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Li He (790 816), the character Changji. He is a native of Changgu Township, Fuchang County, Henan Province (now Yiyang County, Henan Province), and his ancestral home is Longxi County. The romantic poet in the middle of the Tang Dynasty, together with the poets Li Bai and Li Shangyin, was called the "Three Lis of the Tang Dynasty", and later generations called Li Changgu.
Born in the Tang Dynasty clan Da Zheng Wang (Li Liang) room, the door shade into the office, awarded the gift of Lang. The career is not smooth, and he is enthusiastic about poetry creation. The work laments the untimely birth and inner anguish, expresses the pursuit of ideals and ambitions, and reflects the historical picture of the division of feudal towns, the dictatorship of eunuchs, and social exploitation.
The imagination of the poems is extremely rich, quoting myths and legends, and telling the past and the present, and later generations are known as "poetic ghosts". He died young at the age of 27 (some say 24). Li He is another well-known romantic poet in the history of Chinese literature after Qu Yuan and Li Bai.
As a representative of the transition period from the Middle Tang Dynasty to the late Tang Dynasty, Li He is as famous as the "poet immortal" Li Bai, the "poet saint" Du Fu, and the "poet Buddha" Wang Wei, leaving behind "black clouds crush the city and want to destroy the city", "the rooster cries the world is white", "if the sky is loved, the sky is old" and other ancient sentences. He is the author of "Changgu Collection", such as "Li Pinggong Hou Citation", "Shen Huzi Song of the Bamboo Tree", "Listening to Yingshi Playing the Piano Song", etc., through the strange imagination and metaphor of "Stone Breaking Shock", etc., depicting the superb skills and moving beauty of the **family, and expressing the author's embrace, giving people a deep feeling. "Yang Sheng Blue and White Purple Stone Inkstone Song" praises the craftsmanship of the working people.
Luofu Mountain People and Ge Chapter", describing the stunt of the old weaver weaving rain and cutting Xiang. There are also "Four New Bamboo Shoots in Changgu North Park", which praises the vitality of youth by singing bamboo shoots; "Twenty-Three Horse Poems" (Changji Horses) uses horses to reflect realpolitik and express the anger of the authors. The latter two groups of poems also use the form of quatrains, which are not commonly used by Li He.
This kind of poem generally expresses the breadth of Li He's poems and the depth of thought. Works such as "The Song of the Beauty Combing Her Hair" reflect the author's attitude towards the life of aristocratic women (one says that the newlywed Yan'er describes his wife).
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Praise the tenacious quality of bamboo and stone.
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The author of "Bamboo and Stone" is the Qing Dynasty poet Zheng Xie. The poem praises the tenacity, fortitude, steadfastness and tenacity of bamboo. It expresses his own perseverance and does not go along with the world. Noble thoughts and sentiments that never follow the crowd. The language of the whole poem is simple and the meaning is profound.
Bamboo and stone insist that the green mountains are not relaxed, and the roots are originally in the broken rocks.
Thousands of blows are still strong, and the wind blows from east to west, north and south. <>
Translations. The bamboo grabs the green mountains and does not relax at all, its roots firmly rooted in the crevices of the rocks.
After countless hardships and blows, the body is still strong, whether you blow the southeast wind of the scorching heat or the northwest wind of the harsh winter.
Appreciation. This poem focuses on the tenacious and persistent quality of bamboo. It is an inscription poem praising rock bamboo, and it is also a poem of songs.
This poem is a bamboo poem. What the poet praises is not the softness of bamboo, but the fortitude of bamboo. The first two sentences praise the inner spirit of Jinzhu rooted in the broken rock.
The word "bite" at the beginning is extremely powerful and visualized, fully expressing the resolute character of Jinzhu. Then "do not relax" to make up for the word "bite", Jinzhu's personality characteristics are fully revealed. The "broken rock" in the second sentence sets off the tenacity of Jinzhu's vitality.
The last two sentences go one step further to write about the tempering and testing of Jinzhu by the harsh objective environment. Regardless of the wind and rain, regardless of the frost and snow, the green bamboo is still "strong" and stands proudly. "Thousands of blows", "east, west, north and south winds", the test is severe.
This poem is a metaphor for people, and the author is subtle by chanting the strong bamboo in the broken rock.
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This is a poem that supports the words and aspirations, and the tenacity and tenacity of the rock bamboo, saying that he is upright, upright and unyielding, and iron-clad.
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"Bamboo and Stone" is a poem that borrows things to metaphor people and supports things, and it is also a poem about things. This poem focuses on the tenacious and persistent quality of bamboo, the tenacity and tenacity of Tuoyan bamboo, and the backbone of his uprightness, integrity and unyieldingness.
Bamboo stone. Zheng Xie, Qing Dynasty
Insist that the green mountains are not relaxed, and the roots are in the broken rocks.
Thousands of blows are still strong, and the wind blows from east to west, north and south.
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expressed that he must have a backbone to be a man and not follow the crowd.
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It expresses the noble thoughts and sentiments of the poet who will never follow the crowd.
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The poem "Bamboo and Stone" focuses on the tenacious and hungry quality of bamboo. This is an inscription poem praising rock bamboo, and it is also a poem of songs.
Bamboo stone. Qing Dynasty · Zheng Xie.
insisted that Qingshan would not relax in its rough moves, and the roots were originally in the broken rocks.
Thousands of blows are still strong, and the wind blows from east to west, north and south.
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1.During his reign, Zheng Xie did a lot of things to benefit the people and was deeply loved by the people. But he asked for relief for the people in the famine year, but he offended the prefect and the local gentry.
He was resolute, broad-minded, and "out of the mud without staining" of the noble character, ashamed to bend his waist, so he despised the powerful, untied the seal, resolutely resigned and returned, and returned to Yangzhou to sell paintings for a living.
2.This is a poem with an inscription, entitled Zheng Banqiao's "Bamboo and Stone Map". In the poem, in praising the perseverance of rock bamboo, it implies the author's contempt for the common view.
In the poem, bamboo is subjected to the test of "east, west, north and south winds" throughout the year. But because it is deeply rooted in the rock, it still retains its tenacity and toughness. No wind can do anything about it.
The artistic conception of this poem is "thousand" and "ten thousand", which is the resolute, fearless, confident and calm charm of bamboo, and it can be said that the artistic conception of the whole poem has suddenly emerged.
The inscription poems of the writer Zheng Banqiao, like his paintings, have a strong sense of three-dimensionality, which can be appreciated with paintings. Poetry is like this, whether it is bright with bamboo or stone, the image in the poet's pen is so distinct. The invisible wind is also depicted as blowing in the face.
What the poet pursues is not only the appearance of the appearance, but also injects his own ideals into each thin piece of caryophyllus, and integrates his own personality, so that the bamboo and stone exude a deep meaning and inner charm. It is a poem that borrows things to allude to people and supports things and aspirations, and it is also a poem of things. The poem focuses on the tenacious and persistent quality of bamboo, and Tuo Yanzhu is tenacious and speaks of his upright, indomitable, and iron-like backbone.
The language of all poems is concise, clear, resolute and powerful.
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Bamboo and stone is the work of Zheng Xie, also known as Zheng Banqiao, poet.
Zheng Banqiao's "Bamboo and Stone".
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