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Tao Yuanming's "Returning to the Pastoral Home" recitation and appreciation.
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The style of "Returning to the Field" is**. "Returning to the Field" was revised by Ouyang in the Song Dynasty and proofread by Han Gu. The book records the anecdotes of the imperial court, the official system and the deeds of the characters, most of which Ouyang Xiu has heard and witnessed, and recounted them casually, which has important historical value.
Excerpt from "Returning to the Field and Slippery Annihilation":
Emperor Taizu was fortunate to be in Xiangguo Temple at the beginning, burned incense in front of the Buddha statue, asked whether to worship or not, and the monk recorded Zanning and said: "Don't worship." "When asked why, he said:
Seeing that the Buddha did not worship in the past, the Buddha shouted to let go. "Zanning, quite knowledgeable, there is oral argument Zheng Fu, although his language is similar to Haiyou, but it is suitable for the like, so he smiled and chalked, so he thought it was customized. So far, I have been lucky enough to burn incense, but I don't worship it.
The speaker thought it was a gift.
The content of "Guitian Lu" includes various aspects such as anecdotes of Shilin at that time, imperial court regulations, customs and anecdotes. His writing style is concise and vivid, with a hint of exhortation. "Returning to the Fields" is a note of great literary value and historiographical value**, which shows many details of the Northern Song Dynasty official system, folk customs, food, literature, tea ceremony, calligraphy and painting, etc., supplementing the shortcomings of the official history, and can be regarded as a small encyclopedia of Song Dynasty culture.
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Kaibao temple tower, the highest in the towers of the Beijing Division, and the system is very fine, all the materials are made by the craftsman pre-Hao. The tower is just formed, and the hope is not right and the trend is tilting to the northwest. People asked strangely, Hao said:
There are no mountains in Beijing, and there are many northwest winds, which blow for less than a hundred years. "The essence of its intentions, cover it like this! Since the dynasty, carpentry has only one person.
So far, carpentry is based on the method of pre-expectation, and there are three volumes of "Wood Classic" in the world.
Annotation Excerpt from "Returning to the Field". Ouyang Xiu, known as Uncle Yong, was a drunkard, a monk of Liuyi, a writer, historian, and calligrapher of the Northern Song Dynasty.
Kaibao Temple Tower: The name of the pagoda, built in the capital of the Northern Song Dynasty Bianjing (now Kaifeng City, Henan Province), octagonal thirteen floors, 360 feet high (one foot in the Song Dynasty is about centimeters), it is a famous wooden structure of the glazed pagoda in the history of ancient architecture in China. The tower was burned down during the reign of Emperor Renzong of the Song Dynasty.
The tallest among the towers in the capital: the highest among all the pagodas in the capital. Jingshi, the capital, here refers to Bianjing. Many, many, all.
And the system is very sophisticated: and the design is very exquisite. System, planning, design.
It was also built by the craftsman of the capital: it was built by the craftsman of the capital. Engineer of the capital, official name, in charge of the design and construction of civil engineering. Pre-Hao: A famous architect from the end of the Fifth Dynasty to the Northern Song Dynasty, who was good at building pagodas and pavilions.
Chu: Just. Looking at it from the wrong point and leaning to the northwest: From a distance, the tower is not right, and it is a little inclined to the northwest. It refers to the tower of Kaibao Temple. Tilt, oblique.
People ask strangely: people feel strange and ask him (what's going on). Zhi, he, refers to the pre-hao.
If it doesn't blow for a hundred years, it should be right: the wind keeps blowing it, and it won't take a hundred years for the tower to be right. It refers to the tower of Kaibao Temple.
The essence of his intentions is like this: his consideration when building the tower is so precise and thoughtful. It's, he, Dai Pre-Hao. So, so.
Translation: Kaibao Temple Tower, which is the tallest of the towers in Bianjing, is very exquisitely built and designed, and was built by the master craftsman (job name) Pre-Hao. The tower has just been built, and it seems that the tower is not tilting to the northwest. Someone wondered and asked him, and Jo-ho said:
This place in the capital is flat and has no mountains, and the northwest wind blows more, and in less than a hundred years, it will be blown right. "He's thoughtful and has reached this point! Since the founding of the Song Dynasty, pre-hao is the first person.
