What does national style mean and what is national style culture?

"National style" is a realistic creative method that depicts things in simple language and reflects social reality with simple life, which is the essence of the "Book of Songs" and a bright pearl in the treasure house of ancient literature and art in China.

The customs of the fifteen countries include: Zhounan, Zhaonan, Shao, Hu, Wei, Wang, Zheng, Qi, Wei, Tang, Qin, Chen, Yi, Cao, and Feng, a total of 160 articles, which can express the folk customs and habits of various places. The monarch educates the people with poetry, and the people satirize the king with poetry, which can be subtle and changeable, and can also satirize the gains and losses of governance and reflect the people's feelings.

The folk songs of the Zhou Dynasty in "National Style" reflect the real life of the working people with gorgeous and colorful pictures, express their injustice in the situation of exploitation and oppression and their belief in striving for a better life, which is the source of realist poetry in China. In "July", we see the bloody and tearful life of the slaves, and in "Cutting Tan", we feel the awakening of the class consciousness of the exploited, and the indignant slaves have boldly put forward a righteous question to the parasites and vampires who do not work hard: "If you don't have crops, you won't get 300 grains?"

Don't keep and don't hunt, Hu Zhanerting has a county badger? Some poems also depict the direct struggle of the working people against the ruling class in order to gain the right to live. In this regard, "The Rat" has the power to shake people's hearts.

There are some poems in the "National Style" that reflect the great suffering of the people caused by military service and conscription, such as "Yin Qilei", "Boxi", "Gentleman in Service" and so on are representative works of this type of poetry. There are also a lot of love poems in "National Style". It is an important theme of this kind of love poems to reflect the great suffering caused by unreasonable marriages to women and to express the yearning and pursuit of young men and women for a happy marriage.

It is this kind of life picture that "Gangster", "Gu Feng" and other articles show us. And "Bai Zhou" also has a clear and strong sense of resistance. Love songs with a healthy and optimistic tone (such as "The Quiet Girl" and "Papaya", etc.) add a harmonious and joyful feeling to the love poems.

All these are true expressions of the thoughts and feelings of the working people.

The wind is a folk song, a poem.

Banquet poems, ode is a sacrificial text, generally like this, someone has to turn over the tome, I can't do it.

The national style actually refers to the Chinese style, and the Chinese style is based on the traditional Chinese culture.

On the basis, it contains a lot of Chinese elements.

and adapt to the global manifold.

Trending art forms. In recent years, Chinese style has been widely used in the field of pop culture, including **, clothing, movies, etc., and Europe had a popular "China fever" at the end of the 17th century to the end of the 18th century.

What does national style mean

Guofeng is actually the abbreviation of "Chinese style", which is a Chinese style, which is an art form or lifestyle based on traditional Chinese culture, containing a large number of Chinese elements and adapting to global fashion trends. The national style is different from the Western art form of the Liusui Huaixing culture, which has been very popular with young people in recent years.

Guofeng is widely used in the field of pop culture, such as **, movies and advertising. Chinese-style songs.

It mainly uses ancient Chinese classical Chinese or poetry as the main rhetorical style; Chinese style chaotic advertising is an advertisement that integrates elements of Chinese characteristics such as paper-cutting, face painting, and calligraphy into the advertisement; Chinoiserie architecture is an independent architectural art characterized by wooden structures.

The history of the development of the national style

As early as the end of the 17th century to the end of the 18th century, there was a long period of "China fever", during this period of time Europe was very popular in many aspects of China, and the Chinese style craze was a common fashion in European society at that time. At the same time, the Chinese style permeated Puzhou.

All aspects of people's lives, such as daily guessing friends' items, home decoration, garden architecture, etc.

National style is a kind of culture, which is an emerging cultural ecology with strong local cultural characteristics produced through creation based on the folk customs and cultural elements that are widely recognized in the Chinese land, and is the inheritance and continuation of the culture and manuscript customs in a wide range of senses.

The concept of "national style" can be traced back to the Book of Songs, which refers to the folk features of the vassal states from the beginning of the Zhou Dynasty to the Spring and Autumn Period. In recent years, the national culture has emerged, referring to the youth subculture associated with traditional culture. However, in the process of its development, young people have different opinions on the circle scope of national culture.

The concept of "national style circle" is the same as the "ancient wind circle", and the latter is a more niche and unique youth "two-dimensional" cultural circle. The reason why the concept of national style emerged is that the youth community in the ancient style circle wants to expand its cultural influence and gain wider social attention. To use Internet buzzwords such as noisy filial piety, that is, "breaking the wall", refers to breaking the barriers of communication between the second and third dimensions.

