How much is the price of a foot of calligraphy works in Changcang

If it is a piece of paper, a large character of tens of yuan square feet is OK, it is four big characters of 100 yuan square feet is also OK, but if it is a small character is more than that, if it is a copy of scriptures or poems, the number of words is hundreds of thousands, that is, thousands of yuan square feet, or even thousands of yuan square feet are wanted. Also look at the paper, ink, etc. In addition, the market has the final say on the quality of artworks, some buy high-end, some buy low-end.

In addition, the same and not the same calligraphy and painting are different in the eyes of different people, but no matter who has good or bad calligraphy and painting, there are valuable and worthless, expensive and relatively cheap, so you can't use a square foot in general, you can only say how much a square foot is. Runge didn't have any accuracy, it was just a reference, mainly relying on his own judgment and understanding of his calligraphy and painting, as well as the hype of the market at that time. A calligraphy and painting, in different places, different times, and different auctioneers, will be different.

For example, some of the calligraphy and painting of the same person are worth 10 yuan or 20 yuan a square foot, some are worth 50 yuan or 100 yuan a square foot, some are worth 1,000 yuan square foot, some are 2,000 yuan square foot, and some may be 3,000 square feet. Even 10,000, tens of thousands of square feet... And changing to another auctioneer or intermediary is another situation... So it's hard to judge, and it's not an absolute one. Any personal evaluation is only a one-sided, personal opinion. Distinctive, celebrity, and particularly favorite buyers want to make ** higher.

But if it's just because someone has a position now, or it's pure hype, the calligraphy and painting are high; Then when he retreats, or no one hypes it up, ** will soon come down, and it will not even be worth much. The same is true for any other work of art. As long as it's okay, it's collectible.

What is particularly mentioned here is that Runge is an unreliable reference, mainly looking at the market, as well as my own understanding of the work, as I said above. There are also imitations and prints and paintings that are worthless, except for the old and celebrity works, celebrity imitations will be worth a little money. I'm sorry, but I still have to take the idea myself, and what others say can only be used as a reference.

In my own opinion, please forgive me for saying something wrong.

According to the size of each calligrapher's work, each person's preferences and what the market is now are not the same pricing, Mr. Changcang's calligraphy I have not learned too much, but calligraphy is not the same, some time ago due to the need for work to find Mr. Fu Jianzeng inscription, ** in 5000 square feet or so, this gentleman's calligraphy art style is very distinctive, good at cursive, especially left-handed calligraphy, is the current vice president of the Chinese Calligraphers and Painters Association. You can check the information to learn about other details, I hope it can bring you some reference value.

It is generally said that calligraphers should have high attainments in literature, and the two complement each other, and both have a close relationship with writing. Calligraphy is the art of writing, and literature is also the art of expressing the author's inner sentiments through language and writing, such as the sage Wang Xizhi, Su Shi, Cai Xiang, Huang Tingjian, Mitty, etc.

Calligraphy takes the character itself as the object of study, the strokes of the characters, the structure of the characters, and the rules and regulations of calligraphy, which are the key points, and as for the literary accomplishment and moral standards, they are all irrelevant. A calligrapher is not necessarily a writer, and a writer does not necessarily have to write well. It can only be said that calligraphy and literature are all artistic categories, and because of the words, it seems to be connected, and there is a certain literary accomplishment, I think, whether you practice calligraphy or not.

In a nutshell: Kung Fu is beyond the word.

Calligraphy is a kind of freehand art, from the layout of the lines and chapters we can understand the mood of the calligrapher, so that the whole work has the consciousness of the calligrapher, so that it is full of vitality. Literature, on the other hand, is also the author's expression of his or her own opinions, thoughts, moods, etc. through written narration, and what they all have in common is to convey the creator's thoughts and feelings through words. Although calligraphy belongs to the category of art, calligraphy can also be said to be a kind of picture literature presented through vision, which has the characteristics of intuitive three-dimensionality, artistic conception mystery, and aesthetic creativity.

Calligraphy is the art of "threads" that connect the past, present and future.

Calligraphy is both an art and a carrier of culture. A complete history of calligraphy carries the history of national aesthetics and the history of artistic creation. For calligraphers, the process of writing is the sustenance of emotions and the purification of the soul.

The core of Chinese art, represented by calligraphy, is Chinese culture, and the main body of Chinese culture is the Chinese, who are the cultural subjects with morality, style, sentiment, responsibility and character cultivated by thousands of years of culture. "The art of calligraphy is the art of 'line', it is the streamline of the Chinese national context, which extends and is inherited to the present, from oracle bone inscriptions, golden inscriptions, slips to the writing of paper, along with the evolution of the calligraphy, it connects the past, the present and the future. ”

Chinese calligraphy has a long history in Chinese literature, as has the development of both, and the calligraphers in the past have either personally created literature or recorded other people's literary works, which constitutes the characteristics of calligraphy and literature in the process of conveying the essence of Chinese culture, and plays an important role in the aesthetic of calligraphy and the formation of cultural traditions and theoretical criticism systems that play a dominant role on this basis. Therefore, according to the different literary forms, the exhibition is also divided into five sections:

1. Mainly write pre-Qin literary works. For classics such as "Zhou Yi", "Tao Te Ching" and "Analects", calligraphers use different book styles to try their best to reflect the written expression close to the meaning of the text;

Second, the poetry of the Tang Dynasty is the main content of writing. Tang poems are rich and diverse, and they interpret the aspirations of people in different eras from different perspectives. Based on this, the calligrapher also expresses his inner feelings on the basis of comprehending the poet's literary heart;

3. Take Song words as the main content of writing. People describe "words" as a kind of ** literature, its production, development, as well as creation, circulation are directly related to **, people also often use "silent**" to describe calligraphy. As a result, the calligrapher's appreciation and grasp of the meaning and rhythm of words have also changed accordingly in the characteristics of his writing.

Fourth, take Fu as the main writing content. The content is hearty and smooth, and it is a good book for calligraphers to express their love and fun, and to reflect the rhythm and rhythm of writing. In particular, through the expression of the calligrapher, it brings the audience not only an insight into the world in terms of literary style, but also a wandering eye in writing;

5. This part selects representative literary works such as Yuan Qu, Ming Dynasty ** and Qing Dynasty couplets as the content of writing. Among them, as a normal state for calligraphers to choose the content of writing, the couplet has been widely developed with the development of the literature of the Qing Dynasty. There are also a variety of genres of Yuan opera, but calligraphers are less involved, and in the Ming Dynasty, compared with Yuan opera, calligraphers choose even fewer books - on the one hand, it brings challenges to calligraphers in reflecting the literary meaning of such literary works, and at the same time, it also brings meaningful enlightenment to the writing and dissemination of culture.