What famous monument of the Southern Dynasty was most influenced by Huang Tingjian s writings?

Huang Tingjian's calligraphy was most influenced by the stone tablet of the Southern Dynasty's "Crane Inscription".

The formation of Huang Tingjian's style of writing in Kai Kai should be after he saw the cliff "Crane Ming" in Beijing, and continued to learn the law and breed milk and became his own family. There is a misunderstanding in Huang Tingjian's "Crane Ming", that is, he regards "Crane Ming" as a book written by the right army, and he believes it deeply, so he tries his best to figure out the teacher's practice. However, it can be regarded as a crooked attack, which has promoted the formation of Huang Tingjian's spear and halberd, and his style of calligraphy.

From an objective point of view, Huang Tingjian and Su Dongpo are calligraphers in the history of Chinese calligraphy who preceded the Qing Dynasty by 800 years, surpassing the style of calligraphy in the Tang Dynasty and going back to the pre-Tang Dynasty tablet or combining inscriptions. As for the origin of Su Shi's calligraphy, as long as we compare his masterpiece "Cold Food Poems" with Luoyang's "Twenty Products of Longmen", we can get a clear answer. Huang Tingjian clearly advertised the teacher's method "Crane Ming".

It's different for each influence, it depends on what you like, then it's up to you.

Huang Tingjian's new book is hard to fight, what brand has the greatest impact? Because we want to know what that means, we have to look up historical books to know that the impact is greatest.

Huang Tingjian is good at calligraphy and cursive writing, and regular script is also a family of its own. Xueshu especially admires Wang Xizhi's "Orchid Pavilion Preface".

Huang Tingjian's calligraphy is characterized by the modulation and frustration of the brushwork, in order to reflect the characteristics of Tingjian himself and others, and attaches great importance to a "new" character. Huang Tingjian's calligraphy combines the strengths of various scholars, and corrects the shortcomings of each scholar to form his own calligraphy characteristics.

Huang Tingjian's cursive calligraphy was originally Zhou Yue as a model, and later took Huaisu and others as an example, Huang Tingjian's writing font structure has traces of Huaisu, but in the strokes are completely different styles, forming a new visual impact, changing rapidly, in pursuit of a new realm of calligraphy, Huang Tingjian made calligraphy rise to a new level.

Xingshu, on the other hand, seems to revolve around the center of a circle in the center of each character, breaking the font that has always been characterized by square and well-proportioned fonts, showing a burst of natural characteristics.

Huang Tingjian's calligraphy is characterized by not being limited by the original font form, having its own characteristics, combining the strengths of each family, with its own style, not old-fashioned, and taking "new" as a breakthrough. It is often said that "words are like people". The characteristics of Huang Tingjian's calligraphy are just like his way of life, open-minded, unrestrained, insisting on "new" as a breakthrough, and having his own unique style.

Huang Tingjian's cursive writing style is very distinctive:

Huang Tingjian is also very particular about rhythm and rhythm in the creation of cursive calligraphy, Huang Tingjian was originally a famous calligrapher Zhou Yue in the Northern Song Dynasty. I study calligraphy around me, so it can be seen in Huang Tingjian's calligraphy works that Huang Tingjian attaches great importance to penmanship.

The red silk strips of Huang Tingjian's calligraphy works are also calm and spicy, with a very distinct sense of oscillation and three-dimensionality; Huang Tingjian also has high attainments in knots and chapters, and Huang Tingjian's cursive script has its own unique style, which is old and upset.

Huang Tingjian's cursive writing is mainly based on the famous Zhou Yue at that time, Zhou Yue was a famous calligrapher in the Northern Song Dynasty, and Huang Tingjian's personal experience in learning cursive can also be seen from Huang Tingjian's self-description. Huang Tingjian has been learning cursive for more than 30 years, at first he studied Zhou Yue, but after following Zhou Yue for more than 20 years, Huang Tingjian found that he could only learn Zhou Yue's calligraphy, but he could never form his own unique style.

Later, Huang Tingjian and Su Dongpo learned from each other's strengths and weaknesses, and then it was the peak period of Huang Tingjian's learning of cursive, that is, to learn Zhang Changshi, Zhang Xu, Gao Shenghuai and Gao Xian's pen and ink writing, and finally discovered the mystery of cursive, and finally achieved Huang Tingjian's achievements in cursive.

Overall, Huang Tingjian's cursive writing is as elegant and free as the dragon flying and the phoenix dancing, transcending and dusty, and has always been a variety of lines and unpredictable, which only makes people dazzled. Although the handwriting in Huang Tingjian's cursive script is somewhat similar to that of Huang Tingjian's masters, Huang Tingjian is good at using the pen, so he also occupies a unique place in cursive writing.

Huang Tingjian's calligraphy is characterized by four exhibitions of kung fu with a large skimming and a long brush.

