How to draw a good sketch black, white and gray, sketch tutorial painting black, white and gray five

Black, white, and gray are the highlights, shadows, and midtones.

Here are some suggestions.

First hit the shape accurately, and then draw the dark part, and put the dark part under the weight (such as hair, the projection of the bottom of the nose, the eyeballs, and the lip beads at the bottom of the lip, etc.) Don't draw to the bright side when you don't press the dark side in place, otherwise you can't control it and it will be gray all of a sudden.

Don't stick to the details, calmly analyze all the elements of the whole picture, pay attention to the light source and grasp the overall tone.

The black, white and gray relationship is messy, that is, it means that your overall consciousness is not enough, strengthen the overall grasp of the picture, the overall situation should be strong, all the local tones must be subordinated to the whole to paint, do not destroy the whole because of the part, when facing a group of still lifes, or a person, or a scene, then before sketching, you should do careful analysis and observation, in the early stage of the painting, you should have a good idea, and you should be very atmospheric and quickly determine the three relationships of light, gray and dark, and then in the process of deepening, continue to deepen around the big relationship This will improve the relationship between black, white and gray in your picture, and finally tell you to draw more, use your brain to draw, come on.

The relationship between black, white and gray is simply the bright, dark, and intermediate tones of the picture is the most basic modeling element of the black and white picture A sketch, if the relationship between black and white is handled properly, it is a very successful sketch. . .

It's not very appropriate to say what b pencil to use for black, white and gray, it has nothing to do with what pen is used. Pen drawings can also draw the relationship between the three For example, some sketches of the former Soviet Union, the drawing is very detailed and rigorous, and it is generally drawn with a harder pencil... There are also some Impressionist masters whose sketches are basically completed with a very soft carbon strip, and there is no need to change the pen when painting, and it is always a pen used to the end. . .

It doesn't matter what pen you use, it's important to draw well, don't be superstitious about tools, and keep trying to find what works for you

Pay attention to the light source and the real and far away, as well as its inherent color and light and shade, and then compare the object with the object.

First of all, distinguish the backlight, divide it into two levels, find out the boundary between light and dark, and the dark side is aggravated to strengthen the boundary between light and dark.

Well, that's it.

Hello dear, I will answer your questions for you, and the answer to you according to your question is: Art black, white and gray painting skills: 1

The first method is to draw the head as a heavily colored pipedic tremor area. It is to thicken the lines of the hair in some places, and try to draw as few things as possible on women's faces, and more will be masculine. Specifically, the dark side of the hair is drawn heavier, as well as the arm wheels.

2.The second option is to paint the clothes black or burn gray. This method is the most effective, and the results can be immediate.

When coloring, don't paint to death, just leave some white on the light-receiving area, or press it with a large area of wire. 3.The third method is to use random dense lines to press some key places on the left and right, up and down.

This is mainly to see the balance of the picture. For example, if you feel that the left side is weightless, just thicken the encrypted lines where you need to.

The basic principle of painting – the relationship between light and dark**. Light and shade are an important factor in creating the effect of a picture and a major aspect of the expression of a painting. A good work, in which the treatment of light and darkness is very important, of course, there are many people who are not very good at dealing with the problem of light, now I will introduce you to the basic treatment of light.

If you are an art student or interested in art, learning board painting, but you don't have a foundation, you can come to the art collection to study, the art collection focuses on art education, art college entrance examination, interest learning.

Develop a sense of light in sketching.

The light in real life is often complex and changeable, and we need a stable light source in the sketching training, which is convenient for observation and in-depth study of the law of light and light and shade changes, and cultivates a clear sense of light. Common light angles generally include top light, side light, backlight, forward light, etc., and these light changes should be grasped in the usual training, so that you can actively grasp the light and brightness of the picture in the case of poor lighting conditions.

The "three faces" and "five tones" of the sketch

The "three sides" are the basic black, white and gray relationship of the object, and the different angles of the object directly reflect the changes of black, white and gray, the light is "white", the backlight is "black", and the side light is "gray". Of course, the subtle changes in the structure of the object will be directly reflected in the various layers of black filial piety and white gray.

The "five major tones" are the basic change laws of objects from the light-receiving surface to the back-lit surface. The five tones include highlights, bright grays, light-dark boundaries, shadows, and reflections. Among them, the boundary between light and dark is the transition line between light and backlight, and it is the heaviest part of light and dark changes.

The boundary between light and dark and the contour line are the two lifelines of physical expression. The dark part should be slightly darker than the boundary between light and dark, and it should be breathable in the performance, and there will be some reflection in the part of the dark part that is far away from the junction line. The gray part and the dark part should maintain a certain contrast scale and not be confused.

Clever code. After mastering the shape structure and the relationship between light and shade in sketching.

We can try different ways of expression according to the different conditions such as models, lighting, materials, etc. For example, in the following work, the author does not use a painting method that uses all silver factors, but pays attention to light and shadow and virtual reality, and uses kneading, rubbing, and lifting techniques to express a quiet and hazy beauty. This technique tests the painter's control over the picture, and only by grasping the degree of the virtual and the real can the painting be more fully expressed.

If you are an art student or interested in art, learning board painting, but you don't have a foundation, you can come to the art collection to study, the art collection focuses on art education, art college entrance examination, interest learning.

Recently, I have been studying the relationship between black, white and gray in painting, and to put it bluntly, it is the relationship between light and dark between objects in the painting.

