How to do it Persuasion Script Literature

1. Scripts that focus on literature.

Features: (1) The script is not only filmable (customarily called "filmability"), but also pays attention to the rhetoric and style of the written language. It not only provides the basis for the director's shooting, but also becomes a kind of text reading for the general reader.

2) The text paragraphs of the script are often divided by the spatio-temporal changes of the scene, but the time and place are not indicated at each time-space transition, but are naturally reflected through the description of the plot.

3) There are no clear regulations on the shooting technique (such as indicating what "close-up", "push", "fade out", etc.), but the content is hinted at through the direct description of the artistic image.

2. Scripts that focus on the camera.

Features: (1) The screenwriter regards providing the director for filming as his only responsibility and purpose, and is not prepared to make his script a kind of text reading. Therefore, most of them use direct white depictions of actions or pictures, and do not pursue literary brilliance and are unreadable.

2) Divide the natural passages of the text by scenes (sometimes even down to the camera). At the beginning of each paragraph, a line of text is dedicated to indicate the field (or mirror) number, the place and time where the scene occurred, and so on.

I have a skit here, and after watching it, I know the basic format.

Film Literary Script Film literary script is a literary style that uses film thinking to create a screen image. It is a work in which the playwright conceives art based on his own feelings, knowledge and understanding of life, and expresses his vision of the future film through text description according to the film's expression techniques (including scenes, environments, characters, behaviors, actions, narration, sound and other details). The script of film literature is mainly written for the purpose of shooting films, so it must be restricted by the characteristics of films, and must conform to the basic laws and requirements of film art. Although the image it creates is mediated by words, it must be able to be embodied on the screen through the filming of the film and the various artistic and technical means of the film.

Its unique aesthetic characteristics are first determined by the nature of film art, which is: rich in modeling expression and distinctive action; The organic combination of the image sense and sound elements; The montage effect embodied in the free transformation of time and space. At the same time, film literary scripts must have literary value, and can be read and appreciated as independent literary works for readers in terms of the shaping of characters, the expression of ideological content, and the use of language and writing.

The literary script of the film is the basis of the filmmaking, and its aesthetic value is an important premise of the overall artistic value of the film in the future, and it is the basis for the recreation of the film director and film crew. The categories of film literary scripts can be divided into those directly created based on living materials and adapted from other literary and artistic forms (**, dramas, etc.); In terms of structural form, it can be divided into dramatic, **, prose, philosophical, psychological, etc.

If you can find it, make some changes yourself.

Try the Venetian merchant of Sha Lao.

Have a rich imagination and good writing skills.

1.Time Background, 2Introduce the characters, 3, narration, 4 and the story are laid out one by one (each section has a title).

Location: Home.

People: Me and my grandfather.

After dinner, Grandpa went out on the balcony and smoked a cigarette. It just so happened that I saw it.

My grandpa, what are you doing?

Grandpa: Smoking!

I, Miss Ben, are adamantly against your smoking. Because I cough when I smell smoke.

Grandpa: Then you just go away, you can't smell it when you walk away, you can't cough if you don't smell it, and I can suck it if you don't cough.

I can't! No way! You don't smoke not only for my good, but also for your good, and you also know that smoking is bad for your health.

You also know that every day there are people who smoke cigarettes, and you smoke one by one, which is chronic suicide. I want you to live a few more years.

Grandpa: Don't worry about it.

So, let's bet, if you don't smoke for 1 year, I'll treat you to fried rice that I cooked!

Grandpa: Okay! Hook hanging.

Three months later, ......

Grandpa: I announce to everyone that I don't smoke anymore.

I'm good! Celebrate your successful quit smoking.