Picking chrysanthemums under the east fence Leisurely seeing Nanshan is considered a poem that refle

The truth is: as long as there is a noble spiritual realm, even if you are in the hustle and bustle, there is no sense of "hustle and bustle".

The knot is in the human realm, and there is no noise of cars and horses.

How can you ask you? The heart is far away from itself.

Picking chrysanthemums under the east fence, leisurely see the South Mountain.

The mountain weather is good, and the birds are returning.

There is a true meaning in this, and I have forgotten to distinguish it.

Translation: The dwelling is built in the world.

Quiet but without the noise of cars.

Ask me why the eraser is like this? The heart is beyond the world.

Under the east fence of picking chrysanthemums, the leisurely old man has no opinion on Nanshan.

The fog in the mountains is good and the sunset is good, and the birds return their nests together.

There should be a true meaning in this, and I have forgotten what I want to discern.

Appreciation of works:The action of "picking chrysanthemums" is not an ordinary action, it contains the poet's love for transcending the world and loving nature. It is not good to replace the word "see" with the word "to hope".

The word "see" shows that the poet did not look at the mountain intentionally, but when picking chrysanthemums, inadvertently, the mountain came into view.

This poem, especially the two sentences in the poem, "picking chrysanthemums under the east fence, leisurely seeing the South Mountain", has always been rated as "quiet" and "faint and distant", and has been highly praised. However, it is biased to simply summarize Tao Yuanming's entire creation with this aesthetic realm. Because in fact, there are still many emotions that express anxiety and even anger in Tao Yuanming's poems, and their intensity almost exceeds that of all poets of his time.

Translation: My house was built on a busy road where people lived, and there was never a bustle of cars and horses. If you want to ask me, how can I be so transcendent and free, and my soul is far away from the mundane nature and seclusion.

Under the east wall, picking up the chrysanthemum mood wandering, occasionally looking up to see the beautiful scenery of Nanshan is wonderful. Wisps of colorful fog linger in the twilight, and flocks of birds return to the embrace of the distant mountains. Nanshan Yangzhi, this has the true meaning of life, how should I express the profundity of the inside!

Full text: The knot is in the human realm, and there is no noise of cars and horses. How can you ask you? The heart is far away from itself. Picking chrysanthemums under the east fence, leisurely see the South Mountain. The mountain weather is good, and the birds are returning. There is a true meaning in this, and I have forgotten to distinguish it.

Source: "Drinking and Ending in the Human Realm" is the fifth poem of the group of poems "Drinking Twenty Songs" written by Tao Yuanming, a great poet of the Jin Dynasty. This poem mainly expresses the taste of seclusion, the poet writes in the aftermath of labor, after drinking until drunk, under the glow of the sunset, in the shroud of the mountains, picking chrysanthemums in the east fence, looking at the South Mountain.

Drink [Jin] Tao Yuanming.

Settle in the human realm,

And there is no noise of cars and horses.

Ask you how you can be, and your heart is far away.

Picking chrysanthemums under the east fence, you can see Nanshan leisurely.

The mountain air is good,

The birds are in return.

There is a true meaning in this, and I have forgotten to distinguish it. ④

Author] 365 427, the character Yuan Liang, a name Qian, the word Yuanming, the world name Mr. Jingjie. Xunyang Chaisang (now Jiu, Jiangxi.

Jiangxi Southeast) people. Great-grandfather Tao Kan once served as the Great Sima of the Eastern Jin Dynasty, and his father and ancestors both served as Taishou first-class officials. Yuan Ming was eight years old.

lost his father, his family declined, and he became increasingly poor. He has been out of office several times, and has served as a petty official such as sacrificial wine and joining the army. Forty-one.

When he was young, he abandoned his official position and went into hiding, and since then he has been cultivating the countryside. He writes poems on the theme of pastoral life, which is idyllic.

The pioneer of pie. The style of poetry is plain and natural, highly respected by later generations, and has a far-reaching influence. Qing Tao Shu notes "Mr. Jingjie.

The collection is a better note.

Notes] There are 20 poems in Drinking, all of which are accidental inscriptions after drinking, not written at the same time. Human Context: Human.

A place to live. Sunset: Near dusk. The last two sentences are in the Zhuangzi language. Zhuangzi

The Theory of Things": "Those who distinguish between those who do not distinguish between them, and those who distinguish without saying anything." "Zhuangzi: Foreign Objects": "The speaker is so."

I care about it, and I forget to say anything. "Poetry is to comprehend the true meaning from the revelation of nature, which cannot be said and has nothing to say.

Tasting Comments] This is the fifth of the twenty songs in "Drinking". The main purpose of the poem is to show the poet's use of Wei and Jin metaphysics.

The thought process of comprehending the "true meaning" is full of reason. However, it is not boring.

The philosophical interpretation of taste. In the poem, I wrote a leisurely and complacent feeling, and also wrote a beautiful and distant scene, which blended in the scene.

The realm contains the philosophy that everything has its own place and is entrusted with responsibility; This philosophy was refined and condensed by the poet.

Aphorisms such as "The heart is far away from itself", "There is a true meaning in this", give the reader a rational revelation, and the rhyme of the whole poem.

The tone is also more delicate and profound.

Zhu Xi of the Song Dynasty said: "The figures of the Jin and Song dynasties, although they are still high, but they all want official positions. Tao Yuanming really can't do it, so he is higher than the Jin and Song Dynasty figures. "This poem is engraved.

The spirit of the different genres of poetry is painted. He does not claim to be born out of the earth, as ordinary hermits do, but "knots."

Lu in the human realm"; He is in the "human realm", but he can achieve "no noise of cars and horses" and not be polluted by worldly things. Cause.

Where? The poet said meaningfully: "The heart is far away from itself".The mind is quiet, and the environment is quiet. There is no desire for fame and fortune, even if you are in the city, it is like being in the mountains. This profound truth was said by the poet plainly, which was intimate and touching.

The poem makes clever use of symbolism. "The bird is tired of flying and knows how to return", the one returned in the evening light.

The bird and the person who saw the mountain leisurely fit in mind, as if they had found their own home in this quiet mountain forest.

Picking chrysanthemums under the east fence, leisurely see the South Mountain" This verse comes from ( ) aDu Mu's poems.

b.Tao Yuanming's poems.

c.A poem by Sogen Yanagi.

d.Du Fu's poems.

Check the answer analysis [Correct Answer] b

Answer analysis] Tao Yuanming's idyllic poems of the Eastern Jin Dynasty are exemplary works that reflect the writer's desire to return to nature. His "Drinking, Staying in the Human Realm" integrates profound philosophy and noble charm into the natural beauty. "Picking chrysanthemums under the east fence, leisurely seeing Nanshan" two sentences, depicting filial piety to draw a heart and things, love and scenery, things and I forget, natural and indifferent wonderful realm.

There is a true meaning in this, and I have forgotten to say it" reflects that the poet has realized the "true meaning" of life in the aesthetic view of nature, which can only be experienced by himself, and cannot be expressed in words. See textbook p227.

Knowledge points of this topic: the aesthetic concept of medieval and ancient art preparations