Why did Du Fu say boundless fallen trees and Xiao Xiaoxia , instead of boundless fallen leaves Xia

In Du Fu. In the poem Ascending, there is a poem that is boundless falling trees and falling leaves, not that the boundless fallen leaves are falling down, the main reason is because this way of expression is more poetic. It is a kind of artistic conception and meteorological rendering, and the meaning and the weather will be very different, which will make the overall poetry more intense.

The poem was written by the poet Du Fu in his later years, and was written during the Chung Yeung Festival when Du Fu was 56 years old and lived in Kuizhou.

It is now Fengjie County, Sichuan Province.

Because of his lung disease and difficult life, he wrote this poem under such circumstances. This poem is very meaningful, and it belongs to the seven-character poem.

The four of them are all written in the form of battles, and it can be found that this kind of poem is catchy to read, and it also has a natural momentum. The artistic conception of this poem is relatively good, there are no more words and no fewer words, which can make people feel a kind of artistic conception at that time.

Among them, the most important sentence of the boundless falling wood Xiao Xiao is not exhausted by the Yangtze River, one of the points that need everyone's attention is the end of the curtain and the Yangtze River, which belongs to a kind of couplet, and it is also a positive structure.

The phrase in which fall and long are both adjectives. Because falling can be understood as the meaning of decay when used as an adjective, and the wood of wood should be a noun and can also be interpreted as a leaf, just like the leaf veins and tree veins are the same reason, so the wood falls back to the original in this kind of thing can reflect Du Fu's different state of mind at that time.

The poems written by Du Fu will have some meteorological refraction, because of Du Fu and Li Bai.

They are all representatives of the Tang Dynasty, and the poet can express the atmosphere of the Tang Dynasty in Du Fu's poems, including ascending and looking at Yue.

It is a famous masterpiece. When writing about ascending, Du Fu wrote the tragic situation with a strong pen, and he was once very talented and ambitious, and he was able to show these people, but now he can only rely on his own poems to express his grief. Therefore, the falling trees and the Yangtze River are rolling, you can express his state of mind, read these two lines of poetry, feel that the weather is lost, and the end of the curtain is similar to the meaning of falling leaves, but the meaning is different.

The words or phrases are the same, and the meaning is similar, and what words or phrases to choose at this time is the time to test the poet. What is the psalmist in mind? One is the sense of language, and the other is the subtle difference in semantics.

Let's start with the sense of language. The word "fallen leaves" is sound, but the difference between the finals is large, and the fallen trees are also sound, and the finals are relatively close. And the couplet is "Yangtze River", which is a superimposed rhyme both in ancient times and now.

Overlapping rhyme is generally opposite to overlapping rhyme or double tone, and if you choose to be as close as possible when you can't do it, you will have a better sense of language, so it is better to fall into the wood. Coupled with the consideration of the initials, the fallen leaves are Xiaoxiao, and the changes in the tongue are slightly stiff, which is not as good as the falling wood. Let's look at semantics.

Fallen leaves, with a fine focus on them; Falling trees are more focused on the feeling of falling of the whole tree. Again, the fallen wood is slightly better. Therefore, in the poet's subconscious, the two words with similar meanings should have chosen to fall without even hesitation.

Fallen wood refers to the deciduous forest, the boundless deciduous forest, the leaves are scorching down, the water of the Yangtze River is rolling and flowing, in order to be on it, if the boundless deciduous leaves, the Yangtze River is a little bit inappropriate, because strictly speaking, the Yangtze River water is rolling and flowing, there is a hidden water here, and the fallen wood is just hidden a leaf, absolutely!

Because fallen trees are much stronger than fallen leaves, if the trees fall, it means that they are really irretrievable, expressing their inner loneliness.

This is the more precise word he uses after careful consideration; The wooden character itself carries the meaning of cold and withering, and the use of this word can give people a cold and bleak meaning, which can be used here to sublimate the artistic conception of the whole poem, which is in line with the tone of the whole poem is majestic and sad.

The reason is that "fallen leaves" are not enough to express the scenery, because there are not only leaves but also branches that fall, and secondly, "fallen trees" are heavier than "fallen leaves"!

