In Guo Moruo s period, what talent could he rank in?

The literary status should be inferior to Mao Dun, but the comprehensive status is beyond Mao Dun. So Lu Xun is the first, Guo Moruo is the second, Mao Dun is the third, Ba Jin is the fourth, and I won't talk about the following two.

Talent first, character is also a younger brother but countdown.

In fact, he can only be ranked ahead of Lu Xun and Hu Shi. His "Three Hundred Years of Jiashen" made Chiang Kai-shek jump like thunder, and he was almost ...... to death

Guo Moruo is the most accomplished scholar in the study of new Chinese history, and he is also a writer of new literature, so he is also the person who has the most perfect conditions for writing historical dramas.

At that time, there were many talented people and women, so Guo Moruo couldn't be ranked very high.

This varies from person to person, and everyone has a different standard in mind.

He was the founder of China's new poetry and a recognized leader in the revolutionary cultural circles after Lu Xun.

Guo published "The Goddess" during the May Fourth period in the twenties, which established his status as the pioneer of new poetry, and most of his excellent scripts and some poems were during the May Fourth period. You see, many great writers stopped writing after the thirties or went downhill, and their standards plummeted.

Talented, under specific historical conditions, with limitations.

Hu Shi is an elder who is in the academic world But it is certain that after this scolding battle, Guo Moruo's reputation has increased a lot.

His limitations are obvious. But at the same time, it is also the limitation of the times!

It's really uncomfortable to be full, and I have nothing to do.

No one wants to compare with him! So I don't know what rank he is! At least a few people look down on him!

There is no one before and no one after us.

Guo Moruo (November 16, 1892 - June 12, 1978), September 27, 18th year of Guangxu of the Qing Dynasty (November 16, 1892) was born in Shawan Town, Guan'e Township, Leshan City, Sichuan Province. Pseudonyms such as Mo Ruo, Mai Ang, Guo Dingtang, Shi Tuo, Gao Ruhong, Yang Yizhi, etc. He is an outstanding member of the Communist Party of China, committed to the world peace movement, and is a well-known proletarian writer, poet, playwright, archaeologist, thinker, paleographer, historian, calligrapher, scholar and famous revolutionary and social activist in modern China. He was the founder of China's new poetry and a recognized leader in the revolutionary cultural circles after Lu Xun.

Guo Moruo's achievements in literature can not be denied, this person is full of talent, literary attainments are very high, he is second only to Lu Xun in literature, Guo Moruo is a cultural giant in the 20th century, a cultural giant in Chinese history, his position in the history of Chinese literature in the 20th century is unshakable.

Guo Moruo's research on ancient history and epigraphy has nothing to criticize. As for literary creation, for a long time, China's modern and contemporary literary circles have been called "Guo Lu Maoba Lao Cao", that is, Guo Moruo, Lu Xun, Mao Dunba, Jin Lao She and Cao Yu, and their status is not much to say. As for some of the poems that are rumored to be true, it seems that some of them are not Guo's, and some of them are works that are appropriate to the occasion.

Guo Moruo is an outstanding figure in the history of Chinese academic culture in the 20th century, including a writer, historian, paleographer, calligrapher, and social activist. He is well-versed in the past and the present, proficient in Japanese, German, English and other languages, and has written and translated extensively, is an encyclopedic cultural giant, and is the pride of the Chinese nation.

He once called him and Lu Xun together - if Lu Xun is a pioneer who opens up a road without a road, Guo Moruo is the guide who leads everyone forward."

Guo Moruo's biography:

On November 16, 1892, he was born in Shawan, Leshan, Sichuan. In January 1914, he went to Japan to study. In 1915, he entered Okayama No. 6 High School.

In 1918, he entered the Faculty of Medicine of Kyushu Imperial University. In 1919, he organized the Summer Society, a patriotic society that arrived in Japan; In the same year, he wrote poems such as "Hug and Children's Bath in Hakata Bay" and "Phoenix Nirvana". In August 1921, the poetry collection "The Goddess" was published.

In 1923, he completed the historical drama "Zhuo Wenjun" and the poetry and opera prose collection "Starry Sky". In 1924, he completed the historical drama "Wang Zhaojun". In 1927, he joined the Communist Party of China.

In 1931, he completed the treatises "Research on Oracle Bone Characters" and "Research on Bronze Inscriptions of Yin and Zhou Dynasties". In 1937, the Anti-Japanese War broke out, and he returned to China to participate in the Anti-Japanese War and hosted "Salvation**" in Shanghai.

In April 1938, he served as the director of the Third Department of the Political Department of the National Military Commission. In December 1941, he wrote a five-act historical drama "The Flower of Tangtang". In 1942, he completed the historical drama "Qu Yuan", "Tiger Fu", "Gao Gradually Leave" and "Peacock Gall".

