The correct way to post and how to post correctly

If you want to learn calligraphy well, choose the right brush, choose the right paper, and use the right method.

These three are crucial. Choose the right brush: There are many types of brushes, and when you first learn, I hope you choose a "cumbersome" lake pen.

Because the lake pen is hard and easy to master, it is very important for your future learning. When choosing the peak of the pen, we should choose the appropriate length, because the pen is too long to be easy to master, but the length of the pen can contain a lot of ink, suitable for writing "cursive" in one go, the length of the pen can ensure that the ink is enough, on the contrary, the short pen is suitable for writing regular script, easy to master. When choosing a pen, you should also take into account the inscription to be copied.

The so-called "use the pen used by a certain family, and write his kind of words".

To determine which kind of pen is used, it is best to look directly at his handwriting: if the style is strong, choose Jianhao; The one with a charming and plump posture is soft; If it is difficult to distinguish between rigidity and softness, it is a combination of both.

1. Temporary posts and facsimile posts This is not only the beginning of the correct way to learn books, but also the fundamental point in the correct way to learn books, and we must firmly believe and be unswerving. Both the copy and the pro post have their own advantages and different effects. Jiang Kui said in "Continuation of the Book Spectrum":

It is easy to lose the position of the ancients, and it is easy to get the position of the ancients, and it is easy to lose the pen of the ancients. The word "brushwork" refers to brushwork, gestures, and lines. The way to "pro" is to look at the notebook and write it accordingly.

As long as you approach carefully, it is easy to grasp the penmanship and the meaning of the brushwork, so as to learn the essence of the template. The method of "copying" is to cover the post with thin paper and draw it directly. Therefore, the glyph will basically not be out of shape, and copying it several times is conducive to grasping the structure.

However, the copy of the book can not see the penmanship, "easy to lose the meaning of the pen", although the frame is good, but there is no penmanship, the word is rigid. Therefore, beginners can copy and use it together to complement each other. 2. Quantitative every day Facts have proved that everything has a process from quantitative change to qualitative change, and the same is true for practicing calligraphy. Of course, if you write more blindly and mechanically, the effect is not good when you are tired.

A certain amount can achieve a certain effect, and a better amount can achieve a better effect. 3. Step by step Learning calligraphy, on the basis of diligent study and hard practice, should also understand that it is a step-by-step process: First, first the regular letters, then the grass.

Su Shi said: "It's really good, it's grass." It is true as standing, walking as walking, and grass as walking.

That is to say, the three of Kai, Xing, and Cursive are like people standing, walking, and running, and if people can't even stand, how can they walk and run? If you don't have a foundation in regular script, you will be negligent in writing and cursive directly, and you will be slick and floating. Line calligraphy, cursive is the regular script of the flow, convenience, sparse, scattered, after learning the regular script, strengthen the flow of the pen echo, the line of grass is easy to get started.

When you are proficient in the regular method and then write the cursive, you can realize the similarities between the two, which can complement each other, promote each other, and complement each other. Third, first dot painting, then structure, and then chapter. Calligraphy is the art of lines, that is, the art based on basic dot painting.

If the basic dot painting is not good, there is no way to talk about the artistry of the whole word or the whole article. Due to the hard nib of the fountain pen, the change of the first line is relatively simple, so the pen calligraphy learning takes more time in the structure, and relatively less in the use of the pen and dot painting. However, this is not to say that the dot painting brush is not important, on the contrary, it is the basic skill of pen calligraphy, and only after the basic skills of dot painting and writing are solid, it is possible to grasp the structure.

After having a certain foundation in the structure, it is easy to grasp the chapter of the whole character.

I've taken a calligraphy class before, and my teacher told me about it, so let me share it. How many ways are there in the future? There are three ways to do it: Pair Pro and Back Touch.

The opposite is to put the brother on the opposite post shelf and write, through the analysis and grasp of the copybook to imitate the writing, first seek the shape and then seek the likeness, this is the most convenient and most commonly used method of the station.

