Ask Li Bai for Dongshan Yin appreciation and explanation

This is the translation, followed by the appreciation :)

I went to Dongshan from the expedition and didn't go home for a long time. Now I am returning from the east, and the drizzle is blowing. I said in the East that I wanted to go back, and my heart longed for the West and was sad.

Sew a new garment, no more sticks. Wriggling caterpillars that have long been in the wild in mulberry forests. Curled up in a ball and slept alone, burrowing under the troop wagon.

I went to Dongshan from the expedition and didn't go home for a long time. Now I am returning from the east, and the drizzle is blowing. The fruit of the melon is hung on the eaves.

The worm runs around the house, and the spider builds a web on the door. The open space next to the cottage has been turned into a playground for wild deer, and there are glittering fireflies. It's not terrible, but it makes people miss it even more!

I went to Dongshan from the expedition and didn't go home for a long time. Now I am returning from the east, and the drizzle is blowing. The storks chirped on the small mound, and the wife sighed in the house.

Clear the obstacles, my family is coming. The round bitter gourd has been placed on the pyre for a long time. It's been three years since we didn't see each other.

I went to Dongshan from the expedition and didn't go home for a long time. Now I am returning from the east, and the drizzle is blowing. The yellow warbler is flying, glittering feathers.

When this woman got married, the yellow and white horses went to marry. Her mother tied a scarf for her, and there were many ceremonies. She was very beautiful when she was newly married, but what will happen now that it has been a long time?

Appreciation: "Dongshan" was made by Zhou Gong after returning from the Eastern Expedition to comfort the soldiers, "Dongshan" depicts a newlywed man who went out on an expedition soon after his marriage, and the soldiers who had not returned for many years missed their families on the way home, showing the tiredness of war and the desire for a peaceful life. According to legend, this poem is related to the Zhou Gong's eastern expedition to the country.

It has been a long time since he was recruited to the east, and on this rainy day, he finally set foot on the road back to his hometown. The phrase "melancholy and no return" reveals infinite emotion about the passage of time, and the scenery of "zero rain" envelops the whole poem with a layer of sadness. The first chapter of the poem is written about the joy of survival.

As soon as he heard that he was leaving the East, his heart flew to his hometown in the West, excitedly imagining that he would no longer be engaged in war. In the second chapter, the writer imagines that the home is deserted, that the untrimmed melon basket climbs to the eaves and knots, that the turtles run around the house, that the spiders build webs in the corners, that the yard is marked with deer tracks, and that phosphorus fire flies around. But there's nothing to be afraid of either, because that's where he misses day and night.

Chapter 3 writes that he imagines his wife sighing for missing him. Chapter 4 recalls the wedding three years ago and imagines the joy of reunion. The poem depicts the complex inner activities and ardent desire for a peaceful life on the way back to his hometown.

The poet recalls the hardships of war life, but devotes a great deal of space to his mental activity of imagining home on the way. Imagine the desolation of his home after his expedition, and imagine the hope of his wife at home. In the end, when I got close to my hometown, I thought of the beauty of the newlyweds back then, and I wonder what will happen now?

How old is it? This kind of worry not only expresses the desire to dare him, but also reflects the fear of the barriers caused by the war, so "Dongshan" expresses his views on the war in addition to showing the longing of the husband for his family. This is one of the characteristics that distinguishes it from other works.

This is a pseudo-ancient poem rich in the charm of folk songs, and the poem expresses the deep longing for a distant lover in a woman's voice.

Wading the river to play in the autumn water, love this red fern fresh "wading: the original meaning is to cross the water on foot, and there is the meaning of boating. Play:

Enjoy, enjoy. Fern: Hibiscus, that is, lotus, so in "Quasi-Ancient" it is also "love this lotus fresh".

