What is the aesthetic aesthetic distance theory .

Bülow's theory of aesthetic distance points out that a certain "distance" must be maintained in aesthetics, so that objective phenomena cannot be linked to the real self, so that it can fully display its true colors. For example, in the era when the maritime industry was not yet developed, if we could not get rid of the interests and disadvantages of reality and abandon the psychology of suffering from gains and losses, the scene caused by the sea fog would become a burden on our spirits, so that we could no longer care about anything other than worrying about our own safety. If, on the other hand, we put our own safety at risk and enjoy the wonders created by the sea fog, the spectacle in front of us can give us an unprecedented aesthetic experience.

Blow also pointed out that in everyday experience, things always show us their practical aspects, and we must not abandon our own desires and contemplate the objective characteristics of things with pure disregard for interests. The way of seeing things through distance is a special way of looking at things, which does not make things fit into our needs, in which case things are simply for us to see. Because ordinary people lack the ability to keep their distance, it is very easy to reach the limit of distance and cause the phenomenon of distancing, so they can not always look at the object with a pure aesthetic eye like an artist, who does not have any interests or desires.

Schopenhauer pointed out that at the time of aesthetic photography, man is "lost" in the object, "man forgets his individuality, forgets his will; He exists only as a pure subject, as a mirror of the object, as if only the object exists and does not perceive the object...... personAt the same time, the whole consciousness is completely filled with a single intuitive vision, occupying ,......At the same time, the individual is no longer an individual person, because the individual person has lost himself in this intuition. He is already the subject of knowing, a pure, voluntary, bitter, timeless subject."

This is what it means that distance produces beauty. For details, please see Zhu Guangqian's book "Talking about Beauty".

It was Edward Blow of England who put forward the theory of distance as a theory of beauty.

Situational grasp and early detection and effectiveness analysis of aesthetic theory. It is one of the representative beauty theories in Western traditional aesthetics, which is to move our subjective feelings to external objects, so that external objects can be brought to life and have our human feelings, so that we feel beautiful. The main characteristic of this aesthetic theory is the projection of feelings.

In contrast to the theory of empathy, distance is to keep a certain distance between me and the object, so as to look at the external object with an aesthetic attitude, and then beauty is produced. In 1912, he published the book "Psychological Distance", which used psychological distance to explain aesthetic phenomena.

2. The controversy of contemporary Chinese aestheticians on the nature of beauty: (1) The assertion that beauty is subjective, represented by Lu Ying and Gao Ertai. (2) Advocate that beauty is objective, represented by Cai Yi.

3) Advocate that beauty is the unity of subjectivity and objectivity, with Zhu Guangqian as the representative of Lu Dongqi. (4) Advocating that beauty is the unity of objectivity and sociality, represented by Li Zehou.

3. The logical construction of the essence of beauty: (1) The definability of beauty: the logical pursuit of negation of negation.

In the 20th century, especially after the 70s, a new academic trend emerged in modern Western aesthetics, and many aestheticians believed that beauty was outdated in objective or subjective issues, so they were no longer as keen on the essence of beauty and art as before, and even denied that beauty could be recognized, so it was no longer necessary to define beauty. Ludwig Wittgenstein's theoretical intention is to use everyday language analysis to cancel the ** of beauty, which is tantamount to denying the definability of beauty.

2) The concept of beauty: an open system.

3) The question of beauty: between the phase of life and the phase of creation.

4) A comprehensive and complete presupposition about the nature of man. Marx pointed out that "man's feelings, the human nature of feelings, arise only because of the existence of their objects and because of humanized nature, and the formation of military attaché feelings is the product of all previous world history."

5) The collective definition of the essence of beauty: man is the "beauty of the world"; Beauty is the objectification of man's essential power; Beauty is the image of freedom; Beauty in creation, for example, the beauty of the starry sky not only involves the group of planets that exist materially, but also involves the specific situation and mental state of the aesthetic subject, so that the beauty of the starry sky is accumulated by a variety of factors, and when the conditions are met, it is suddenly created. The creation of beauty is a multi-layered and tiring suddenness.

First of all, the philosophical definition of beauty can be expressed as beauty is a component of specific things, is the utilitarian performance, positive meaning and positive value of specific environments, phenomena, things, behaviors, and objects for human survival and development, and is the reason why individuals are affected by their effects, influences and good feelings such as pleasure and satisfaction in the process of contacting specific things. Define and extract relatively abstract things or meta-entities that are different from ugliness.

This is inseparable from the reflection of human consciousness on objective things, and it can also be said that there is no reflection of abstract things or meta-entities, so beauty is not believed in existence.

When comparing the two states of relative rest and relative motion, the answer is obviously motion, because man's cognition is conditional and concrete, and things in relative motion will change the conditions of time and space in which he lives, and then we will recognize more value of things, and we will be more likely to find positive values in them.

The reference object of people's choice of motion or not is often the self, that is to say, the time and space conditions changed by moving things will produce distance, in other words, with distance, we will find beauty more.

Aesthetics is to seek the least distance without canceling the distance, who said this sentence.

Hello, I have seen your question answered for you: Aesthetics is to find the minimum distance without canceling the lifting distance, this sentence is said by Bulow. In aesthetic psychology, the Swiss psychologist Bloh proposed a concept of "aesthetic distance", which was later widely used.

He said that in aesthetic activities, a subject must maintain a certain psychological distance from the object.