What does a bright tone sketch mean? What do chiaroscuro in sketch mean?

The five major tones of sketching are highlights, midtones, light and dark lines, reflections, and projections.

Specular: The brightest point of the light-receiving object, which shows the part of the object that directly reflects the light source, and is more common in objects with a relatively smooth texture.

Light and gray: The area between the highlight and the line between light and dark.

Light-dark boundary line: The area that distinguishes the bright and dark parts of an object, generally the structural turning point of the object.

Reflective: The part of an object that is backlit by reflections from other objects or the environment in which the object is located.

Projection: A dark shadow in space created by an object itself when it blocks light.

Extended Information: Points to note about the five major tones of sketching:

The five tones of light and dark have a regular change in depth, bounded by the boundary between light and dark, and gradually brighten up to reflect in the backlight part; In the light-receiving part, it gradually brightens to the highlight (glow point). This is known as the law of gradation. The gradient law exists in the middle of each surface, and when sketching, it is an important means to correctly find the light and shade gradient in each surface.

Therefore, first of all, we must have the concept of body and surface, develop the habit of analysis, and combine the light and shade changes with the understanding of body and surface, so as to truly and vividly show the three-dimensional sense of the object on the drawing paper.

Although the relationship between light and dark is a natural phenomenon, in the artistic treatment of painting, in order to meet the needs of the picture effect, the painter can change the state of light and dark, strengthen or weaken the contrast between light and dark, or move and transform the projection position.

The basic element of drawing light and dark tones is lines, and there are many ways to arrange them, and they should be selected according to the texture and feeling of the depicted object and the harmony of the brushstrokes in the picture. The light and dark tones are mainly composed of the arrangement of pencil lines, and the lines should be "uniform but not even", too uniform and easy to be rigid, uneven and easy to scatter, pay attention to a sense of rhythm.

The lines should have changes such as tightness, density, and weight, and the depth of the tone of the picture mainly depends on the light head of the pen, followed by the stacking level of the line and the softness and hardness of the pencil.

What does that sketch mean? In terms of drawing, this may be a branch of drawing, and you can learn from friends who are studying art.

What does Ming tone sapling mean? The Ming tone sapling is so thin, it is a kind of painting to support the stomach.

The famous hanging sketch is actually a sketch painting but some are shallower, and there are not so many dark effects, so it gives people a brighter feeling.

Bright-tone sketching refers to the feeling that the sketch is darker and then looks more obvious.

What is meant by a famous hanging sketch is expressed in the form of a more colorful sketch.

It is to use bright colors to depict it, so that it is more vivid and colorful, and there is a certain amount of writing.

The possibility of sketching. It's that it uses a brighter color instead. Simply a pencil above the front head.

If the poll is describing what it means, this kind of depiction sketch is actually talking about this color, which is relatively light.

In the case of a famous sketch, it means that you are using a colored pen to draw a sketch.

This is a special word in fine arts, which refers to a kind of sketch, but the colors he paints are relatively bright, which makes people look at it at a glance and is very comfortable.

The four seedlings of the name are a kind of coefficient in painting. Let's talk about it. How should you do this operation this week, and being able to do this can better reflect its soul.

This sketch of Mingjiao is a kind of sketch, which is to use color and highlights to reflect some of the character characteristics of this sketch.

Bright-tone sketching refers to the meaning of sketching, a method of drawing.

Sketch in a clear tone, that is, I think it is an ordinary sketch, maybe there is such a name.

It means that the color lines are simple and clear.

One type of sketch is a kind of sketch that is classified.

It's a method of sketching, that's how it's drawn.

It's a strange name.

A plain sketch refers to a sketch that can be seen at a glance and is relatively clear.

Okay, come when you have time, I'm not in a hurry to research.

What does each sketch mean? You should look for a picture book on this subject to take a look at some of the things about sketching.

What does Miao mean? It's the meaning of sketching, it's very simple.

Basic explanation of sketching:

1) Drawings that are simply drawn with lines without color.

2) Literary refers to concise, unpretentious, unexaggerated descriptions.

Citations explained:1Drawings that are depicted with lines alone and without color.