As a culture with blurred boundaries, national culture has become a symbol of self-identity for many youth groups in the process of breaking the wall across borders, and it is precisely because of this that national culture is wandering in the identity layer between mainstream culture and subculture.

On the one hand, driven by the market and the internal circle, it is hoped that the ancient culture will become the mainstream young consumer group, and some cross-border players in the ancient circle are also actively trying to adjust the existing circle culture and add new elements to turn it into a more professional and mainstream culture; On the other hand, the ancient cultural circle still hopes to maintain the self-entertainment of the small circle, and uphold the gorgeous and exquisite, ancient and handsome in the first style, songwriting and painting style.

At the same time, although this ancient style is very popular in the circle, it has also caused fierce debates in the process of breaking the circle. As a boundary object in cross-border changes, the national culture cannot achieve a unified identity in the development and construction of the minority and the public, which prompts it to wander in the boundary between the two sides.

There is no fixed form of national style culture, it sometimes points to ancient Chinese utensils and costumes, poetry and literature, sometimes points to national musical instruments and Yale traditions, and sometimes points to the imagination of the rivers and lakes formed in martial arts-themed literary and artistic works, and they all inevitably integrate the elements of world pop culture such as Japanese animation and Japanese style

There are two veins in the spread of national style culture and the flow of community members, because they like the national style itself and "enter the pit", or because they like a certain subculture, and then contact and like the national style branch in that subculture. Starting from these two contexts, there will be an extended history of entering the pit.

Chinese characters and national customs have evolved fonts from "materials" to "culture".

Lyrical in writing and expressing meaning in words, Chinese characters undoubtedly have natural "national style" attributes. In the view of Ma Yiyuan, COO of Hanyi Font, the local color and realism in the concept of "national style" in the "Book of Songs" provide an entry point for the current interpretation of "national style", that is, based on local characteristics and excavation of true feelings.

Along this line of thought, Hanyi Font has evolved from a simple design of writing elements to a comprehensive, multi-industry cooperation, cross-border and development through the development of three dimensions.

For example, the oracle bone inscription redesign project jointly launched with the Academy of Arts and Design of Tsinghua University, and the Hanyi Dunhuang scripture jointly developed with the School of Literature of Nankai University, etc., in Ma Yiyuan's view, this is "we use the way of font design to interpret, re-develop, and re-disseminate our excellent traditional culture".

It's a cultureIt includes the Fujiwara culture of the Regency period from the 10th to the 11th century and the late Heian period from the end of the 11th century to the end of the 12th century.

After the Tang Dynasty, especially after the fall of the Tang Dynasty in 907, Japan gradually formed a unique aesthetic consciousness based on absorbing and digesting the culture of the mainland, and the concepts of kana writing, art, life, and uniqueness that reflected their consciousness appeared.

Although Japanese people have been using kanji to express their pronunciation since the 5th century, it was not until the early 11th century that the kana alphabet was largely formed, and this led to the development of Japanese literature such as waka, and representative works of this period include "Ancient and Modern Wakashu", "The Tale of Genji", "Pillow Grass", and "Murasaki Shikibu Diary".

History: Most of the literary works were written by women, and the reasons for this were the increasing number of women with leisure culture due to the gradual maturity of aristocratic society, the use of kana by women, and the fact that women of the Seki family gained the favor of the emperor for their literary skills.

For example, Fujiwara Michitsuna's mother's "Dragonfly Diary" delicately describes the psychology of women in married life; The world-famous novel "The Tale of Genji" created by the palace lady Murasaki Shikibu brilliantly describes the luxurious life of the court nobles and the subtle psychological state of the characters through the love and fate of the protagonist Light Source, and reflects the social changes at that time in a tortuous way.

1. Definition of the new national style: The basic definition of the new national style is: adhering to the traditional spirit of "the hungry sing about their food, and the laborers sing about their work", standing in the position of the people, using concise language, circulating rhythm, and expression to express their practical perception of contemporary life, and strive to achieve a clear but profound artistic effect.

2. The new national style is a product of the times. In today's society, education is popularized, so that the masses of the people can also learn and master poetry skills, so as to create poetry works that are completely different from the ancient "scholars and doctors".

3. The "new national style" requires that under the premise of strictly adhering to the traditional poetry art form, the contemporary real life is integrated into the creation of poetry and high lyrics, which puts forward high requirements for the artistic skills of poetry creation.