The colors of gouache painting are warm and cold, and in the gouache colors, what are the cold tones

The most important requirement for a high score on a color paper is the overall tone. The tension of a painting lies in the tones, shapes, and brushstrokes. For the first shade, you must first understand the basic color knowledge.

For example, colors are divided into warm and cold, and cold and warm are relative. Compared with solid colors, red, yellow, orange and orange are warm, and blue, green, and purple are cool colors. This refers to the color of the pure hue, of course, cold, and warm colors.

I think that when painting, the main light source will be determined first, which is the main consideration. An object, close to us, has a higher brightness and purity of color than the object behind it, and its own light and gray turn is large. According to the principle of perspective, the brighter in the near area, the cold and warm are determined by the light source, and if the light source is warm, the bright part of the object is warm, and the dark part is cold.

If the light source is cold, the opposite is true, that is, the bright part is cold. The dark part is warm. But I don't think I can draw a large space in the unified examination, so I don't need to distinguish the brightness and purity of the front and back still lifes, and I mainly make a fuss about the interlining.

The front lining should be brighter, and the back cloth should be darker, of course, it is comparative. If you want to paint warm colors, and it is a yellow tone in the warm color, then you should add a little yellow to the still life and interlining cloth expressed, such as white interlining, you can add a little bit of yellow-red or yellow-orange + gray + a lot of white in the bright part, so that the color tends to be intercolored, and becomes soft, and the dark part is cold at this time, you can use some purple gray, blue gray, etc. White, to show out in a tone, and there are rich color changes Color is to use cold and warm, purity, and brightness to express the light source color, inherent color, and environmental color Second, The form is expressed according to the sketch relationship Third, the role of brushstrokes is generally to bring us visual feelings, to make a good combination of form and color

Near cold and far warm, light source and space ratio, light source is the main one, because we are not using natural light, if it is natural light, ambient light is the main one, an object is relatively close in space, and very close to the cold light source, then the object must be cold. The closer the object is to the light, the colder it is, and although the object is cold, there will be a little bit of warm color in its dark part, which is affected by the surrounding objects.

Too much is useless, not all of them are so absolute on different occasions, remember a little near and far from the virtual. Ambient colors are also important. It's hard to say!

Each has its own sense of color! You're about to take the exam, so find a good gouache to copy. The first impression of the picture is also very important!

I did the same for my previous exams!

Let's put it this way, first you have to make the color harmony, then the close part is depicted and then warmer, the distance can be appropriately painted with a simple point, and then the cold point. Because you depict things in detail, visually it will naturally make him move forward, and vice versa.

I can't exactly say whether the object is cold or warm, I think that the colors in an object are rich, and whether it is cold or warm is completely comparative. For example, fuchsia is warm with Pran, and cold with vermilion.

The tone of an object is not only related to the environment in which it is located, but is also determined by its intrinsic color.

Then take a look at the color book!

For example, if you have a strong tone, you can also look at the book of the color spectrum! If you copy this aspect more, you will naturally understand!

When sketching, see if the picture is cold or warm, and if you want to observe more, just pull it.

If you can't do it, imagine that the color of the sun is warm, and the color of the sea is cold.

There is cold in the warm, and there is warm in the cold. Warm begets cold, cold begets warm. The cold and the warm are born together, and the cold and warmth of all things are derived!

When judging whether cold light or warm light is in creation, you must not be formulaic, so you will not be able to create high-scoring works. The real warmth and coldness need to be seriously felt and scrutinized by yourself. Respect your own sense of color and beautify it.

In fact, the change of cold and warm in the exam is very subtle, and it is very beautiful if you perform well. However, if the skill is not enough, it is recommended not to make big mistakes in order to achieve superb artistic results. If the light source is complex and difficult to understand in the exam, then look at whether the main light source of the still life is cold or warm.

It's still relatively stable to draw according to the main light source. And then there's how to set it off.

