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The light coming from behind is called backlight, which is the most difficult angle for the human head to deal with;
Here are some tips and comments on how to deal with it:
First of all, you have to understand that since it is backlight, then it is impossible for your whole picture to appear in the highlight part, the brightest place is the reflection, the reflection shrinks from the four sides of the head to the center, and the darker it is to the center, which is a turning point between light and dark gray, a painting loses the highlight, and only the dark part is easy to be painted flat, rigid, stiff, gray, and there is no level to three-dimensional;
When painting backlight, you must darken the dark part, because now the gray surface of your whole picture occupies the largest area, so your focus is on the gray surface, only the dark part of the dark can make the gray surface prominent, otherwise the picture will be flat, and the gray surface will not be layered;
I hope to help you solve your problem, if there is anything you don't understand, you can ask me again, thank you.
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The edge of the object is a highlight or gray part, followed by the boundary between light and dark, and the middle is reflective, so you don't need to be too detailed.
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Backlight? Generally, the edges are bright, the boundary between light and dark is very heavy, and the middle slowly becomes ---
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Painting against the light must not be painted in full black, the volume must come out, and it must be breathable.
A painting is the darkest place just a few places, and the rest is heavy gray light gray.
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The front is black, so you can see it by the light.
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1 is to grasp the whole: the most important thing is to grasp the whole, painting should be gently forced, to maintain the depth of the picture, if the painting is too heavy and repeatedly smeared back and forth, it is not deep;
2. Copying: If you want to learn to paint deeply, you must copy, learn from other people's paintings, carefully study the black, white and gray of the object, and the method of using the brush, and then form an overall concept in your mind, and clarify the structure of each place of the painted object and the expression of black, white and gray;
3 is to paint: a good copy of a painting, even if the picture is dirty and messy, you have to stick to the painting, repeatedly modify, feel that **not good to change**, until you are satisfied, has been sketching still life, only to start to go deeper, you can spend a week to depict in depth, don't feel that the time is long, only if you go deep, you can understand many of the details, and then paint the other will be handy.
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I am a student of Nanjing University of the Arts, I have experienced, I know that you should not know what to paint in depth, that is, you can't pay attention to the details of objects or people, my suggestion is: whether you are skilled or not, if you are now spending 3 hours to paint a painting, then what you have to do is to insist on spending more than two days to paint this painting, pay attention, you must insist, don't care what to paint, you just paint, insist on painting five pairs, and slowly you can find the feeling of depth.
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If you want to depict the work in depth, you should know it when drafting, that is, you must remember not to draw the tone to death in the early stage, that is, you must draw it loosely, otherwise the painting will not go deeper.
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This depends on your skills, of course, it is not that the time of painting is directly proportional to the level of painting, and a certain amount of talent is required in it.
Observe carefully, understand the structure, pay attention to the three major aspects of black, white and gray, and grasp the shape is the most important.
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Meditate first, and after the painting, you will find the details as a whole, such as the eye sockets, eye bags, eyelids, in short, everything must be based on the understanding of the structure. Also, all places are not equal. Do you know why David didn't have arms?
It's because the arm is too good and overshadows what the author wants to express. Everyone has a different understanding, you have to understand the structure yourself before you can draw, and the teacher can only teach you the method ......, remember Qi Baishi's words: 'Those who learn from me live, and those who resemble me die'.
Of course, if it's just to cope with the college entrance examination, it's a different story......You can only get a high score by memorizing. Pay special attention to grasping the shape, and ...... with great advantages
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First of all, the type should be accurate, and then draw the relationship between light and dark, and when you start creating, you must remember not to draw too many tones, and gradually go deeper.
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When depicting in depth, you can replace it with hard lead, such as 2b, b, hb, h, 2h, etc., focus on shaping the facial features, and when you squint and look at the void every ten minutes, there should be a change in the dark part, not too heavy black lines, women should focus on drawing the facial features, find less excess structure, and the cheekbones should be melted into the surface. Boys focus on structure, prominent cheekbones....
Good luck!
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Then you have to be patient, first of all, don't draw flowers, focus on the relationship between light and dark, and the dark should be dark
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Personally, I recommend Chinese pencils, which are cheap and practical. It's a pity that there are too many fakes.