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Under the influence of literary self-awakening, what literary ideologies and theories emerged in the Wei, Jin, Southern and Northern Dynasties? Thinking about the literary theory of management, I will help you look it up on the Internet to see if there is any relevant content and information in this regard? And then reply to you, is that okay?
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The self-consciousness of Chinese literature refers to the realization of the value of independent existence of literature itself, and it is separated from the state of literature, history and philosophy, and the integration of poetry, dance and music, and becomes an independent academic category. Lu Xun's statement in the article "The Relationship between Wei and Jin Manners and Articles and Medicine and Wine" is believed to have started from the Wei and Jin dynasties. Such as You Guoen and other editors-in-chief.
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The Wei, Jin, Southern and Northern Dynasties were an era of literary consciousness in the history of Chinese literature. The salient signs of literary self-consciousness are:
1) The pluralism of academic thought and the popularity of metaphysics with Lao Zhuang as the main body have brought about the emancipation of literati's ideological concepts and the consciousness of individual personality and spirit, which has enabled literature to break free from the subordinate status of classics and move towards a broad world. The natural purpose of Taoist philosophy and the free spirit of personality are the most basic ideological sources of literary self-consciousness.
2) The literariness of literary creation. In the creative mentality of literature, the political tendency of literature and the utilitarian purpose of society are diluted, and the ontology of literature and the aesthetic tendency of literature are strengthened. Literary creation began to tend to be individualized and stylistically diverse.
Therefore, the literature of this period, whether it is subject matter, content, style, or form, shows a variety of characteristics.
3) The most striking sign of literary self-consciousness is the self-consciousness of literary theory. The consciousness of theory and the promotion of service are produced on the basis of people's consciousness and creative prosperity. This period produced numerous works of literary theory and literary criticism, which are the products of this theoretical self-consciousness.
He has made outstanding achievements in many aspects such as literary ontology, creation theory, fiction genre theory, style theory, etc., and has promoted the consciousness and prosperity of literary creation.
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"Poetry and Teaching" is the bishopric literature and art of Confucianism to liberate literature from the vassalage of Confucian classics, so there is a "new era of literary consciousness in which poetry is beautiful". When he arrived in the Jin Dynasty, Lu Ji proposed "poetry and affection (delicate and gorgeous)" (Wenfu). Or analyze the text to be wonderful, or flow (syllables to tune) to self-praise.
Liu Song's landscape poems are based on "the couples of a hundred words, the odd of competing for a sentence, the love must be extremely beautiful to write, and the words must be exhausted to chase the new" (ibid.). The "Yongming style" poem of the Southern Qi Dynasty also pays attention to the four tones in terms of sound and rhyme, in order to avoid the eight diseases, the pursuit of confrontation. In the Wei and Jin dynasties, it formed a poetic style that emphasized duality, used a large number of allusions, paid attention to the pressure of rhyme and carved words, and formed a prosperous situation in the Southern Dynasties.
The above literary historical phenomena all show that the Wei, Jin, Southern and Northern Dynasties were indeed the "conscious era" of Chinese literature.
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The literature of the Wei, Jin, Southern and Northern Dynasties was the conscious era of literature, because at that time, the most open and unrestrained writings at that time belonged to all kinds of slow world, south and north.
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The literature of the Wei, Jin, Southern and Northern Dynasties is an era of literary consciousness, which shows that it was an era of war and chaos at that time.
The Wei, Jin, Southern and Northern Dynasties (220 589, 184 589), also known as the Three Kingdoms, Two Jin Dynasties and the Sixteen Kingdoms, were the 350 years of Chinese history when there was only one period of great unification (Western Jin Dynasty) and the remaining dynasties were replaced quickly and multiple states coexisted. This period lasted 369 years, from 220 when Cao Pi was proclaimed emperor to 589 when the Sui Dynasty destroyed the Southern Dynasty Chen and unified China. It can be divided into the Three Kingdoms period (Cao Wei, Shu Han and Eastern Wu side by side), the Western Jin Dynasty, the Eastern Jin Dynasty, the Sixteen Kingdoms period, and the Northern and Southern Dynasties period (the period of opposition between the Southern and Northern Dynasties, a total of 150 years). >>>More
In 265, the Western Jin Dynasty was established and the Wei Dynasty died. >>>More
The poetry of the Wei, Jin, Southern and Northern Dynasties periods was pragmatic.
Dance characteristics: Most of them are endowed with lyricism, and the dance posture is relatively soft and graceful, and most of them inherit the dance posture and dance appearance of the Han Dynasty. Such as "dancing sleeves, bending waist", etc., but it does not lack the rough and bold of the Han Dynasty, which may be related to the social trend of thought at that time. >>>More
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