by one due to space constraints. I appreciate the term "hollow man," although I once read it in an article by a friend of mine in '96 about a pioneer writer.

Moreover, Zhao Wen's focus is on the search for real people, while the people in Yu Hua** have withdrawn the important essence of the characters and lost the essence of being human. In this regard, I think Zhao's research on Yu Hua is forward-looking and unique. Commendable.

In addition, Zhao Wen is relatively loose in expression and not logical enough. It's to my liking. I admire logical articles, but I appreciate free and loose articles more.

It has to do with my natural laziness. is both an advantage and a disadvantage. I like to be free to express myself.

Be sensual. Zhao Wen's sensibility and rationality are more than the latter.

If you have seen Yu Hua.

Many people will be amazed by his creative skills, and he can be called a great writer. His ** "Xu Sanguan Selling Blood".

"Alive" shocked countless Chinese and was adapted into a film and television work. Yu Hua can show the hardships of the lives of the people at the bottom through the most authentic and simple words. <>

If you have watched Yu Hua's vertical interview, you will know that he feels that the reason why he writes the article in an easy-to-understand way is because he doesn't know many words. It's a way of teasing, and Yu Jutanhua often shows that he entered the writing world because he wanted to find an easy job. His works can be read by many people, and they can understand the meaning of Yu Hua's expression.

Several of his works have won a large number of awards at home and abroad, because they know how to think carefully when writing, and they also know which works can move people's hearts. From "Going Away at the Age of 18" to "Brothers", Yu Hua presents readers with a trend of continuous progress. <>

Although Yu Hua's works are few, he has many representative works, which are closer to the real life of the present than the works of other writers, and it is easy to get everyone's sincere voice. In the minds of many fans, Yu Hua's works are very infectious. Especially after watching "Alive".

Yu Hua often says that when he writes, the characters in the text seem to come to life, they have their own language, and they want everyone to understand life more truly. This is because Yu Hua's writing has reached a very high level. In one of his few works, I can read Yu Hua's life insights, and if you read more of his essays, you will be able to understand the metaphors in each work.

often combines Yu Hua's own life experience to write each work alive.

Because Yu Hua is a very good writer, he has written many excellent works, such as Alive, Xu Sanguan Selling Blood, Shouting in the Drizzle, Brother, Reality and so on. These works are very popular, and he has made great contributions to the cause of culture, so Yu Hua is a great writer.

Yu Hua is a great writer, and the stories he writes are very wonderful, his works illuminate human nature in the subtleties, and his works let us see a more vivid history through these little people, cruel history, and the joy of seeing a generation of quiet and exciting old socks, his words are very simple, but they hit the hearts of people.

Because of Xiang Xingmeng, he has spent 8 years concentrating on creation, and finally created a work that he is proud of; I think he's a great painter who can sacrifice everything for his work, which is great.

It may be that Yu Hua has created a lot of excellent works in combination with the actual situation of society, which has stimulated people's imagination and attention to the society. Of course, he can be regarded as a very great writer.

Yu Hua was not a prolific writer, and his work was known for its sophistication. With pure and meticulous narration, the work breaks the order of everyday language, organizes a self-contained discourse system, and uses this as the basis to construct one after another bizarre, grotesque, secretive and cruel independent of the outside. The world and the real text world realize the truth of the text.

Yu Hua once said frankly: "I think all my creations are trying to get closer to reality. This reality of mine is not the kind of reality in life.

I feel that life is actually unreal, and that life is a mixed bag. Since "Shouting in the Drizzle", his works are no longer obscure, but inject a moderate modern consciousness into the realistic narrative, and use concise brushstrokes and full emotions to resonate with readers as widely as possible.

Yu Hua's early ** mainly wrote about blood, violence, death, and the evil of human nature, and he showed the dark phenomena of people and the world. His life is abnormal and irrational, and the characters and plots in his ** are placed in abnormal and irrational real life.

Yu Hua's writing characteristics:

1. Awareness of suffering.

In the suffering world depicted by Yu Hua**, people present a state of existence intertwined with poverty and hunger, violence and death under the double oppression of survival dilemma and spiritual alienation.

2. The phenomenon of fatality.

Fateful Layou uses mysterious power to pull the life and death of the characters in Yu Hua**. Yu Hua exposes the origin and connotation of fate through a large number of interpretations of the phenomenon of fate, when human desire, sin, barrenness and absurdity become the shackles of fate that cannot be broken, how to achieve the transcendence of fate has become an urgent problem to be solved.

