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Looking south at the bell ringing, the tower is deep and green". Just as the poet was about to go, the night wind brought the bell. Looking south, I saw the distant towers embedded in the depths of a verdant mountain.
The original poem explained: There are many victories in Spring Mountain, and you will forget to return at night.
Scoop the water and the moon in your hand, and make the flowers full of clothes.
There is no distance to come, and I want to cherish Fangfei.
Looking south at the bell ringing, the tower is deep and green".
The Tang Dynasty poet Yu Liangshi, a popular five-character poem, has a light and elegant style, depicting the state of things like a painting, full of charm, and it makes people feel fragrant and happy to read. The first two sentences of the poem outline and lead the whole article, which not only writes that "many victories" is the reason for "enjoying and forgetting to return", but also skillfully explains the origin of the whole poem, which can be described as killing two birds with one stone. The next six sentences are specific descriptions of "victory" and "enjoyment and forgetfulness".
The poet then wrote: "Scoop the water and the moon in your hand, and make the flowers and fragrance all over the clothes." It can be said that there is no more appropriate description of this situation than these two sentences:
First of all, from the structural point of view, the word "moon" closely follows the "night" in "enjoying the night and forgetting to return", and the "flower" closely follows the "spring" in the first sentence "Spring Mountain is more victorious". Secondly, these two poems write about the victory in the mountains, the integration of things and me, and the spirit is full of energy; The characters are lifelike. It not only sees the quiet night of the water and the fragrance of the white moon flowers, but also shows the poet's childlike innocence and longevity from the actions of "scooping water" and "making flowers".
Although there are only two "victories" written, they are point-to-point, and one is ten. Again, "the moon in the hand", writing that the spring water is clear and clear and shines on the moon shadow, combining the bright moon and the spring water into one; "Make flowers full of clothes" writes that the rich atmosphere of mountain flowers dyes the placket, dividing the fragrance of flowers into two. One in one, up and down, from the words to the artistic conception, all make people feel poetic and interesting.
Finally, be proficient in refining words. The words "掬" and "get" are both scenes and people, both portrayal and expressive, which can be described as a stroke of genius.
The poet was completely immersed in the beauty of the moon in the mountains, so he only did what he could, regardless of the distance; When leaving, facing the flowers and plants in front of me, I couldn't help but have a deep affection for others. This is the poet's poetic meaning of the two sentences of "no distance and no distance, want to cherish Fangfei" on the basis of writing "victorious things". These two lines of poetry are written to enjoy and forget to return, and the word "want to go" leaves a foreshadowing for folding into the last two sentences of the South Wanglou Platform.
Looking south at the bell ringing, the tower is deep and green". Just as the poet was about to go, the night wind brought the bell. Looking south, I saw the distant towers embedded in the depths of a verdant mountain.
The last two sentences turn from near to far, leading to the picture with sound, showing a distant view, but still the unique scenery under the moon of the spring mountain is clearly outlined with loving brushstrokes, and is related to.
The "Spring Mountain", "Night" and "Moon" of the first, second and third periods echo each other from afar.
Throughout the poem, "scooping the water and the moon in your hands, making flowers and fragrant clothes" is the essence of the poem, which is breathtaking. With this couplet alone, "Spring Mountain Night Moon" is immortal, not to mention that the whole poem is artistically crafted and natural!
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First, it's best not to see each other, so that you don't fall in love. Second, it's better not to know each other, so that you don't love each other. Thirdly, it is better not to be accompanied, so that you do not owe each other. Fourth, it is better not to cherish each other, so that you can not remember each other. Fifth, it's better not to love each other, so that you don't abandon each other.