Although "fallen wood" and "fallen leaves" have the same meaning and are the same (wood and leaves are both phonetic words, they belong to the same language), but the meaning is different: "falling wood" is decorated with "down", which is simple and heavy. "Fallen leaves" are decorated with "floating", which is light and agile. The word "falling wood" is more in line with Du Fu's state of mind at that time.

Fallen trees include leaves and small dead branches, while fallen leaves refer to leaves. Therefore, falling trees can indicate that the wind is urgent, while falling leaves cannot indicate that the wind is urgent.

Fallen wood is the mother of fallen leaves. Visually speaking, the fallen leaves can only be relatively partial, so why is it "boundless"? This is not the case with "fallen trees": the leaves of the trees fall like rain.

Fallen wood: Refers to the leaves that fall in autumn.

Fallen wood is fallen leaves. A poet once asked why the word "fallen wood" was used instead of "fallen leaves". This is an important question.

Compared with Du Gongbu's "Falling Wood Xiao Xiaoxia" in "Ascending", Du Shi's poems appear heavier, which is one of the differences between the artistic conception of "wood" and "leaf".

The word "falling wood" in Du's poem inherits Qu Yuan's "Nine Songs" in "The autumn wind is curling, and the Dongting is under the rippling leaves." The words and phrases in Yu Xin's "Mourning Jiangnan Fu" of the Southern Dynasty, "Leave the Dongting and fall into the wood, and go to the Xijipu of the Yangyang." It is used between the extremely complex external imagery and inner thoughts, so that the poetry adds a layer of desolation and pain.

"Falling Trees" also corresponds to the "strong wind" in the first couplet, but the strong wind is more likely to cause the scene of boundless falling trees: when the wind blows, the leaves will eventually swing and fall from the trunk. This is also the poet's boundless pain falling like a fallen leaf:

Shen Shen decayed body, homeless and adrift, talented and nowhere to go, unrecognized, aggrieved, life difficult, and all kinds of things.

Although wood is one word, it uses two realms. In a static form, it represents all things that fall under the season, and in a dynamic form, it writes the vividness of autumn life. If you replace "fallen wood" with "fallen leaves", it is not only asymmetrical with the long river of the next sentence, but also autumn is particularly monotonous.

The poet climbs high and looks far away, and it cannot be just the fallen leaves of the trees, unless there is a vast forest in front of him. And that would greatly reduce the overall artistic conception of the poem.

If the poet uses "fallen leaves" instead of "fallen trees" here, then the imagery will be very narrow. In addition, "falling leaves" gives people the feeling of lightness, which is more suitable for describing graceful and delicate small scenes and faint melancholy in autumn. It is not suitable to express the tragedy of landslides and rolling rivers.

This rejection is why it implies the fall of leaves. And what about the "tree"? It has lush branches and leaves, and it has the association of dense layers of dense shade with "leaves". The so-called: "The noon shade is clear." ”

The writer climbed high and looked into the distance, and saw the scenery on the Xiangjiang River. As we all know, the Xiangjiang River has been the most important transportation safety channel in China since ancient times. The transportation of large goods, especially the timber produced in the western region, is all transported by the Xiangjiang waterway, and after arriving in the Lianghu area, it is transported north to the Central Plains and other places by the joint road.

The boundless falling trees refer to the magnificent scenery of the river row above the Xiangjiang River. The river row refers to the wooden row on the Xiangjiang River, which hides danger in the magnificence, and if you are not careful, the people who put the row on the wooden row will be unpredictable, and also produce great safety risks to the passing ships on the river.

After the boundless falling wood Xiao Xiao, followed by the endless Yangtze River rolling. The danger of the Xiangjiang River corresponds to the danger of falling trees, and the spirit of the Xiangjiang River has created the magnificent spirit of boundless falling trees. The actual effect of this kind of visual effect is accomplished by the part of the viewing platform where the writer is located and the great ups and downs of the Xiangjiang River in the Kuizhou area.

The word "come" indicates that the writer stands in the middle and lower reaches and looks upstream and downstream; The word "fall" writes down the great ups and downs generated when the Xiangjiang River gushes out of the mountain basin. These few sentences describe the scenery on the surface, but they are actually a metaphor for the danger of the writer's own fortune: sick, depressed, old, and living in a foreign land.

