How to appreciate a work of calligraphy 5

Regular script: one is to see if there are any typos or other words, in order to judge whether to write with heart or entertainment, and at the same time to see how the author's cultural heritage is, when you can't write traditional Chinese characters, "queen" is written as "queen", etc.; The second is to see whether the pen is fine, whether there are many failures, and those who are fine are the top grades; the third is to see whether it is pleasing to the eye and whether it can resonate. The fourth is to see whether the whole work has "tranquility", that is, the bookish qi, this kind of thing is very subjective, that is, when you appreciate it, when you look at it for a long time, your heart is still rather than the more you look at it, the more irritable it is, and the factors of tranquility contained in the work are of the highest quality.

Line calligraphy: including line block and line grass. One is to see whether the pen is smooth and natural, otherwise it is inferior; The second is to see whether the layout of the whole article is coherent, otherwise it will be intermittent and tiring, as if it is out of breath, and the work will not be successful.

Cursive: Generally, people who do not have a foundation in calligraphy are not easy to appreciate, because there are many characters that may not be recognized.

If you have a basic knowledge of cursive, you should see if the work is completed "carelessly", because the cursive herb is scribbled, sloppy and made the meaning, this is the author's writing on the basis of a high degree of proficiency in Chinese characters, is the performance of "do as you want and do not exceed the rules", as long as the completion is natural and easy, it is the top grade, otherwise it is deliberately artificial, the pursuit of a certain style, stumbling, stiff and laborious, etc. are all inferior, this kind of thing is tired to see, not to mention the time when the author writes, Holding a brush as if there is a deep hatred, making a mess, it is purely funny, not to mention the cultivation of sentiment, but it is a false fire rising, which is harmful to health.

Seal script and official script can be classified into the category of regular script, so I will not elaborate on them one by one.

First of all, look at the time of the calligraphy work, whether it is genuine, the size of the writer's reputation, the chapter of the work, the size of the size, and the skill.

This is not just a matter of talking, it is an accumulation.

I often hear some people talking about a famous character when I look at the exhibition, saying that this broken character is not as good as what a primary school student writes.

Actually, I don't understand. If you don't understand what calligraphy is all about, it's not easy to understand it.

The benevolent see the benevolent, and the wise see the wise.

Take a look at the approach, the details, the style.

From the form to the content.

From the layout to the pen.

How to appreciate calligraphy works is as follows:

Look at the penmanship: the penmanship, that is, the calligraphy work, on the strokes, the texture of the lines, the fluency and the size of the pen. A good book and a work that lacks law should be based on the center, and the bias should be used at the same time.

Look at the glyph: structure, that is, when the calligrapher writes calligraphy works, he handles the collocation of a frame structure between words. Whether it is a calligraphy work or a cursive work, it should be dense and compact, and the size should be staggered and conform to the norms of the book style.

Look at the chapter method: The chapter method is the impression of the overall spring sale of a calligraphy work, and it is the layout arrangement of the most variety of Chinese characters in the whole calligraphy. The chapter includes the layout of the sparse size between the characters and the lines.

The basic form of Chinese characters is square, but through the expansion and contraction of dot painting and the twisting of the axis, a variety of different moving forms can be formed, so as to combine them into beautiful calligraphy works. The form of the knot is mainly affected by two factors: one is the need for the expression of calligraphy interest; The second is the formal factor of calligraphy.

As far as the latter is concerned, there are three main aspects of the main body calling: one is the influence of the book style, such as the vertical rectangle of the seal style; The second is the influence of glyphs, some characters are flat squares, and some characters are rectangular; The third is the influence of the law. Therefore, it is only under the control of the above two types of factors that the creation of a beautiful knot can be created by actively creating a form.

"If you want to know whether a calligraphy is written well, first look at whether the calligraphy is written smoothly, in short, the glyph should be stable, do not stagger, and each word is also very balanced, which is the basic point of calligraphy.

1. Calligraphy is a unique form of artistic expression of the beauty of words in China and the surrounding countries and regions that have been deeply influenced by Chinese culture. Including Chinese calligraphy, Mongolian calligraphy, Arabic calligraphy and English calligraphy. the"Chinese calligraphy"It is a traditional art unique to Chinese characters.

2. Broadly speaking, calligraphy refers to the rules of writing text symbols. In other words, calligraphy refers to the writing of words in accordance with their characteristics and meanings, in their style, structure and chapters, so as to make them aesthetically pleasing works of art. Chinese calligraphy is an original expressive art of the Han nationality and is known as:

Poetry without words, dance without lines; Painting without pictures, music without sound, etc.

