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My answer is that the mind determines the culture decides.
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Summary. The cultural industry has the dual nature of economy and culture. There are also contradictions:1On the one hand, it is an economic attribute, pursuing the maximization of interests, following the laws of market economy and the development of market economy;
2.On the other hand, it also has cultural attributes and follows the basic laws of cultural development and the rules of survival. Therefore, the cultural industry has the dual guidance of economic value and cultural value.
The contradiction between the Chinese and economic aspects of the cultural industry.
The cultural industry has the dual nature of economy and culture. There are also contradictions in the pie: 1
Yichen is only an economic attribute, the pursuit of profit maximization, follow the laws of market economy and market economy development; 2.On the other hand, the bridge also has cultural attributes, following the basic laws of cultural development and the rules of survival. Therefore, the cultural industry has the dual guidance of economic value and cultural value.
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Without? Without it, the two points contradict each other.
Two big points, A vs. BB vs. A
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Here's why:
1. The cultural industry lacks a full understanding and understanding of cultural knowledge and cultural characteristics, and a large number of cultural education and cultural and technical talents are lacking, which makes cultural products lack meaning in design, and even lack originality.
2. There is a lack of new and novel forms of cultural expression in the distribution of cultural industries, and many cultural products in Luzheng are re-assembled and re-matched with existing content, and there is no innovative way of communication, which makes cultural products single and boring.
3. The cultural industry environment is insufficient, including the lack of cultural texts, insufficient cultural resources and insufficient cultural investment. These deficiencies have created a huge obstacle to the development of the cultural industry, making it difficult to improve the quality of cultural products.
Cultural industries are a concept pioneered by Adorno and Horkheimer in their book The Dialectic of Enlightenment. In particular, they stressed the need for a strict separation of cultural industries from popular culture.
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There are many reasons for the emergence of uncultural phenomena in the cultural industry, mainly the following:
First, the development of the cultural industry is slow, the investment is insufficient, and the innovative spirit of Bifanna is lacking. The development of the cultural industry requires a large amount of capital investment, but due to the lag of investors' concepts and insufficient investment, the development of the cultural industry is limited.
Second, the cultural industry lacks a unified management system. The development of the cultural industry needs a unified management system, but due to the poor management of the first department, the development of the cultural industry has been hindered.
Third, the cultural industry lacks standardization. The development of the cultural industry needs a certain degree of standardization, but due to the lack of standardization, the development of the cultural industry has been limited.
Fourth, there is a lack of policy support for the cultural industry. The development of the cultural industry needs the support of the first class, but due to the unfavorable policy, the development of the cultural industry has been restricted.
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The reason for the emergence of the cultural industry without culture, this is a social problem of real shooting, the cultural industry of our shirts is or noisy to publicize and implement the party's principles and policies, and has been in a predicament of not being able to operate for a long time, so there is no cultural phenomenon in the cultural industry
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1. The comparative advantage of the development of cultural industry in country A is, first of all, rich cultural resources. Chinese culture has a long history, is rich and colorful, and is in the same line, which is recognized by the whole world. The United Nations Educational, Scientific and Cultural Organization (UNESCO) divides the contemporary world culture into eight cultural circles, Mr. Toynbee of the United Kingdom believes that there are five more important civilizations of mankind at present, and Samuel Huntington, a famous political scientist of the United States, believes that there are seven or eight civilizations in the world today, and Chinese culture is on the list.
The attractiveness of Chinese culture to foreign investment ranks 5th among the 15 representative countries such as Australia, Brazil, the United Kingdom and the United States. Secondly, there is a huge space for careful judgment of market demand. In terms of domestic demand:
International experience shows that when the per capita GDP exceeds $5,000, residents' consumption will enter a period of strong spiritual and cultural demand. At present, China's per capita GDP has exceeded 5,000 US dollars, and residents' consumption is changing from subsistence and subsistence to well-off and enjoyment, and the spiritual and cultural needs of the people are showing a "blowout" trend. In the next 10 years, China's national economy will continue to maintain an average annual growth rate of about 8% to 9%, which provides a fundamental guarantee for the rapid development of the cultural industry.
In terms of international demand: With the peaceful rise of China and the continuous improvement of its comprehensive national strength, the international influence and appeal of Chinese culture are increasing day by day, and the demand for Chinese cultural products in the international market will also increase significantly. Thirdly, the predictable policy advantages.
