How to bite the words and better resonate with popular songs

About the articulation: Since you are singing popular songs, we will not discuss the articulation of bel canto and ethnic singing, there is a difference between the three. The first element of the articulation of popular singing is that the pronunciation is correct and natural, which is basically not much different from ordinary speech.

However, it is important to avoid that the frequency and rhythm of each word cannot be exactly the same, that is to say, you can't bite every word, otherwise, the singing voice will not flow, like stagnant water. Of course, the change of accent and rhythm of each phrase and paragraph depends on the score, and you need to add your own understanding. The second element is to be full and rounded.

Don't think that this is just a requirement for singing folk songs or folk songs, popular singing is good, and mellow biting is the foundation. Some plosive sounds, such as the sound of wave, splash, touch, Buddha in Hanyu Pinyin, as well as Zi, this, Si, and even the sound of love, spring, and new that are easy to split, must be well controlled, must not be exaggerated, and must go to the "circle". Otherwise, the effect is unpleasant.

The third element of articulation, which is a little more advanced, is to follow the style of the song. For example, in the song of the people, try to learn from the art, folk song biting method when biting the words, to re-sing certain words, drag out the charm, such as the word "cloud", in the "Yunhe" singing sentence, Yunzi can not be repeated, and in the song of the northwest wind is, the word cloud should be sung into a heavy singing, similar to the singing method and rhyme of the drum. For example, when singing R&B and other songs that are more fashionable, the voice and words can be appropriately "floating", but they cannot be "floating" without confidence and soul.

There must be a breath to stare, but it can't feel too obvious that it is a breath of breath, and it must be controlled.

About resonance: Whether singing folk songs, bel canto, or popular, there are questions about resonance. Take singing popular as an example:

When singing high notes, it mainly relies on the resonance of the head; When singing alto, it mainly relies on oral resonance; When singing bass, it mainly relies on the resonance of the ribcage. You can experience these slowly, or take some songs based on treble, alto, and bass to experience the feeling and position of resonance, as well as how your voice comes out more comfortably. Of course, this is just a general statement, in fact, most people, when singing, use the overall resonance method, that is, the three resonance organs of the chest, mouth, and head work together.

As for how to practice? For example, you have to experience how these resonant organs resonate, and in a calm state, you can experience it with a yawn. At this point, the lower palate naturally droops, and the reflection point of the sound waves moves down from the hard palate to the back of the tooth, causing the sound waves to cause more vibrations near the larynx and trachea, and continue to resonate with the chest cavity.

In the practice of resonance, we must pay attention to relaxation, and do not pursue resonance excessively to compress the larynx, and mistake the thick guttural sound for chest resonance. For example, some people are afraid that the bass will not come down, so they desperately try to lower their throats, which is exactly the opposite. Any resonance, including the articulation mentioned above, must be natural when practicing, and if it is contrived, the sound, resonance position, etc. will be very tight, resulting in the wrong pitch, pitch, and overall feeling.

What is easier to appreciate is nasal resonance. You can feel the nasal voice of Tian Zhen and others.

For those with average foundation, start with nasal resonance.

<> "Quietly practice the words to make the sound better."

Labial training. Eight--hundred--standard--soldier--Ben--north--slope excavation.

Artillery--soldiers--and-platoon--north--side--run.

Artillery--soldiers--afraid--put--mark--soldiers--touch.

Standard--soldier--fear--touch--cannon--soldier--artillery.

Slow down first, zoom in and repeat it again and gradually speed up to the tongue twister).

Dental training. Four -- is the cave of four judgments.

Ten - is ten.

Fourteen is--fourteen.

Don't put fourteen--say--forty.

And don't let forty--say-fourteen.

Slow down first, zoom in and repeat it again and gradually speed up to the tongue twister).

Tongue training. Sixty-six-year-old Liu Laoliu.

Pushing sixty-six large oil baskets.

Sixty-six weeping willows.

Sixty-six large horse monkeys were tied.

Slow down first, zoom in and repeat it again and gradually speed up to the tongue twister).

Guttural exercises are only calm.

There is a tiger in front of the mountain.

There is a monkey at the bottom of the mountain.

Tiger fights monkey, monkey fights tiger.

The tiger can't catch the monkey.

The monkeys are not coming, and the tigers are not coming.

Slow down first, zoom in and repeat it again and gradually speed up to the tongue twister).