3. In December 2018, the General Office of the Ministry of Education announced that Shaoxing University of Arts and Sciences was the base for the inheritance of excellent traditional Chinese culture of calligraphy. On April 29, 2021, the Ministry of Education of the People's Republic of China decided to establish the Steering Committee for Chinese Calligraphy Education of the Ministry of Education.

4. Calligraphy is a traditional art unique to China. Chinese characters are created by working people, began to be recorded in pictures, after thousands of years of development, evolved into today's writing, and because the ancestors invented the use of the brush to write, it produced calligraphy, throughout the ages, are mainly written with a brush, as for other forms of writing, such as hard pen, finger book, etc., its writing rules and brush words are not very different, but basically the same.

5. In a narrow sense, calligraphy refers to the method and rules of writing Chinese characters with a brush. Including pen holding, pen movement, dot painting, structure, layout (distribution, line order, chapter) and so on. For example, the pen refers to the real palm and the five fingers work together; The center of the pen is paved; The dot painting means that the brush follows, and the runchu is the same; The structure is in the shape of a word, echoing each other; The distribution is intricate, the density is appropriate, the virtual and the real are born together, and the whole chapter is coherent; Literacy ancient and modern, big and small, rather high than low.

How to appreciate calligraphy works is introduced as follows:

The appreciation of calligraphy is not only to experience the ingenuity and skill of the dot painting, structure, and chapter of the work, as well as the teacher's inheritance, genre, and style, but more importantly, to feel the temperament, emotion and aesthetic pursuit of the calligrapher through the work. The calligrapher relies on his hands and thoughts to create, and the viewer relies on his eye to dig and discover the life and soul contained in the canvas of the work, which is a kind of re-creation. The effect of this re-creation depends on the appreciation's knowledge, cultivation, experience, and state of mind.

Appreciating calligraphy requires not only a macroscopic grasp of the work, such as momentum, spirit, and whiteness, but also subtle observations, such as the use of brush, ink, structure, lines, and so on. Appreciating the quality of the lines, you can observe the author's use of brush, ink and brushwork. The second is the structure of Chinese characters composed of line and dot painting, and the interest and philosophy of artistic modeling.

The third is cloth white, including knots, lines, and chapters. The fourth is brilliance, which refers to the spiritual temperament and style of calligraphy.

The spirit is a faithful record of the author's spiritual realm, and it is closely related to the author's good feelings, personality, and repair. Excellent calligraphy works must be both beautiful and spiritual, and the appreciator must comprehend the posture and capture the spirit. The artistic style of calligraphy is first manifested in the unique overall style of the work and the unique artistic conception caused by it, which is most closely related to the aesthetic orientation and artistic temperament of the calligrapher, and is the result of the calligrapher's artistic personality.

The artistic style of calligraphy is the artistic characteristics and creative personality of the artist in his creation. Due to the differences in life experience, artistic accomplishment, personality characteristics, aesthetic tastes and personalities, calligraphers will have their own characteristics in the selection of calligraphy styles, expression techniques, and socks, so that different artistic styles have been formed.

Style is also the best way to show a person's temperament and spiritual outlook. This is also a high-energy reflection of thousands of years of history accumulated in the soul of calligraphers, reflecting the subtleties in the ** article and giving people infinite reverie. Hegel said:

Style generally refers to some characteristics of an individual artist's personality that fully express his personality in terms of expression methods and twists and turns. ”

First, look at the rules from a distanceSee whether the chapter of the whole work conforms to the chapter layout of the book, whether the momentum between the characters and the lines is continuous, whether the qi and veins are connected, and whether the sections are distinct.

Ouyang Xun "Dream Laying Post".

Second, take a closer look at the penmanshipThe pen is expensive to change due to the body, the middle and side forwards are exchanged, whether the pen is strong, and whether the lines have a sense of strength, three-dimensionality, and rhythm. Starting from appreciating a single word, it slowly expands to the overall work, and then shrinks to a single word, forming a complete appreciation process.

Appreciation of Liu Shikun's calligraphy works.

Third, taste the connotationAppreciating calligraphy is not only about the skills of penmanship and chapters, but also about the spirit and temperament of the author, as well as cultural accomplishment. At the same time, understand the author's creative background and creative environment, correctly understand the author's creative intention, and grasp the mood of the work.