** attaches great importance to the development of the cultural industry, after 2003 has made a series of important assertions and deployments, clearly put forward the acceleration of the development of the cultural industry of great significance, the overall idea, the objectives and tasks and the principle requirements. The national economic and social development plan outline during the "Twelfth Five-Year Plan" period clearly proposes to promote the cultural industry to become a pillar industry of the national economy in the next five years. The Sixth Plenary Session of the 17th Central Committee of the Communist Party of China "Decision of the Communist Party of China on Deepening the Reform of the Cultural System and Promoting the Great Development and Prosperity of Socialist Culture".
Finally, the late-mover advantage of the cultural industry. Late-mover advantage refers to the fact that backward countries can grasp the knowledge and experience (lessons) obtained by advanced countries through exploration, through learning, imitation and observation, at a cost lower than the development cost, so as to rapidly improve the international competitiveness of the industry. China's direct use of the latest technological achievements has led to faster industrial upgrading and faster economic development.
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Summary. Culture can become an industry because cultural development is divided into public welfare cultural undertakings and business cultural industries. It is an important embodiment of the country's soft power and an important part of the country's comprehensive competitiveness.
The cultural industry has the characteristics of low resource consumption and high added value, and plays an increasingly important role in adjusting the structure, expanding domestic demand, increasing employment and promoting development, and has become an important starting point for China to cultivate new economic growth points and improve international competitiveness.
Culture can become an industry because cultural development is divided into public welfare cultural undertakings and business cultural industries. It is an important embodiment of the country's soft power, and it is also an important part of the country's comprehensive competitiveness. The cultural industry has the characteristics of low resource consumption and high added value, and plays an increasingly important role in adjusting the structure, expanding domestic demand, increasing employment and promoting development, and has become an important starting point for China's stove to cultivate new economic growth points and improve international competitiveness. Good.
UNESCO defines cultural industries as the activities of producing, reproducing, storing and distributing cultural goods and services in accordance with industrial standards. It is defined from the perspective of industrial standardization of production, circulation, distribution and consumption of cultural products. >>>More
I don't know exactly what you're referring to. In general, you can invest in the shooting of movies and television. Rental of video and television equipment.
Cultural industry investment: The establishment of cultural industry investment is an exploration and attempt to solve the financing problem of cultural industry by means of the "industrial investment" operation mode of the mature capital of Qinjian mature capital, which is raised by the sponsor and entrusted to a professional institution to manage the assets, and mainly adopts equity investment to solve the financing problem of the cultural industry.
From a macro perspective, the prospects for the development of China's cultural industry are relatively good. However, the cultural industry covers a wide range of branches and has a large number of branches, and the development prospects of different branches will be relatively different. >>>More
Shanghai Jiao Tong University, Shandong University, Central China Normal University, Ocean University of China, Yunnan University, Shandong University of the Arts, Beijing Normal University, Communication University of China, Capital Normal University, School of Culture and Communication, East China University of Political Science and Law, Chongqing Technology and Business University, Jianghan University, Guangzhou University, Shanxi Normal University, ** Cultural Cadre Management College, Guangdong Normal University of Technology, Peking University, School of Journalism and Communication of Tsinghua University, Jiangxi University of Finance and Economics, Shanghai University, School of Liberal Arts, Shenzhen University, School of Humanities, Beijing Language and Culture University, Shanxi University of Finance and Economics, Nanchang University, Shanghai Normal University, Hunan University, School of History and Culture, Hunan Normal University, Qinghai University, Changsha University of Science and Technology, Zhejiang University of Media and Communication, Beijing Dance Academy, China Academy of Drama, Beijing Film Academy, **** Academy, ** Drama Academy, Shanghai ** College, Shanghai Theatre Academy, Nanjing University of the Arts, Yunnan University of the Arts, Guangxi University of the Arts, Xinjiang University of the Arts, Inner Mongolia University of Arts, Jinan University of Arts, Jinan Vocational College, Tianjin ** College, Anhui Huainan Normal University, Tongji University, Shandong Institute of Arts and Crafts, Nanjing University of Aeronautics and Astronautics, Sichuan ** College, Qingdao University of Science and Technology, Shandong Branch of China Women's University, Chinese Renmin University, Nanguang College of Communication University of China, Shuda College of Hunan Normal University.