In 1943, he completed the historical drama "Southern Crown Grass". In 1944, he wrote "The Three Hundred Years of Jiashen". In October 1949, he was appointed Vice Premier of the Government Council and Director of the Culture and Education Committee. On October 19, he was appointed President of the Chinese Academy of Sciences.

In 1953, he was elected chairman of the second China Federation of Literary and Art Circles.

In 1958, he was appointed President of the University of Science and Technology of China. In 1959, he completed the historical drama "Cai Wenji". In January 1960, he completed the historical drama "Wu Zetian"; In the same year, he was elected as the chairman of the third China Federation of Literary and Art Circles.

In 1969, he completed the treatise "Li Bai and Du Fu". In 1973, the treatise "Two or Three Things About Unearthed Cultural Relics" was published. In 1978, he was elected as the chairman of the fourth Federation of Literary and Art Circles; On June 12, he died in Beijing due to ineffective medical treatment.

Guo Moruo is a modern Chinese writer, historian, and one of the founders of new poetry。He served as the first president of the Chinese Academy of Sciences, the first director of the Institute of History, the chairman of the Chinese People's Committee for World Peace, the honorary president of the China-Japan Friendship Association, and the chairman of the China Federation of Literary and Art Literature.

Guo Moruo is a cultural giant of the twentieth century and a cultural giant in Chinese history. After the May Fourth Movement, there are not many people like Guo Moruo who have achieved achievements in many aspects, and he can be described as a genius. Guo Moruo's achievements in several academic fields, especially in the history of Chinese poetry, in the study of ancient Chinese history and ancient characters, are brilliant and enormous.

In recent years, many literati have criticized Guo Moruo, some of which are in line with the facts, and some of which are distorted of the facts. The emergence of criticism and new perceptions is a sign of social progress. Generally speaking, it will promote academic progress and cultural development, and a normal academic environment should have criticism and counter-criticism, but in the reflection on Guo Moruo, some articles and some scholars have adopted a frivolous attitude, which is incorrect, and attention should be paid to studying him with a scientific attitude.

Guo Moruo's creative analysis:

Guo Moruo's creative life path is changeable, which can be roughly divided into three paragraphs. The first paragraph is the "May Fourth" period. Mainly as a genius poet of romanticism, he shouted the true voice of the times with "Goddess", awakened a generation of young people, released the suppressed social mood, and met the spiritual needs of the times.

This is Guo Moruo's ** period, during which his personality was fully expressed, and the degree of self-realization was very high. Of course, this is related to the specific atmosphere of the "May Fourth" period, and that relaxed, free and energetic environment is also conducive to the formation of Guo Moruo's romantic personality and creative style.

The second paragraph is:

In the thirties and forties, Guo Moruo became a "poet-social activist". From the "Literary Revolution" and "Two Slogans" debate to the War of Resistance Against Japanese Aggression and the War of Liberation, Guo Moruo often flocked to the ** because of his literary name, although his romantic personality is not suitable for politics, but he also devoted a lot of energy to social activities.

Guo Moruo (1892-1978), formerly known as Guo Kaizhen, the word Dingtang, the number Shangwu, the milk name Wenbao, the pen name Moruo, McAng, Guo Dingtang, Shi Tuo, Gao Ruhong, Yang Yizhi, etc. [1] Born on November 16, 1892 in Shawan, Leshan, Sichuan, graduated from Kyushu Imperial University in Japan, a modern writer, historian, one of the founders of new poetry [2], the first president of the Chinese Academy of Sciences [3], the first president of the University of Science and Technology of China [4], a foreign academician of the USSR Academy of Sciences [5], and a screenwriter of Beijing Renyi. [6]

In 1914, Guo Moruo studied medicine in Japan at Kyushu Imperial University. In 1921, he published his first new poetry collection "The Goddess"; [7] In 1930, he wrote Studies on Ancient Chinese Society. [8] 1949; Guo Moruo was elected chairman of the All-China Literary and Art Association.

He served as director of the Department of Social Sciences of the Chinese Academy of Sciences, director of the first Institute of History, chairman of the Chinese People's Committee for Defending World Peace, honorary president of the China-Japan Friendship Association, chairman of the China Federation of Literature and Literature, and other important positions, and was elected the first of the Communist Party of China.

Member of the Ninth, Tenth and Eleventh Sessions, No.

II. 3. Vice Chairman of the Fifth National Committee of the Chinese People's Political Consultative Conference. [2]

On June 12, 1978, he died in Beijing at the age of 86 due to long-term medical treatment.