Use Mai Yongbao to compose poetry, and literary spoof to compose poetry

The wheat field is high and the clouds are open, and outside the Yong'an Palace is a barren platform.

There is a youthful charm, and a lifetime of pursuit of happiness and happiness.

Norse mythology and Greek mythology are the two major myths of the main body of ancient Europe, constituting a gorgeous and colorful ancient European culture, and also have a significant impact on the lives of people in ancient and modern European countries and even the world, but many people will confuse these two major mythological systems, mainly because Greek mythology describes the area mainly as the ancient economic and cultural exchange center of the Aegean Sea, the Greek maritime culture flourished, and the classic documents left behind had a great impact on world culture. In particular, it played an irreplaceable role in promoting the Renaissance that began in Italy during the Middle Ages, so it is considered the source of Western culture. In contrast, Norse mythology originated in Iceland and Scandinavia, the corners of Europe, and was recited by the Scandinavians, a branch of the Germanic people. It was not discovered until 1643 A.D. that the classic Eddar Sutra, also known as the Rhyme Aida or Old Ida, was formed by an Icelandic poet (one is said to be Semint) in the 9th century A.D., and the New Ida, which was compiled by the Icelandic scholar Snorri Sturluson in the 14th century A.D. and is now known as the Prose Ida. These are the only two classics in the world that record the ancient Norse mythology (edda means "knowledge" and "great mother"), so Norse mythology is also known as "forgotten mythology".

In view of the above reasons, people generally regard Greek mythology (including Roman mythology) as the main axis of European mythological culture, and ignore the existence of Norse mythology, or mistakenly use Norse mythology as a side branch of Greek mythology, and ignore the influence of Norse mythology on world culture.

The ancients were sad when they wrote poetry, but it is difficult for people today to write poetry.

If you want to ask why you wrote this poem, it is because of the respect for the teacherGood poetry! Good poetry.

The ancients wrote poems with a sense of sentimentality.

Nowadays, it is difficult to compose poetry.

If you ask why it came to this point.

It's all because the teacher is so tricky.

The ancients wrote poems everywhere, why are people afraid of it now. If it weren't for the teachings of the teacher, the numbers would have taken decades!

Songs, poems, words, feelings, reason, not pretentious, must be remembered, after writing, put down the pen.

Hehe: Let's see what's going down there.

I have been determined to be lofty since I was a child, and I have become literate in 28 directions. started from the text, and failed to take the exam for three consecutive years. Then he practiced martial arts, fired an arrow on the martial arts training field, hit the drummer, and was expelled. Change to medicine, write a good prescription by yourself, take it, and die! was abandoned to know the truth of heaven, so he struggled to run.

Read more, read more Tang poems and songs, and have a deep understanding of the meaning of each article and the author's background at that time.

dao and mood as well as inner writing techniques. When you can thoroughly comprehend most of the poems, you can also practice writing regularly, not to be concise, as long as you can express the emotions you want to express, even if it is just a short piece of free verse, and then, you must also understand the flat rhythm of the poems. Gradually, your literary skills will gradually improve.

Hehe, I like it too, and I have the opportunity to read your work. Seek adoption.

The friend upstairs has already explained it in detail. Don't be in a hurry, on the one hand, accumulate more good poems of the ancients, and on the other hand, observe more things around you. There is also more practice, there are a lot of poetry posts on the Internet, go shopping more, see how others write, and choose the good.

In the history of Chinese literature, the first poet to create a poem with the ancient theme of Yuefu was Cao Cao.

1. In terms of poetry genre, Cao Cao's Yuefu poems do not copy the rules of Han Yuefu, but have developed. For example, "Pickled Dew Xing" and "Artemisia Li Xing" are all elegiacs in Han Yuefu, but he used the old title to express new content. Cao Cao pioneered the tradition of writing about current affairs in Yuefu, which had a far-reaching influence.

2. In terms of artistic style, Cao Cao's poetry is simple and unpretentious, and it is not ornamental. They win with deep affection and deep spirit. In terms of poetic mood, it is characterized by generosity and sadness.

Generosity and sadness were originally the common tone of Jian'an literature, but in Cao Cao's poems, it was the most typical and prominent.

Cao Cao (March 15, 155, 220), a native of Peiguo County (now Bozhou, Anhui). He was an outstanding politician, military strategist, writer, and calligrapher in the late Eastern Han Dynasty, and the founder of the Cao Wei regime in the Three Kingdoms.

Cao Cao: Classmates want to archaeology and literary history, hehe, there are quite a lot of topics on the Internet.

The two Han Dynasty poems are collected and preserved by the imperial court Yuefu system or the ** management organ equivalent to the function of Yuefu. The poems in charge of the Han Yue Mansion are mainly divided into two parts according to their functions, one part is the song of the temple used by the rulers to worship the ancestral gods, and its nature is the same as the "ode" in the "Book of Songs"; The other part is to collect folk music without the name of the owner, which is called Yuefu folk songs.

Isn't Lefu an institution? What does it mean to be titled.

Yuefu poems are not made by one person. Yuefu poems refer to the works collected, sorted out and preserved by the management of ** institutions, that is, Yuefu institutions, which are called Yuefu poems. Cao Cao wrote about Han Yuefu, and the famous Han Yuefu has a well-known saying, "The young man does not work hard, and the boss is sad." ”

Cao Cao is a test of ancient Chinese history.

It's not that he wrote the most poems, but that he wrote the most poems, don't get it wrong.

The heart is as beautiful as a flower, and the spirit is like jade - the combination of Puyu flowers;

Flowers are not flowers, jade is not jade - non-flowers and non-jade combinations;

The flower is an auspicious flower, and the jade is a wishful jade - an auspicious wishful combination;

Like a flower in the mountains, like a warm jade in the stone - flower & jade.

Like your May sunflowers, like your warm and flawless jade.

The flowers bloom in all seasons with the morning glow, and the jade is clear and not blurred.

It seems that you don't ask tile all to ask about broken jade, such as I don't love grass and falling flowers.

If I shake the sky, I am like a handsome jade of the wind god.

I" was changed to "I", and "you" was changed to "you" to be more atmospheric, depending on which one the subject likes.

Flowers bloom and wealth are sought in danger.

Yuru Yu Cheng cultivates himself.

Drunk and lying on the battlefield, Jun Mo smiled.

Peace of mind.

Like my ice and snow flowers, like your Kunlun jade.

The conduct is excellent, beautiful as a flower, and the noble sentiment is as moist as jade.

Like a flower in my hand, like a jade in your palm.

Such as I'm passing on the flowers.

Like you are crystal flawless.

Hongchen has love and warmth.

Hand in hand for happiness.

To: Hu Shih's formulation of poetry as composition and his experiment in vernacular poetry must be understood as a concrete process of ideological inquiry. In order to seek new possibilities for change, Hu Shi consciously deviated from traditional cognitive concepts and cultural psychology, and composed poems like essays seemingly casually, but his inherent linguistic consciousness eventually contributed to the theoretical transformation of the literary revolution.

In the process of exploring vernacular poetry, Hu Shi deliberately insisted on emphasizing the initiative of language, tried his best to coordinate the symbiotic relationship of various new morphemes in the poem, and explored the aesthetic effect of the vernacular morpheme that may be produced by the poetic style. Such a practical path of consciousness penetration combined with experimentalism enabled it to bypass the misunderstandings of other people's reforms, and made Chinese poetry finally sail out of the traditional course.