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To put it bluntly, the stage play is to perform some dramas on the stage, as long as the plot can be remembered clearly and your lines can be remembered, there will basically be no big problem, because it is not a single singing, there will be a little sound flaw, others will remember you very clearly, and the drama others see more is an overall plot, only if you do not make mistakes in the memory of the plot and the memory of the lines, basically there will be no problems. So there's no need to be nervous about dramas where others won't keep staring at you alone, it's usually a team effort, that is, a lot of people participate in the performance together, so you can increase the communication with your friends and make the cooperation between each other more tacit, so that you can have a better effect.
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The most basic stage 3 taboos: laughing, backstage, and watching the audience.
First, you have to analyze the script
Analyze the characters (analyze the personality of each character, to discover his habitual language, movements, etc.).
Character relationships (i.e., the specific relationships between each character and each character) prescribe the situation (the environment prescribed by the script is the time and place. Contradictions (I don't know how to explain it, it's important anyway.) It's not a good stage play without conflict).
You don't need anything else. Because it's not professional. The rest of the time is to rehearse more and find new things to add in the rehearsals. It's best to have actors fit into every role. In that way, distractions can be eliminated, and the role is played vividly.
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First of all, you must be familiar with the stage and lines, the most important thing is that as an actor, you must have a deep understanding of the character and dynamics of the actors, do a good job of imitating every subtlety and action, and communicate with others more, study, communicate, and rehearse more at other times, pay more attention to demeanor and movements.
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I think there have to be a lot of old actors to take you. I'm going to teach you how to act in a stage play. Otherwise, it is difficult for a beginner to be competent in a stage play.
Then there is the fact that beginners must play a relatively simple role. As a result, I slowly adapted to the stage play, and I felt that I would definitely become a very well-known stage actor in the future.
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Beginners want to perform stage plays well, they must have a full understanding and understanding of stage plays, stage plays are a very classic form of expression, many people like it very much, so as a beginner to start from the most basic semester, you can watch more classic stage plays to learn, watch more and practice, and ask teachers with more experience in the past.
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It is still recommended to start with the classics, Chinese can start with Cao Yu, Lao She, Tian Han, and foreign countries may wish to take Shakespeare and Ibsen as a starting point. These people's things, since they are classics, are worth reading repeatedly, you can read them when you are just starting to get into drama, and when your knowledge grows, you can still read them, and you will have a different understanding. By the way, I think meta-miscellaneous dramas are also worth learning.
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I think that if a beginner wants to perform a stage play well, he should first look at what other stage plays are like, absorb some essence from them, and apply them to his own acting skills, which will have a relatively large improvement in his acting skills, and then he can ask people who have acted in stage plays before to see what experience they have to talk about.
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It is not so easy for beginners to perform a stage play well, it requires you to put in a lot of effort, usually communicate with some experienced personnel, see if they have any good skills, because you yourself have to feel more about life and find some inspiration for performance.
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Stage drama majors are usually related majors such as drama, acting, or drama production. These majors usually cover knowledge and skills in acting, dance, theatre history, theatre theory, theatre production, and more. Xuejube holds a stool and usually undergoes a lot of drama and acting training, including courses in acting, vocal music, dance, body language, and more.
In addition, students also need to study the history and theory of drama, understand the development process and characteristics of different forms of drama, and master the basic rules and skills of drama creation and performance. For drama production students, they need to learn the knowledge and skills of script writing, lighting design, sound design, stage design, etc., as well as understand the content of stage layout and management. In conclusion, students majoring in stage drama need to have good acting ability and creative ability, as well as a wealth of theoretical knowledge and production skills in drama in order to make a difference in the stage drama industry.
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The biggest difference between stage plays and TV dramas is that the performance in film and television does not need to appear in an extremely exaggerated form, because there are cameras and directors who are grasping and recording the actions of the general direction, and the actors only need to interpret this expression in place.
However, stage plays, dramas, and operas, which do not have cameras, greatly improve the actors' awareness of this feeling in the current performance. Exaggerated tones, large movements, and even extremely rich expressions are very important. Because you're never just performing for the audience in the first row, you need to make the people behind you happy or angry.
Laughing and smiling, he raised his head, grinned widely, and was heartbroken when he cried and cried, and he was still very demanding about body language.
A good stage actor is a qualified film and television actor, but a film and television actor needs to re-learn when he or she appears in a stage play. Like opera actors, due to their unique stylized content (that is, body language), most film and television directors can't understand their inevitable existence and the angle of arrest, so in most TV opera works, we often watch boring.
Like Ge Xiansheng, there are many young and middle-aged actors now, all of whom have stood up from stage plays. Because their understanding of expressions is already too good and too good to enter the play, all the director needs is to remind them how to reduce these overly exaggerated expressions and body movements.
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