Even in today's relatively perfect social security, it is a missed opportunity for a person to take care of all the above keywords.

"Boundless falling trees and Xiao Xiaoxia", that is, in the autumn and winter replacement season, the yellow leaves of the branches have almost fallen, and the remaining leaves and stems are still in love with the warmth of the pregnant mother, and they are reluctant to leave for a long time. However, the temperature suddenly changed, and the northwest wind of the call sign mercilessly "pulled" them from the tree skills overnight, and this scene was seen by Du Fu, who went to the Lingtai outside the White Emperor City in Kuizhou, so he chanted the eternal quatrain of "Boundless falling trees and Xiao Xiao, endless Yangtze River rolling".

Although "falling wood" and "dead leaves" have the same meaning and the same level (wood and leaves are both phonetic words, the same is the same as the word), but the meaning is different: "falling wood" is decorated with "down", mellow and thick. "Dead leaves" are decorated with "floating", which is ethereal.

Naturally, we don't mean that using "fallen wood" is necessarily better than "dead leaves", but that different design styles and different climates will have a certain degree of Chinese characters. "In a piece, every word is lawful, and in a sentence, every word is lawful", Lao Wu, refining Chinese characters, is undoubtedly unique.

There is no difference between wood and leaves, but wood is more of a reflection of that very sad and desolate state.

Falling wood means fallen leaves, but the words used in falling wood rhyme more, making the verses read more smoothly.

Because such a statement is in line with the compositional theory, and it is also more interesting, the boundless fallen wood is an ancient mode of transportation, not leaves.

Categories: Culture Art.

Analysis: Ascend.

Du Fu The wind sells Cong Xiang anxious, the sky is high and the ape howls and mourns, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

Appreciation] This poem was written about the second year of the Great Calendar (767), when Du Fu was sick in Kuizhou. This poem has always been widely recited and was rated as "the first poem of Du Ji's seven words". At the beginning of the poem, it rises abruptly and splits into the air, with extraordinary momentum and the power to stir up the whole text.

In the first seven characters of the sentence, three kinds of scenery are written, autumn wind, clear sky, and ape roar, which are sound and colorful, and vast and far-reaching. The couplet is also three scenes in the seven characters, the river, the white sand, and the birds, and there is movement in the stillness, reflecting each other. These two sentences outline the scenery seen between a pitch and an up, which is bright and fresh, magnificent and refreshing.

The jaw couplet is divided into one or two sentences, focusing on the description of the fighting wood in the fall of Wushan and the river in the gorge. The last two couplets turn to lyricism as they ascend. The neck couplet is written to climb high and look far away, touching the scenery and enlightening, with great capacity and rich meaning; The last couplet followed Zheng Bu and came to the couplet, and he expressed his feelings of hardship, despair, and bitterness, which was very touching.

Ascend

Tang Dufu. The wind is urgent, the sky is high, the ape is howling, and the white bird flies back.

Boundless falling trees and Xiao Xiao, endless Yangtze River rolling.

He is often a guest in the sad autumn, and he has been on stage alone for more than a hundred years.

Hardship, bitterness, hatred, frost and sideburns, pouring down a new turbid wine glass.

Translation: The wind is urgent, the sky is high, the ape cries are very sad, and there are birds circling on the river bank with clear water and white sand. The boundless trees fall and fall their leaves, and the Yangtze River rolls and rushes endlessly.

Sadness to the autumn scenery sighed thousands of miles of wandering all year round as a guest, a lifetime of illness riddled with illness today alone on the high platform. After all the hardships and hatreds, the white hair is full of temples, and the wine glass of decay and heart is full of deviations, and the sorrow is suspended.

Climb to the top and admireDu Fu's "Ascending" generally gives people a sense of desolation and desolation, the scenes are blended, the feelings are melted into the scene, the sorrow of personal life experience, the pain of depression and despair are melted into the desolate autumn scene, and the ability to be depressed and frustrated makes people read it, and the sentimentality gushes out, like a volcanic eruption and out of control.