Autumn is high and cool, and the autumn water is vast, first of all, it gives people a sense of freshness, coolness, elegance and purity. At this time, it is pleasant enough to make a boat on the river and enjoy the autumn colors of the river, but the most fascinating and cute is the bright red lotus flower. Literally, this is to point out the time and place by writing the scene.

However, judging from the content contained in the deposition of poetic imagery, this is no longer a simple description of the scene, but an implication of this woman's flower-like physique, pure and elegant, and self-disciplined character. The word "wading the river" was first seen in "Chu Ci Chapter 9", which was used by Qu Yuan to express his feelings of relieving debts and worrying about the country and showing his pure, elegant, loyal and self-disciplined character. Although there is no debt to worry about the country here, it is not impossible to show the purity and elegance of women, the character of adhering to chastity and yearning for single-minded love.

Emperor Liang Yuan's poem "Fu Shi Jiang Picking Hibiscus": "The leaves are difficult to slip, and the flowers are red and easy to tilt." Kong Dezhao inscribed the poem cloud above:

Tired of picking in the morning, reading for a long time. Xin Deyuan's "Hibiscus" poem Yiyun: "Wading the river."

Good from afar, the meaning is endless. It is all to express women's desire and yearning for single-minded love. Of course, this point also needs to be understood in conjunction with the next sentence of "love this red fern fresh". Liang Wujun's "Four Quasi-Ancient Songs".

Li Bai's most admired person in his life was Xie An, a famous man in the Eastern Jin Dynasty. Appreciating Xie An's ability to worry about the country and the people in the fireworks pile is a real skill. "Bringing Prostitutes to Liangshan Qixia and Meng's Peach Garden" said:

Xie Gong has his own Dongshan prostitute, and Jinping sits like a flower man with a smile. "The book title Cai She Renxiong" also said: "Taste Xie Anshi, bring prostitutes to Dongshan Gate."

Chu Wu is drunk and blue, and Wu Ge breaks the Qing ape. "Prostitute Jinling Yu Chenglu Liu" and "Anshi Dongshan Thirty Spring, proudly bring prostitutes out of the dust". In order to learn from idols, Li Bai adopted the same behavior as today's star-chasers - a super imitation show.

Xie An is "every time you travel, you must take a female prostitute", Li Bai also followed suit and took his own "Dongshan prostitute" to travel, there is a poem as evidence: Dongshan Yin (Li Bai) took a prostitute to Dongtushan, and Xie An was sad. My prostitute is like a flower moon today, and his prostitute is barren and cold.

Three hundred years old after the dream of the white chicken, he sprinkled wine and poured the king's joy. The autumn wind blows off the purple crown. He is also at one time, and this is also at one time, why be strange about the song of the mighty torrent.

Beauty is as fleeting as flowers, and fame is as stiff as soil. Li Bai's sad taste of life is actually derived through the comparison between the accompanying flower geisha and Xie An's geisha, a flower moon, a deserted grave, absurd, but also in line with human feelings. "The Song of the Mighty Torrent", in fact, wants to express that "the ancients are not seen before, and the comers are not seen after".

It's just that Chen Ziang wrote about orthodox generosity, and Li Taibai is "very absurd, recognizing a foreign country as his hometown" A sense of emptiness in life.

[White Chicken] See "White Chicken Dream" of Illness and Death. o A metaphor for an ominous age. Song Wang Anshi's "Cizhangdian Public Rhyme":

Where is the white phoenix today, I am a white chicken in the New Year. "White Rooster Dream] "Jin Shu Xie An Biography": "Xie An) said because of his proximity:

When Xi Huan Wen was there, I was often afraid of incompleteness. Suddenly, I dreamed of traveling sixteen miles by Wen Yu, and stopped when I saw a white chicken. Those who take advantage of the warmth of the public will also take their place; Sixteen miles, until now sixteen years; The white rooster is the main unitary, now Tai Sui is in the unitary, I can't afford to die!

o refers to death. Tang Libai's "Yin of the East Mountain": "Three hundred years old after the dream of the white chicken, sprinkle wine and pour the joy of the king," see also the seasonal "Year of the White Rooster", the bird "White Chicken", and the sleeping dream "Chicken Dream".