1. Huang Tingjian introduced.

Huang Tingjian's character is Luzhi, a native of the valley road, a native of Fu Weng, a native of Fenning, Hongzhou (now Xiushui County, Jiujiang City, Jiangxi Province), a famous writer and calligrapher in the Northern Song Dynasty, and the ancestor of the Jiangxi poetry school that flourished for a while, and Du Fu, Chen Shidao and Chen Heyi are known as "one ancestor and three ancestors". Together with Zhang Lei, Chao Buzhi, and Qin Guan, they all studied under Su Shimen, and were collectively known as the "Four Bachelors of Sumen". During his lifetime, he was as famous as Su Shi and was known as "Su Huang".

He is the author of "Valley Words", and Huang Tingjian's calligraphy can also be unique, and he is one of the "Four Song Families".

2. Huang Tingjian's calligraphy.

Huang Tingjian inherited the tradition and learned from the calligraphy of his predecessors, and made bold innovations, so as to be unique and form his own style. Huang Tingjian's calligraphy is mainly expressed in line script and cursive script. In Huang Tingjian's calligraphy, each character is mostly long, horizontal and vertical, and the middle palace ("middle palace" is the center) of each character seems to have a circle center, and other strokes radiate from the center of the circle.

This kind of "radial" glyph structure of "broken body" breaks through the square and even-sided shape that has been popular since the Jin and Tang dynasties, and with the borrowing of dot painting, he not only grasps the center of gravity, but also exaggerates some strokes, so that his calligraphy shows the elegant rhyme and the courage of bone strength.

Huang Tingjian's large characters are concise and powerful, the structure is peculiar, almost every character has a very individual long painting, abrupt and stretched, forming a new method of knotting words in the middle palace tightened and straightened, which had a great influence on later generations.

Huang Tingjian was a famous calligrapher and painter in the Northern Song Dynasty, and his calligraphy is unique, mainly in the following aspects:

1.Vigorous use of the pen: Huang Tingjian's calligraphy is vigorous and powerful, the strokes are rough and concise, and obvious edges and corners often appear at the turning points, giving people a feeling of strength and strength.

2.Knot opening: Huang Tingjian's line book knot is opened, and the size of the glyph changes significantly, giving people a dense and dignified feeling. He is good at using techniques such as sideways, concessions, and expectations to express the rhythm and artistic charm of calligraphy.

3.The strokes are varied: Huang Tingjian's calligraphy strokes are varied, sometimes the thickness of the strokes changes obviously, sometimes the strokes appear double hooks, oblique hooks, vertical hooks and other changes, and sometimes the strokes are smooth and stretched, giving people an elegant and fresh feeling of dispersion.

4.Good at change: Huang Tingjian's calligraphy is good at change, in different works, his brushwork, knots, strokes and other aspects are different, sometimes delicate and tactful, sometimes bold and rough, ever-changing, unique.

In short, Huang Tingjian's calligraphy is vigorous, open, varied, and varied, and unique, reflecting his profound calligraphy skills and superb artistic expression.

Huang Tingjian's inscription is a teaching post.

Huang Tingjian's "Teaching and Examination Post", also known as "Reading Green Shade Post" and "The Book of Commitment to Li". Paper, grass, vertical, horizontal. Collection of the National Palace Museum, Taipei, China.

Commentary: Ting Jian shook his head, humiliated, judged, and served all blessings as comfort. Undertaking reading is green, quite leisurely, very good and very good.

I want to compose music for dozens of wonderful songs for Suo'er, but I haven't done it yet. The paper is too high, but it can be written in large characters, if you want to write a small line, it is better to have a short paper. Suitable for guests, sloppy response.

Ting Jian paused. Standing and flattering.

Among the various calligraphy styles of Chinese calligraphy, the essence of the cursive script is dynamic, and its stroke lines, font structure, ink color, and chapter layout show the complexity and richness of the visual aspect, which is more than the changes of the Bidu calligraphy styles such as Zhukai, seal, and li. The calligrapher's own thoughts, emotions, and experiences are often used to create a variety of forms of beauty and a variety of artistic conceptions and charm through the use of cursive writing.

Huang Tingjian has a very lofty position in the history of Chinese calligraphy, and Sen Hui argues that his self-created "valley style" has gone through the Yuan, Ming and Qing dynasties since the Southern Song Dynasty, and the valley calligraphy has become popular rapidly.

Therefore, Cai Chong famously said: his strokes and paintings are written with all his strength, and his interstitial frame, this lack breaks through his predecessors, and he creates a posture of his own, which is also painstakingly and thoughtful.

In his works, the whole character gives people a sense of perfection, a word is like a person, so perfect, every stroke, every word, is like a part of the human body, very cleverly and closely combined, showing living movements, these are all painstakingly thought to obtain. And being able to have such an achievement is inseparable from Huang Tingjian's knowledge, cultivation, temperament and skill.