Gelin is to lay a good grid on paper, such as Tianzi grid.

Rice grid, nine-square grid.

etc., referring to the position of the model word in the grid, it is mainly to help grasp the structure of the word and refer to the allergic source. Back is after a period of practice of the post, no need to look at the copy, directly on the paper to write the words of the past.

It is generally believed that there are three ways to come to the post, that is, to the adversary, to the back, and to the will. If you add the tracing (red), there are four methods.

The post is an indispensable lesson for every calligrapher, and the first thing to understand is what the post is in. Pro posts are about learning the rules, not anything else. That is to say, the shape, structure, and position of the strokes of the characters are based on the principles, that is, the characters of Chinese characters, which reflect the rules and laws; The pen is from the book, reflecting the fun and taste.

These are two principles. The external form of the thing is clear at a glance, and it is clear at a glance whether it is in accordance with the rules or not; The pen is the calligraphy ontology of things, thickness, release, speed and slowness, the intensity of the ink, are the requirements of the calligraphy itself, determine the taste of the word, the pen is different to determine the taste, and the glyph structure is a rational requirement, is the shape of Chinese characters beauty requirements, must be rigorous, whether it is a book or a book, this is the basis of calligraphy, these are two different principles, the post is to learn this kind of law and principle.

Opposed. Put the template in front of you, and start by looking at it and writing it one stroke at a time.

Back. Don't look at the template, just write down the words based on impressions.

Intentional. When writing the template, pursue the spirit and the overall charm and artistic conception.

The first thing to do is to put the strokes in place. This step is recommended for newbies to spend 50% of their effort. For the convenience of newbies, I have listed the following specific details:

Origin: Spikes? Flanker?

Or is it a light pause? Close: Back to the front?

Light pause and then come back? Apostrophe: Shape, angle and length?

Fold: Pouting Hook: Shape, Angle, Stroke Speed?

Details: Short Stroke: At what speed is it written?

Fingering Palm: How to Adapt to the Changes in These Strokes? Push, pinch, lift, press how to change?

How to master the speed? Stroke is the most direct embodiment of penmanship, is the basic unit of penmanship, penmanship embodies the most basic aesthetic rules of calligraphy, the core of the calligraphy is penmanship. So, it's not too much to spend 50% of your energy.

The glyph structure should be in place. This step takes 30% effort. After the strokes are solved, the glyph structure is formed.

In fact, the first pen fell, and how to write the second pen has been determined. Every stroke of the classic script is echoing, and this needs to be deeply understood. So in terms of glyphs, I give two questions:

Position: Relative position and length of strokes? Echo:

How are the strokes related? In this link, what you want is "like". But if you want to convey the spirit, what you need is coherence.

Novices don't worry, they will understand the cursive rhyme.

The last step of the post is the whole article, and the rules must be in place. There are 3 problems in this link: Position: The relative position of the words to each other. Size: The proportion of the size of the word. Relevance: The mutual echo of the upper and lower words.

Choose a good copybook - write one first - read and paste - write - continue to review - continue the next day.

The first step is to choose the one you like and the one that suits you.

The second step is to find one of the words and write one according to your habitual thoughts. (The main point of this step is to see how far our subconscious writing is from the copybook, so that we know what we will face next.) ）

The third step is to read the paste, from the three parts of stroke order, structure, and penmanship to see how calligraphy is written.

The fourth step is to write, you can write while reading, and finally look at the difference between yourself and the copybook to modify.

The fifth step is to continue to review, the first three words, we can write a stroke, read a stroke, to ensure the accuracy of learning. From the fourth word onwards, we can try to write a word, read a word, and strengthen our memory through a holistic review.

Step 6 continues the next day, and we review the previous day's content before we move on to the next day's exercises. After a few days of repeating, you can leave a deeper memory, and the level of back (writing silently without looking at the copybook) will continue to improve.