What is the background of the writing of Wild Grass ?

In 1937, the iron hooves of the Japanese invaders stepped into the northeast of our country and other places, Xia Yan wrote during the anti-Japanese period.

"Wild Grass" has the background of the times, Lu Xun wrote "Wild Grass" at the time of May Fourth, the ebb tide, the whole book includes 23 prose poems written in 1924 and 1926, expressing the author's inner world in the mid-20s and the struggle against the real society in the self-selected collection of self-preface, the south and the north are mobilized.

Zhong Lu Xun said, later the new youth, the group dispersed, some ascended, some retreated, some advanced, I experienced a partner in the same battle formation will still change like this, in this case, with a small touch, I wrote some short articles, exaggerated, that is, prose poems, and later printed into a book, called "Weeds".

"Weeds":A collection of prose poems created by modern writer Lu Xun, in the early 20s of the 20th century, the author Lu Xun lived in Beijing under the rule of the Beiyang warlords, Lu Xun was in a very depressed mood at that time, but the pursuit of ideals was still not disillusioned.

"Weeds":The background of the creation is:

From 1918 to 1924, the "New Youth" and "Morning Post Supplement".

**Monthly, "Literary Magazine".

Literary Weekly", "Xuedeng", "Enlightenment", "Yuxi" and other publications have successively published prose poems by Liu Bannong, Shen Ying, Zhou Zuoren, Liangdi, Shen Xingren, Zhang Dinghuang, Su Zhaolong and others.

Works Impact:

From the production of modern Chinese prose poetry in 1918 to the completion of "Tearing Up the Ears and Weeds" in 1926, a total of eight years have passed. After Lu Xun.

With the efforts to develop and eliminate the fiber, the new modern prose poetry has gone through a journey from naivety to maturity.

Wild Grass is the first milestone in the maturity of modern Chinese prose poetry, and it is a work of pioneering significance in the development of modern Chinese prose poetry. "Wild Grass" combines poetry with the philosophy of travel, bringing a unique artistic brilliance to the new literary form; It no longer relies on the rhyme of poetry, making prose poetry completely independent from new poetry, and becoming a good beginning of modern Chinese philosophical prose poetry.

The details are as follows:

Wild Grass is a collection of prose poems full of symbolism, symbolism as a conscious literary and artistic movement began to develop from the French writer Jean Maurias in the 80s of the 19th century when he published the "Manifesto of Symbolism" in the "Le Figaro", and formed a worldwide modernist literary movement with great influence in the 20s of the 20th century.

From 1918 to 1923, Liu Bannong, an early vernacular poet, wrote Xiao at the same time as he wrote new poems

Hunger", "Rain", "Quiet", "The Depths of the Ocean in Meran" and other prose poems; On December 20, 1920, Guo Moruo, the founder of new poetry, published four short prose poems, "Winter", "She and Him", "Female Corpse" and "The Trumpet of the Earth", in the supplement "Xuedeng" of "Shishi Xinbao", with the general title of "My Prose Poems".

From 1918 to 1924, the prose poems of Turgenev and Baudelaire were successively published in journals such as "New Youth", "Morning Post Supplement", "** Monthly", "Literary Weekly", "Xuedeng", "Enlightenment" and "Yuxi".

Literary Appreciation:

One of the biggest features that distinguishes Wild Grass from Lu Xun's other works is its hidden profound philosophical and symbolic communication. Not satisfied with the general gossip or lyrical beauty of the time to convey feelings, but to give a form of beauty to the philosophy of life realized from reality and life experience, to create a special "monologue" style of lyrical prose poetry. The philosophy of life carried in "Wild Grass" is mainly manifested in the following two aspects.

From the production of modern Chinese prose poetry in 1918 to the completion of Wild Grass in 1926, a total of eight years have passed. Through Lu Xun's efforts and development, the new modern prose poetry has gone through a journey from naivety to maturity.

The background of the writing of "Weeds".Yes:

In the early 20th century, when China's political situation was turbulent and warlords were fighting, and Duan Qirui** took control of the Beijing regime, China fell into the darkest period after the May Fourth Movement. The warlord ** "destroyed the national movement of student workers for freedom and killed innocent people. He also led several wars in Sichuan, Hunan, Guangxi, Guangdong, southeast and northeast, and quietly disturbed Lu Yan.

There were reversals and setbacks in the May Fourth New Culture Movement, and after the "New Youth" group dispersed, Lu Xun felt like he was fighting alone in the desert. He portrays himself as a remnant of soldiers wandering the old battlefields, unable to find purpose and meaning.

The disharmony with Zhou Zuoren and even the break, so that Lu Xun tried to maintain the concept of a complete home no longer exists, Lu Xun's spiritual home finally integrated on the basis of fragmentation, moreover, the female teacher incident also had a great impact on Lu Xun's mood, the author Lu Xun in order to describe this process, created a series of prose poems reflecting the warlord melee and inner anguish.

Appreciation:

The prose poems that reflect the author's inner contradictions are mainly divided into two themes, one is to directly reveal the contradictions of the inner sedan chair, and in the chapters that reveal the inner contradictions, it focuses on reflecting the author's extreme dissatisfaction with the old self, the old thoughts and the old path.

He wanted to break out of the cage and seek new ideas and ways out, but the subjective and objective environment had not yet created the conditions and ability for him to break out, and as a result, he "ran into walls" everywhere, "making him feel that all parts of China are walls, but they are invisible, like 'ghosts hitting walls,' so that you can 'touch' at any time." In "Farewell to the Shadow", as a symbol of the "new me", the "shadow.""I don't want to be with the "people" who symbolize the "old self".

After repeated and painful ideological struggles, he finally "traveled far alone" and left the "man" to whom he had always been attached", but because he could not find light and a way out, he was "sunk by darkness" in the end. It is the author's pain, contradictions, and even pessimism and disappointment that are reflected here.

Lu Xun wrote "Wild Grass" at the time of May Fourth, the ebb tide, and the whole book includes 23 prose poems written in 1924 and 1926, expressing the author's inner and brightest world in the mid-20s and the struggle against the real society.

Zhong Lu Xun said, later the new youth, the group dispersed, some ascended, some retreated, some advanced, I experienced a partner in the same battle formation will still change like this, in this case, with a small touch, I wrote some short articles, exaggerated, that is, prose poems, and later printed into a book, called "Weeds".

"Weeds":A collection of prose poems created by modern writer Lu Xun, in the early 20s of the 20th century, the author Lu Xun lived in Beijing under the rule of the Beiyang warlords, Lu Xun was in a very depressed mood at that time, but the pursuit of ideals was still not disillusioned, this collection of poems truly describes the author after the division of the new cultural united front, continue to fight, but feel lonely, lonely, in the hesitation to explore the progress of Siyouzhou to tell the feelings.