Until now, carpenters have followed the method created by Pre-Hao.
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The Kaibao Temple Pagoda is the tallest pagoda in the Kyoshi area, and it is very precisely made, and it was made by the master craftsman (professional name) and pre-ho (personal name). The tower has just been built, and it does not look straight, but slopes to the northwest. People wondered and asked Pre-Hao.
His ideas are so precise. This dynasty (which dynasty is the background?) He is the only carpenter since the founding of the country who has this level.
The current carpentry is based on the theory of pre-hao. Pre-Hao wrote a set of books, the title of which is Mujing, which has three volumes, and is now popular in the world.
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What is the genre of Guitianlu is as follows:Returning to the Field", notes. Revised by Ouyang in the Song Dynasty, corrected by Han Gu.
The book records the anecdotes of the imperial court, the official system and the deeds of the characters, and many letters are heard and witnessed by Ouyang Xiu, and they are recounted casually, which has important historical value.
Two volumes. Where one hundred and fifteen. Ouyang Xiu resigned in his later years and lived in Yingzhou, so the title of the book returned to the field.
Most of the old things of the court and the trivial affairs of scholars and doctors are based on personal experience, what they have seen and heard, and the historical materials are detailed and reliable. The style of the book is slightly close to Li Zhao's "Supplement to the History of the Kingdom", and the records such as Taizong Zhi Li Hanchao, Renzong Gongjian, Chen Yaozhi, and the oil seller have profound meanings.
Returning to the field", anecdotes of ancient Han Chinese**. Revised by Ouyang in the Song Dynasty. "History of the Song Dynasty: Art and Literature" was included in the category of history and biography, and was made into eight volumes.
Where one hundred and fifteen. Ouyang Xiu resigned in his later years and lived in Yingzhou (ying, a sound), so the title of the book returned to the field. I remember many old things in the court and trivial matters of scholars and doctors, most of which are personal experiences, observations and heard, and the historical materials are detailed and reliable.
The style of the book is slightly close to Li Zhao's "Supplement to the History of the Country", and the records such as Taizong Zhi Li Hanchao, Renzong Gongjian, Chen Yaozhi, and the oil seller are prepared to defend and debate, which has profound meanings. Fangchang.
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The genre of "Returning to the Fields" is: biography.
Guitian Lu is a biography written by Ouyang Xiu in the Song Dynasty, which is a book of warning and suggestion nature. This book reflects the story of a ** who was frustrated between the gorgeous and indifferent palace high-rises, and finally left politics and officialdom to return to the countryside and the bland life of the Eggplant Tomb.
The article provides readers with a new perspective on the metamorphosis of politics and a kind of faith to guide the way in life. At the same time, it also emphasized the importance of cultural traditions and the unique way of paying attention to life in Chinese society at that time.
Ouyang Xiu's achievements in literary creation are the highest in prose. When Su Shi commented on his article, he said: "On the avenue is like Han Yu, on the book is like Lu Zhen, on the chronicle is like Sima Qian, and on poetry is like Li Bai."
However, although Ouyang Xiu admired the profound and majestic knowledge of Korean and the unbridled ocean, he did not follow suit. Ouyang Xiu wrote more than 500 essays in his life, with a variety of styles, including politics, history, memoirs, lyrical essays and notes.
Appreciation of "Returning to the Field".
Ouyang Xiu's writing adopts a style that is more inclined to traditional Chinese culture, combines his own personal experience, and combines the culture of returning to the field with personal experience to present a unique literary language. With the help of his knowledge and personal experience, he has published many influential articles, mainly in historiography, literature, philosophy, etc.
The Returning to the Fields symbolizes the quest for the importance of family life and the restoration of traditional culture in an era. It provides a new way of thinking and outlook on life, emphasizing the connection between values and life, and is not only a precious heritage of historical culture, but also an indispensable and important reference material in the field of Chinese cultural studies.
The above content refers to the Encyclopedia - Guitianlu.
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The translation is as follows:
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Haha, Cohen is so cute to revisit and go.
At the heart of the Confessions is the idea of good and evil.