Chinese and foreign aesthetics are very different, what is the difference between today s Chinese ae

There is an old saying that one side of the water and soil supports the other side, because everyone accepts a different culture, and the growth environment is different, so it leads to a big gap in looking at problems and other things. The same is true in aesthetics, Chinese and Europeans and Americans, from the living environment is very different, cultural history is also very different, so in the end it also caused a huge difference in aesthetics, plus the following reasons, can be more clear.

The first thing to talk about is face blindness. Whether foreigners look at us or we look at foreigners, we always feel that most of this person is a kind of face shape, and after seeing it, we can't leave any impression. The high nose bridge and big eyes that are admired by the Chinese think that this is good-looking, but in the eyes of Europeans and Americans, only the most unique, small eyes and collapsed nose bridge are more beautiful, which is a characteristic problem, only the kind of eye-catching, can attract his attention, make him feel that this person is unique, will think that it is good-looking, this is a very fundamental difference.

And then there's this living environment. The cultural influence received by Chinese has made us a more restrained and subtle person, and we are not good at expressing ourselves. Europeans and Americans have always had a strong desire to express themselves, and they are more unrestrained and free than Chinese.

This in turn affects the dressing style, makeup, and various aspects of the two people's behavior, and these places are taken together to make a fundamental difference in the shaping of a person. That's why we prefer Japan and South Korea, because they have the same cultural environment as ours and are exposed to similar things.

Having said that, whether it is what Chinese like or what Europeans and Americans like, this is not a contradiction. One of the most important things is to stay true to your own style and not let what others say dictate your style. In the international arena, more and more Chinese have come up, which is also the same as oursCultural self-confidenceIt's all about it.

Only by maintaining one's own style and color can one gain the respect of others and go longer.

Compared with European and American aesthetics, Chinese aesthetics are a little more restrained, and Chinese aesthetics are a bit like budding flowers. European and American cuisine is equivalent to a blooming flower.

Chinese aesthetics are often the mirror image of yearning for concrete beauty, which is concrete reality, while Europe and the United States are often very open-mindedness, which is incomprehensible to Orientals.

For example, supermodels, they all have one thing in common, that is, the facial features are not very three-dimensional, and do not belong to the awl face or pointed nose bridge that is now prevalent, their unique charm, which foreigners love, is actually the characteristics of ordinary Asian women that we have always felt, such as a relatively flat nose bridge, and significant single eyelids, etc., which is in significant contrast with many of us who desperately want plastic surgery and become a pointed chin and a high nose bridge.

In my opinion, China will be more reserved, and Europe and the United States will be more open. Most people in China think that being gentle and generous will look good, but Europe and the United States are different, they think that being unrestrained is good-looking.

People in Japan may like those with awl faces, melon seed faces, but what foreigners like is what we think is ordinary Asian women, whose faces are relatively flat and resemble single eyelids.

Summary. 1.Color selection:

In Western culture, white represents purity, freshness, and simplicity, while black represents mystery, spirituality, and elegance; In Chinese culture, white means mourning, mourning, and black means bad luck or secrecy. This shows that China and the West have different aesthetic preferences when it comes to color. 2.

Body concept: In Western culture, women should be slimmer and stronger; In Chinese culture, the aesthetic concept that a woman's body should be plump and feminine has its roots in malnutrition during the agrarian society. 3.

Space utilization: In Western culture, the design of houses and spaces places more emphasis on openness and transparency, while in Chinese culture, there is an emphasis on concealment and privacy, that is, the relationship between display and concealment.

1.Color selection: In Western culture, white is pure, fresh and concise, while black represents mystery, elegance and elegance; In Chinese culture, white means mourning, mourning, and black means bad luck or secrecy.

This shows that China and the West have different aesthetic preferences when it comes to color. 2.Body Concept:

In Western culture, women should be slimmer and stronger; In Chinese culture, a woman's figure should be plump and feminine, and the root of this aesthetic concept is that the nutrition is not slippery during the agricultural society. 3.Space utilization:

In Western culture, the design of houses and spaces places more emphasis on openness and transparency, while in Chinese culture, there is an emphasis on concealment and privacy, that is, the relationship between display and concealment.

4.Food ingredients: In Western culture, high-fat foods such as whipped cream, butter, and cheese are often used to prolong and enhance the taste of food; In Chinese culture, the selection of ingredients pays more attention to naturalness, health, and lightness, and the firing of kung fu dishes also emphasizes more on the delicate and refreshing taste of chong chun rent.