I can only tell you so much, if I talk to you too much, then it won't be interesting for you to write, hehe.

Remembering Dongshan Li Bai.

Not to the east mountain for a long time, the rose several degrees of flowers.

The white clouds are still scattered, and the bright moon falls on whom's house.

It's been a long time since I've visited Xie An's Dongshan, how many times have the roses bloomed by the Rose Cave? Are the white clouds on the White Cloud Pavilion still coming and going freely? The bright moon in front of the Mingyue Hall shines on that family tonight?

Words to - to see, to go.

degree – annual.

Scattered – separated.

Fall - shine in the moonlight.

Sentence Comment Not to the East Mountain for a long time - it seems to be virtual but real, and the memory of the place is written. Pingqi, sigh, I haven't been there for a long time (I didn't even think of going again), alluding to the people or relatives and friends who have not lived in Dongshan for a long time, and the roses have been spent several times - it seems to be virtual and real, and the memory of time is written in fiction. Continue to sigh, I don't know how many years it has been calculated, echoing the word "long" with "several degrees".

The white clouds are still scattered - they seem to be real and virtual, implying memories of people. A little imagination, double meaning, clearly written clouds scattered and moonrise, implying the separation of people.

Whose house does the bright moon fall - it seems to be real and virtual, and it is lovesick. Continue to imagine, double meaning, whether the moonlight shines on the Dongshan home, implying the feelings of longing and whether the other person knows it. The word "who" is used cleverly, asking knowingly, and answering with questions.

Poetry Review The whole poem revolves around the word "memory", the memories of the past, the thoughts of the present, the expectations of the future, the place, the time, the people, and the feelings, layer by layer, go deep into the heart. The whole article is fictional, meditative, and full of true feelings.

Poetry is the expression of a free mind and must have a personality. The beauty of Tang poetry also lies in its personality. The so-called personality does not refer to the appearance of ears, eyes, nose, etc., nor does it refer to the instinctive impulses such as eating and drinking, but refers to a person who is mentally mature and can independently judge and appreciate the world around him with an independent sense of right and wrong.

Individuality begins with the awakening of the self. A person, when he realizes that he is a human being, and that he wants to protect his right to be a human being with his own life, his personality begins. At this time, as if he had found the golden key mentioned in a fairy tale, he could open a new and beautiful world with his unique golden key.

This golden key is personality. Poets are good at using their unique personality to see the world. The poets of the Tang Dynasty, such as Li Bai, Du Fu, Wang Wei, Meng Haoran, Gao Shi, Cen Shen, etc., were all people with a high degree of personality, so they were good at discovering the beauty of the world.

Reflected in the poem, it becomes the personality beauty of Tang poetry.

Li Bai is the most individualistic person, so his poems are particularly beautiful in personality. For example, "The Mountain in the Middle Answer":

asked Yu what to do in Bishan, laughing but not answering. The peach blossoms are gone, and there is no heaven and earth and no world.

This poem is really exquisite, thorough, and beautiful. On the surface, the poet "laughs and does not answer" and refuses to say anything, but in reality, he says everything. Li Bai is such a person who does not have any secrets and city government, so his poems are as natural as flowing water and as clear as the blue sky.

The beauty of his poems lies in the clarity and naturalness of his poems. But this kind of nature is not only different from Xie Lingyun's nature, but also different from Tao Yuanming's nature, and even more different from Wang Wei and Meng Haoran's nature. His nature is Li Bai's nature:

A kind of "immortal" nature, a kind of "An can break the eyebrows and bend the waist of the powerful, so that I can't be happy" nature. This kind of nature comes from the innocence of temperament, the open-mindedness of the mind and the expression of Li Bai's unreserved personality.

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