I found that not only the rewriting of Chinese paintings, but also illustrations and animations have taken this into account. If the coloring is one color to the end, it will be like a child's coloring, and the picture will become monotonous and disordered. The purpose of dealing with the relationship between black, white and gray is mainly to vivid, strengthen the appeal of the image, enhance the artistic effect, and make the viewer have a sense of involvement.

First, enjoy a painter's Chinese painting and its partial details.

Partial: Look at the mountain:

Looking at the background of the day, including the sea water is not static:

Look at the trees and background:

Then let's admire the drawings of a group of foreign stay-at-home mom illustrators, which should be watercolor. Pay attention to the light and dark details of the character's face. When you draw like this, you don't feel that your face is dirty, but you have an intuitive feeling of a light source.

People sometimes say that a certain painting is "gray" or "flower", but the relationship between black, white and gray is not handled well. Generally speaking, there are three factors that form black, white, and gray blocks. One is the light irradiation, the light-receiving surface is "bright", forming "white", the backlight part is "dark", forming "black", and the rest is the transitional "gray" color.

The second is the relationship between black, white and gray formed by the inherent hue itself, such as black hair, white cheeks, bright sky, deep mountains, and so on. The third is subjective arrangement, in which the painter distributes and designs black, white and gray according to his own creative intentions, and deliberately organizes it into a picture layout that conforms to aesthetic principles. This is more often used in decorative paintings and abstract works.

The general rule of the treatment of black, white and gray is that black turns white, white lining black, black in black, and black in white; Take the shape with black, take the light with white, black and white, gray is connected, between the big black and the white, use the gray transition, the emotional shot, and the rational convergence. The main part of the picture is eye-catching, the secondary part is summarized, and the trivial places are summarized and unified. In short, when we consider the layout of black, white and gray color blocks, we should not only respect the natural order of the objective object, but also need the painter to deliberately arrange and subjectively emphasize, and carefully consider the black, white and gray structure of the picture.

In order to make the picture more spatial, the black and white contrast between the subject and the front object should be increased, and the secondary back object should be weakened by the black and white contrast. Strive to achieve that the bright tone is not floating, the dark tone is not stuffy, and the gray tone is not gray. Knowing white and guarding black, this is the composition theory of Chinese painting, in fact, it is also a kind of relationship between black and white.

Let's feel and figure it out together in the practice of painting.

1. Hue. When light hits the sphere from one direction, it will produce the effect of Figure 1, which is divided into the bright side, the light-dark boundary and the dark side, where the light-dark boundary is tangent to the light (the light is at a 0-degree angle to the sphere), and no light passes through, which is the darkest; We also divide the glossy side into: highlight and glossy gray; Divide the dark side into:

dark gray, reflective and projective; In sketching, we usually simply call this light and dark tone: black, white and gray.

2. Another way to say that the color of the sketch is combined: five major tones (highlights, bright gray, light and dark boundaries, dark gray, and reflection).

The five tones are the most basic pattern of the change of light and darkness of all objects under a certain light, and the difference ratio of their specific brightness should be compared according to the specific object and the specific light.

The order of chiaroscuro in the five keys is: highlight, light gray, reflective, dark gray, and the boundary between light and dark.

If it is simply mechanically divided, the Chinese, hair, eyes, the bottom of the pen, the bottom of the lips, appear black, and the dark part of the whole head is determined by the direction of the light is the leakage difference black, the forehead, the nose, the cheekbones, are white, and the rest is gray, of which the gray part is the most abundant.

The black, white and gray relationship is very instructive for beginners:

1. The time taken to draw is shorter, so you can better grasp the integrity of the sketch.

2. More accurately grasp the "three major sides and five major tones" of sketching. In fact, it is the relationship between black, white, and gray that revolves around sketching.

3. The two major grasps of "shape and defeat search sedan body" are accurately grasped and the "shape" is accurately grasped, which also makes the picture more overall and full.

Steps to practice the relationship between black, white and gray:

1. Drafting. To summarize the size and proportion of the avatar, as well as the shape and dynamic characteristics of the head, it is necessary to combine other structures such as the cheekbones, orbicularis oculi muscle, eyebrow arch bone, orbicularis oculi muscle, and masseter muscle to outline the basic type.

2. Large-scale paving. Roughly draw the facial features, lay out the tone of the dark side on a large area on the basis of the previous step, and gradually separate the three sides of the hair from "black, white and gray".

3. Establish the relationship between black, white and gray in the picture. Establish the relationship between "black, white and gray" in the whole picture, and at the same time use pen and paper or paper towel to soften the tone of the real picture, especially the face and facial features.

First, pay attention to the overall relationship.

The relationship between black, white and gray: that is, the three color blocks in the picture, the three color blocks of black, white and gray, the color difference is very large, but it is difficult to position, because any color block is relative in the picture, for example, the teacher often mentions a sentence "The picture is too gray" The meaning of the sentence is very clear.

The relationship between black, white and gray in the sketch is the overall tone relationship of the picture, is the modeling elements that constitute the basic relationship of the black and white picture, a successful sketch, must have accurate modeling, natural light and shade, the main body is prominent, and the overall relationship is complete, so as to have artistic appeal.

Observation method: 1. Observe whether the bright part of the picture accounts for at least 3 1 in the picture.

2. There should be only one heaviest place in the dark side, and it should not appear in the presence of multiple points.

3. The gray surface is the intermediate color between the dark side and the bright side, and whether the distinction between the gray surface and the bright surface is clear.