What works do Zhang Ailing s sentences come from?

I want you to know that there is always someone waiting for you in this world, no matter when, no matter where, anyway, you know, there is always such a person. - Half Life".

Among the thousands of people, meet the person you want to meet. In the wilderness of endless time, in the endless wilderness, there is no earlier step, no later step, and when encountered, I can only say softly: "Are you here too?" —Love

Death and life are broad, and the son becomes happy; Holding the hand of the son, growing old with the son" is a sad poem, but its attitude towards life is so affirmative. I don't like Zhuangli. I like tragedy, I prefer desolation and heroism just power, no beauty, and seems to lack humanity.

Sadness is like the red and green color scheme, which is a strong contrast. ——From Zhang Ailing's essay "My Own Article".

married a red rose, and over time, the red rose became a smear of mosquito blood on the wall, and the white rose was still "the bright moonlight in front of the bed"; married a white rose, the white rose is a grain of rice on the clothes, and the red one is still a cinnabar mole on the heart. "Red Roses and White Roses".

Are you young? It doesn't matter, you'll be old in two years. "Love in a Fallen City".

For people after the age of 30, ten or eight years is just a matter of seams, while for young people, three or five years can be a lifetime. "Eighteen Spring".

Like a person, you will be humbled to the dust, and then blossom. "Changing Clothes".

Life is a beautiful robe, full of lice. "Genius Dreams".

If there is a smell in this thing, it is the fragrance of camphor, sweet and secure, like a clear piece of music, sweet and melancholy, like the sorrow of forgetting. "Changing Clothes".

The greatest happiness in life is to find that the person you love happens to be in love with you

The 2nd floor is right, but "Eighteen Spring" is "Half Life".

Yes, this sentence is from Zhang Ailing's "The Unknown".

Because she was heartbroken by Hu Lancheng.

This is a sentence from Zhang Ailing's ** "Unknown". It is one of the classic epilogues of Zhang Ailing who sees through human nature with the unique vision of a writer.

<>1. Zhang Ailing's representative works include: "Love in a Fallen City", "The Golden Lock", "Half Life", "Red Rose and White Rose", "Ember Aftertaste" and so on.

2, "Love in a Fallen City" is one of Zhang Ailing's most popular short stories**. It is a work of how love, marriage and human nature survive and struggle before and after the war.

3. "The Golden Lock" is a novella created by writer Zhang Ailing**, which was published in Shanghai "Heaven and Earth" in 1944 and later included in the ** collection "Legend".

4, "Half Life" is Zhang Ailing's first complete feature**, formerly known as "Eighteen Spring", completed in 1951, and later rewritten during Zhang Ailing's stay in the United States, deleted some slightly political endings, and renamed "Half Life".

5, "Red Rose and White Rose" is a widely circulated novella among Zhang Ailing's many works**. The author uses delicate brushstrokes to describe the hidden psychology and complexes of ordinary people, shows people's emotions and marital life when Chinese and Western cultures meet in the thirties and forties of the 20th century, and reveals the tragic life of women in a patriarchal society under the integration of tradition and modernity.

6. "Records of the Aftermath of Ashes" Zhang Ailing's longer prose written in 1944, written near the end of the war, records the people and events during the air war in Hong Kong two years ago. There's a phrase that is often overlooked, but it's funny. Zhang wrote, "I haven't had time to figure out what the responsibility of the air defense officer is, and the battle has already been fought." ”

Representative works include the novella "Love in a Fallen City", the long story "Half Life", "Love in the Red Land", "Little Reunion", the short and medium story collection "Legend", the prose collection "Rumors", and the prose collection "Zhang Kan". Zhang Aimu's ** shows us the world of Shanghai, Hong Kong and foreign markets that are intricate, mixed with Chinese and foreign, and deformed. The unity of classical and modern flavors is its outstanding feature.

The classical atmosphere in space and time, the narrative style similar to that of a traditional storyteller, and the twists and turns of the storyline all constitute the aesthetic tendency of classical taste. The deformed characters produced by the deformed social calendar and the weaknesses of human nature that lead people to depravity are her modern perceptions of human nature.

Because we understand, we are compassionate.