Wind bones what examples are used in literary criticism thank you 30

Jian'an style bones. It refers to the handsome and robust style of the poems of Cao's father and son, Jian'an seven sons and others during the Han and Wei dynasties.

In the Jian'an period at the end of the Han Dynasty, the great masters of the "Three Caos" (Cao Cao, Cao Pi, Cao Zhi) and the "Seven Sons" (Kong Rong, Chen Lin, Wang Cang, Xu Gan, Ruan Yu, Ying Ling, Liu Zhen) inherited the realist tradition of Han Yuefu folk songs, and generally adopted the form of five words, which was known for its strength and strength, and had a generous and sad masculinity, forming a unique style of "Jian'an style and bones" in the history of literature, which was respected as a model by later generations. Whether it is "Cao's father and son" or "Jian'an's seven sons", they have lived in the land of Heluo for a long time, and this kind of cool and robust style is closely related to Heluo culture.

The term "wind bones" was first widely used in the character criticism of the Wei, Jin and Southern Dynasties, and was later used in painting and calligraphy theory and literary criticism. As for literary criticism, Liu Xian's "Wenxin Carving Dragon, Wind and Bone" in the Southern Tang Dynasty is the most sophisticated: "The melancholy narration must begin with the wind; Silent rhetoric, don't precede bones.

Therefore, the words are treated to the bones, like the remains of the body; The wind of love, the shape of the envelope. If the conclusion is straight, the text will be complete; Spirited and cool, the style of writing is vigorous. It means that the combination of straightforward rhetoric and Junshuang's spirit forms a "backbone" with strong style and artistic appeal.

Wind is the vitality and inner appeal of the article, while bone refers to the expressiveness of the article.

The last year of Emperor Xian of the Han Dynasty was named "Jian'an" (196-220 AD), and the Jian'an period in literary history refers to the period from Jian'an to the early Wei Dynasty. The writers of this era gradually got rid of the shackles of Confucianism and paid attention to the lyricism of the works themselves.

The literary works of the Jian'an period, especially the poems, are the most prominent, and the Jian'an poems were developed on the basis of the Han Yuefu and the "ancient poems", and these works express the spirit of the times. "Cao's father and son" are the leading figures in the Jian'an literary circle, Cao Cao's poems are deep and generous, and the momentum is majestic; Cao Pi and the scribes got along very well. When Wang Cang died, he led all the scribes to the funeral, saying:

Wang Cang liked to listen to the donkey's bark when he was alive, and we all called to send him off. Then there was a sound of a donkey barking in front of the tomb. Cao Zhi's literary achievements are the highest, he is rich in literary talent, gorgeous rhetoric, and good use of metaphors, so he has an artistic style of "high backbone and rich words".

His "Luo Shen Fu" is a famous story through the ages, with concise language and pure feelings, depicting the peerless beauty and pure and flawless image of Luo Shen. The highest achievement among the "Seven Sons" is Wang Cang, whose masterpiece "Seven Mourning Poems" is a true portrayal of the war and turmoil in the late Han Dynasty.

The brilliant achievements of Jian'an literature have had a profound impact on the development of literature and art in the future. Liu Xian and Zhong Rong of the Southern Tang Dynasty repeatedly admired the literary style of the Jian'an period; Tang Chenzi praised the "Han and Wei style bones", and Li Bai had the verses of "Penglai article Jian'an bones"; Contemporary Mr. Lu Xun praised: Jian'an is a conscious era of literature, and from this time, people began to realize that literature has its own value and independent status.

I'm going to hand in my homework soon, so don't tell me you haven't written it yet.

Wind bones, refers to the upright spirit; tenacious demeanor and temperament; The style of writing, painting or composition has personality and strength; refers to the character of a person, his character; refers to uprightness; It means that the upright rhetoric and the cool spirit are combined into the "style and bones" of the poem; It refers to the style of literary works that are vigorous and chaotic.

The words of "Jin Shu Helian Bo Ji Ji": "However, his instrument knowledge is high, his style is strange, and Yao Xing."

Indulgent, Song Zu.

Smell it and be moved. ”

Wind and bone is the basic concept and term of ancient Chinese literary theory, which is essentially an aesthetic requirement for the content and rhetoric of literary works. The most complete and systematic poem with "wind bones" is Liu Xian's "Wenxin Carving Dragon".

"Wind bones" is an important concept in the history of Chinese literary criticism, from the Southern Dynasty to the Tang Dynasty, it has been the main criterion for literary evaluation, the Jian'an era to five-character poems-based literature is known for its strength and strength, Hu Tuanbang was respected as a model by later generations, which is often mentioned in the history of literature "Jian'an style or eggplant bones". The term wind bone was first used in a large number of character comments during the Wei, Jin and Southern Dynasties, and generally speaking, "wind" refers to spiritual temperament, and "bone" focuses on the shape of the phalangeal grid, and the two are inseparable, and they are combined into one wind bone. Later, it was also used in the theory of painting and calligraphy.

As for the theory of wind and bones in literary criticism, it should be described in more detail in "Wenxin Carving Dragon". Wind is the vitality of the article, is an intrinsic, can infect people's spiritual power, with the wind, the article can be vivid and vivid, of course, "wind" is always more virtual, it is related to the content and emotion of the work, but does not refer to the content and emotion itself. The bone refers to the expressiveness of the article, that is to say, the article should be strong and powerful, and "bone" is a more practical concept, which is directly reflected in the use of language; The language is accurate, concise, and clear, and the article can be powerful.

The concept of wind bones emphasizes integrity, and they can be understood from different aspects, but they cannot be viewed as two concepts.

Summary. The basic category of ancient Chinese literary and artistic theory is essentially the aesthetic requirements for literary and artistic works. The term "wind bones" was already an idiom during the Wei, Jin, Southern and Northern Dynasties. It is first used to evaluate people.

The basic category of ancient Chinese literary and artistic theories is the aesthetic requirement for literary and artistic works. The term "wind bones" was already an idiom during the Wei, Jin, Southern and Northern Dynasties. It is first used to evaluate people. Envy luck.

Later, the word wind bone also began to be used in the evaluation of writing and painting, used to describe words and paintings with strength, personality, pure and sharp brushwork, poetic and fine work. In the preface, Xie He put forward six criteria for evaluating paintings, one of which is vivid, and the other is the use of bone brushes. Later, "wind bones" to Liu Xian's pen and thoughts, developed into using it to comment on the text, with "wind bones" to comment on poetry** the most complete and systematic is Liu Xian's "Wenxin Carving Dragon", in its "big and thoughtful" Kuang Shiqi "Wenxin Carving Dragon" in the "Wind Trembling Li Bone" chapter, the wind bone is late to leak a detailed analysis.

On the basis of previous research, this paper classifies them, focusing on the appreciation of "wind bones", and summarizes the reviews and paintings as auxiliary for the search and sale.

The literary style of each era is different, and the literary style is the essence of the culture of an era and the spiritual outlook of a generation of literati.