5.Dressing: In Western culture, men pay more attention to individuality and comfort, while women pay more attention to scattering and matching; In Chinese culture, however, there is a greater emphasis on color and flamboyance, such as the traditional colored silk Tang costume and Hanfu.

It cannot be equated, the mainstream aesthetic is only a staged aesthetics, and it does not represent the aesthetics of society. Popular aesthetics are gradually becoming popular. Social aesthetics include mainstream aesthetics as well as a variety of independent aesthetic forms.

Differences: 1. Different in nature. Social aesthetics is the aesthetics recognized by the social elite, and mass aesthetics is the aesthetics generally recognized by ordinary people.

2. The scope is different. The scope of social aesthetics is smaller, the audience is smaller, the scope of public aesthetics is larger, and the audience is more crowded. 3. Considerations are different.

Social aesthetics includes many aspects such as artistic conception, temperament, appearance, and concept, and most of the public aesthetics only consider appearance factors. 4. The value is different. Normally, things that conform to social aesthetics have a higher economic value than public aesthetics.

It is a collection of people's perceptions of beauty.

1. The center is different.

Generally speaking, Chinese and Western aesthetic cultures have always had their own centers, one centered on ethics, politics and religion, and the other centered on religious beliefs. All the major problems of Chinese and Western aesthetic culture are basically derived from these two centers, either from the positive or from the negative - this can be said to be a key to understanding Chinese and Western aesthetic culture.

2. Different modes.

In this regard, there are still differences between Chinese and Western aesthetic cultures, that is, first, it flattens the in-depth model full of humanistic flavor from the "May Fourth" New Culture Movement to the "Ideological Emancipation Movement" that has always been advocated by literature in the new period, and the other is to subvert the "utopian new religion" that Western modernism is committed to building, which is a deep mode of worship.

3. The starting point is different.

Contemporary aesthetic culture is faced with a major choice, Westerners use thinking and poetry to prepare for the appearance of God, and Chinese use thinking and poetry as the flow of modern humanistic spirit, which clearly still maintains some connection with the above two central issues that haunt the dreams of Chinese and Westerners.

Western theories do not adapt to Chinese aesthetics, what is the difference between the two? The essence is different, how to reconcile? It is not the use of Western aesthetic theories to adapt to Chinese aesthetics, but the construction of a discipline system, academic system and discourse system of literary criticism with Chinese characteristics are two different ideological and cultural systems of aesthetics.

Each country has its own social soil, cultural environment and development history. Chinese and Western aesthetics are the oldest, most unique, and most cinematic aesthetics. At present, the development of Chinese culture, although there are some similarities with the aesthetic concept of Western painting, of course, also shows great differences.

<>When it comes to aesthetics, it's beauty to consider. From the origin of the word, it focuses on learning and culture, one on ethics, politics, and religion, and the other on religious faith. From ancient times to modern times, both Chinese and Western aesthetic cultures have aimed to maintain the orthodoxy of ethical, political or religious beliefs.

In modern times, the study of the characteristics of Chinese aesthetic psychology has shown an anti-orthodox tendency to learn from foreign countries. There are profound cultural differences behind the differences between Chinese and Western psychology.

China has a long history of more than 20 years and a rich cultural heritage. Chinese aesthetic psychology focuses on the unity of emotion and reason, and the harmony of content. Chinese Confucian aesthetics believes that beauty is a harmonious combination of beauty and goodness, and is used to suppress emotions in aesthetic activities, so Fang's aesthetics has significant differences under the influence of ideological and cultural backgrounds.

Traditional Chinese aesthetics are represented by Taoist aesthetics, while Western traditional aesthetics are represented by rational aesthetics, religious aesthetics, and psychological aesthetics. This difference is reflected in the aesthetic way, aesthetic psychology and aesthetic ideals.

The aesthetic of Confucianism is easy-going and the West originally belonged to a civilization that did not disagree, but its thinking was also fundamentally different. In general, Chinese philosophy focuses on life. In Chinese aesthetics, people are not interested in the knowledge of external beauty, nor in understanding Chinese aesthetics and literary theory through the aesthetics of external objects (from traditional to modern, etc.).

Do not use Western aesthetic theories.