Yu Hua's writing style:

Yu Hua is an avant-garde, and his creative style is relatively unique, and the traditional narrative and aesthetic style are completely denied by him, and replaced by the recognition and perception of the real world that is different from ordinary people.

The linguistic characteristics of Yu Hua's writing

Yu Hua constantly draws nourishment from his works when he is creating, and enriches his own creation with the characteristics of his language, so that his language is full of rhythm and rhyme, and the sentences are full of charm and catchy, which is closely related to Yu Hua's literacy and hobbies.

For example, in "Shouting in the Drizzle", "I ran behind a few children in the village, with soft soil and grass dancing in the wind", in which "running pants brigade" and "grass" are rhymes, so that the language narrative reflects a kind of tactful and tumultuous loop beauty. In Yu Hua**, vague, confused, trembling, rippling, soft, chaotic, hurried, interested, panting and other rhythmic words abound.

1.As a word, "alive" is full of power in language, and its power does not come from shouting, nor from attacking, but from enduring, to endure the responsibilities that life gives us, to endure the happiness and suffering, boredom and mediocrity that reality gives us.

Yu Hua "Stuck Alive".

2.If people are so tired that they don't have the strength to do it all day, they won't think about it.

Yu Min Fuhua "Alive".

3.We first came into this world because we had to; Eventually, we leave this world because we have to.

Yu Hua "Alive".

4.Man lives for the sake of being alive itself, not for anything other than being alive.

Yu Hua "Alive".

5.The young man went to wander, the middle-aged wanted to dig the hide, and the old man became a monk.

Yu Hua "Alive".

6.Cry with laughter and live with death.

Yu Hua "Alive".

7.Humans can't stand too much truth.

Yu Hua "Alive".

8.The standard for testing a person is to see where he spends his time. Don't kid yourself; When life comes to an end, only time doesn't lie.

Yu Hua "Alive".

9.The nobility here is not the simple hunger and beauty, but the detachment after understanding all things, treating good and evil equally, and looking at the world with a sympathetic eye.

Yu Hua "Alive".

Speaking of Yu Hua, I have to mention his**"Alive", although he hasn't read the other**, this is what I have read, and I like it very much. When I read it at the time, I didn't think much of it, but it attracted me, and I finished reading it. I don't have a concept of what to read.

Although I am reading some books with a purpose now, you will be unconsciously attracted by the books you read, and I think this is the charm of master writing!

I won't say much about Yu Hua's experience. Let's take a look at which writers he likes. And what kind of impact did it have on him.

When it comes to his favorite writers, I have to mention Yasunari Kawabata. He first started writing by imitating Yasunari Kawabata's work, and he has been imitating him for about five or six years. He felt like he couldn't jump out, he saw Kafka's Chameleon, Kafka's writing was too free, and he liked it.

This rocky trap allowed him to finally get rid of Yasunari Kawabata. Of course, Yasunari Kawabata has his characteristics, that is, he handles the details of writing very well, and the imitation of Jiling Niannian also makes Yu Hua's basic skills very solid.

Lu Xun is also his favorite writer. Because of his dislike for textbooks when he was a child, he didn't read Lu Xun's ** much. It wasn't until a friend asked Lu Xun's ** script to be rewritten, and he watched "Diary of a Madman", that he found that Lu Xun's ** was too wonderful to be adapted into film and television.

Lu Xun's ** is very concise, and the description of details is also in place.

Speaking of Lu Xun, Bi Feiyu's evaluation of him is not small. He once said that among the Chinese writers, the ones who had the greatest influence on him were Cao Xueqin, Pu Songling, and Lu Xun, one was a vernacular novel, one was a literary short story, and the other was a vernacular short story. The most important point is that their work can be imitated and learned.

Mo Yan cannot be imitated. You're going to die if you imitate it.

The words of foreign writers, there is Joyce. He found a good way to read Ulysses, and if you turn a page, you can see that Joyce's description of detail is unparalleled.

In addition to the above writers, he also talked about Latin American writers. He believes that there are four first-class writers in Latin America: Llosa, Fuentes, Cortassa, and García Márquez. And García Márquez took Latin American literature up a notch.

Just like Lu Zao Fanxun is a benchmark in modern China.

Friends who want to learn to write, today talked about some of the author's books that you can take a look at. From Yu Hua's favorite writers, you can see how much he reads to become a writer. When he talks about other writers, I won't list them all here.

If you want to learn to write, reading famous books is essential.

Today in this article talked about reading more, so what to read? Do you have the answer in mind?