After the cold and warm of the general environment is determined, then the cold in front and the warm in the back will be warm, and the warm in front and the cold in the back will be cold. The purpose is to open up the layers and contrast the warm and cold. Combined with the warmth and coldness of the light source to determine the warmth and coldness of the dark and bright parts.

Note that in general, the change in hue control between cold and warm is lower than that of the still life itself. Don't pay too much attention to the warmth and coldness and distort the color of the still life itself. Achieve a subtle change of warmth and coldness without distortion of the color of the still life itself.

In the case of very good use of color, you can try to use exaggerated cold and warm contrasting colors to change the color of the still life itself, so as to express the artistic technique of cold and warm. In 2004, some students used it at the **Academy of Fine Arts).

Finally, I wish you all the best in getting admitted to the art school of your choice.

If there is anything bad about the above, please teach other high-finger fingers.

Red, orange, yellow, and brown are warm colors that symbolize: the sun, the fire, and the earth. Green, blue, and purple are cool colors that symbolize: forest, sky, and sea. Black, gray, and white are intermediate colors.

The brighter the cooler tones, the warmer they are. Cool tones are cyan, blue, purple, and the shades that make up of them that give a cool feeling. Cool colors have a visual contraction effect.

1.Although these ten colors can be tuned out of green, but the chroma is too small, the series of lack of green, and there are too few other pigments, and the gouache basically does not use black, and generally uses dark purple ultramarine and the like.

2.It's hard to explain the tone between colors, but it gives you an idea, if you want to make warm colors brighter, you can use lemon yellow: white

Thicker and heavier, you can add earthy yellow; darker can add earthy yellow or ochre and ultramarine; These things are mixed with the amount added and the proportions of many colors, and sometimes in order to mix a color, you need to mix 4 or 5 colors in different proportions, and you can only use your own experience. The only answer I can give is that if you give a medium color, I can point you out what it was called

3.The color of the sky. Dusk, daytime and midnight all need different colors! It's mainly called by the sun and other colors, and if you don't use any color, it must be used to draw something

Up to three colors to mix, not more, for beginners it is best to mix two colors, if it is dark, it is best to add a little white, do not add other colors until special circumstances, it is easy to tone the color particularly dirty.

In fact, you have to try this kind of thing yourself more than ask others, and you can try it with a sketchbook.

Red + Yellow = Orange Red + Blue = Purple Blue + Yellow = Green Red + Yellow + Blue = Black. Pink Lemon Yellow = Lemon Yellow + Pure White Garcinia = Lemon Yellow + Rose Red Orange Yellow = Lemon Yellow + Rose Red Earth Yellow = Lemon Yellow + Pure Black + Rose Red Ripe Brown = Lemon Yellow + Pure Black + Rose Red Pink Rose Red = Pure White + Rose Red Vermilion = Lemon Yellow + Rose Red Dark Red = Rose Red + Pure Black Purple Red = Pure Purple + Rose Red Chu Shi Red = Rose Red + Lemon Yellow + Pure Black Pink Blue = Pure White + Sky Blue Blue Green = Grass Green + Sky Blue Gray Blue = Sky Blue + Pure Black Light Gray Blue = Sky Blue + Pure Black + Pure Purple Pink Green = Pure White + Grass Green Yellow Green = Lemon Yellow + Grass Green Dark Green = Grass Green + Pure Black Pink Purple = Pure White + Pure Purple Brown = Rose Red + Pure Black Red + Lemon Yellow + Lake Blue - Ripe Brown (in fact, it can be almost black) Big Red + Lemon Yellow - Orange Lemon Yellow + Lake Blue - Grass Green, Add more lake blue is pink green Big Red + Lake Blue - Violet, add more big red is rose red Big Red + Orange Yellow - Medium Yellow Big Red + Grass Green - Ripe Brown Big Red + Violet - Rose Red + Violet - Rose Red + Violet - Ripe Brown Lemon Yellow + Grass Green - Light Green Lake Blue + Violet - Green Lotus.

Experience live, there is no standard answer.