It is the foundation of the plastic arts. Lu Xun, "Letters to Cao Bai": "Because woodcut is painting, you must first learn to sketch.

Ding Ling, Chapter 1 of "Wei Hu": "Wei Hu didn't realize it in his heart, and made a sketch of this beautiful line, and he wished that this woman was not asleep. ”

2.In literature, the use of concise and unexaggerated writing is also known as sketching. Guo Moruo, "The Class Consciousness of Li Bai and Du Fu and Du Fu":

Du Fu's poem "The Stone Entrencher" is entirely a sketch. Xiao Qian, "A Faded Album: A Traveler Without a Map": "My close-ups are basically sketches made with words, and the artistic processing is mainly in tailoring. ”

What does it mean, it may be a descriptive technique.

Well, what the hell is that?

What is a drawing sapling? I think you can bring your phone or computer with you can generate. I said it's okay if you can go and see it, I can let you go and see it.

<> "The relationship between light and dark is a very important part of sketch painting, and its most basic function is to express the relationship between volume and space. The relationship between light and dark is divided into five major levels, which is often said: "five tones of light and dark".

The five tones of light and dark include: highlight, the brightest point on the light-receiving surface.

Bright surface: refers to the layer between the bright and dark gray surfaces of the light-receiving surface.

Gray surface: refers to the level between the light side and the boundary between light and dark.

Light and dark junction: refers to the turning point of the light and dark sides, and the general light and dark junction is the heaviest place.

Dark Side: Contains the backlit side of the object, reflections, and shadows.

These five levels can actually be summarized into three levels: the light side, the gray side, and the dark side. Of course, there are more and finer levels in these five tones, which can be summarized and distinguished according to the degree of detail of the painting.

Let me first explain the relationship between light and dark of objects through the cube. You have to have light before you can have light and dark, so I'm going to assume a light source direction for now. The area where the light can shine is called the light-receiving surface, and the place where the light cannot shine is called the backlit surface.

The backlit side includes the dark side and the shadow side, and the lighted side includes the light side and the gray side. The shape of the shadow is directly related to the direction of the light and the occlusion of the object. According to the principle of near real and far virtual, the contrast between the front, especially the junction between light and dark, should be strong and clear, and the contrast behind should be weak and blurred.

Also, the shadow gets darker and clearer the closer it is to the object.

We all know that the earth is always half a world day and half a world night, and the time close to night is morning and dusk, and generally the light is brightest at noon. The same is true for drawing spheres, half a ball is bright and half a ball is dark, the position where the bright part is perpendicular to the light is the brightest, and the closer to the boundary between light and dark, the darker it will be, and these places close to the dark part are called gray surfaces. The reason why the dark area is not pure black is because it is also affected by reflections and other ambient light sources.

Three major sides: backlit (black), light-receiving (white), and side-lit (gray).

Five tones: highlight (the brightest point of the light-receiving object), gray (the area between the highlight and the light-dark junction), the light-dark junction (the area that distinguishes the bright and dark parts of the object, generally the structural turning point of the object), the reflection (the part of the backlight of the object that is affected by the reflected light of other objects or the environment in which the object is located), and the projection (the dark shadow produced in space after the object itself blocks the light).

Expand your knowledge: There are six requirements for overall performance:

1. First big and then small. The large and small here refers to the relationship between the size of the basic shape and the local shape of the object, and violating this point will result in "inaccurate shape".

2. Grass first, then refinement. Before the shape of the object is determined, a certain part cannot be depicted in too much detail alone. Violating this point will result in a "shattered" picture and an overall imbalance.

3. Straight first and then curved. A straight line is simpler than an arc, a square is simpler than a circle, and a plane is simpler than a spherical surface, so it is necessary to "straighten first and then curve" in order to grasp the accuracy of the shape. Failure to do so would result in "inaccurate proportions".

4. First dark and then light. Every time, every time, every stage, every volume, every face, every part, you have to start with the darkest part, then draw the second dark, then the gray, and finally the light. Violating this point will result in a "chiaroscuro" result.

5. First the real and then the virtual. Draw the strong points of the feeling first, and then the weak points of the feeling. Violating this point will result in a "flat screen".

6. First near and then far. Draw the front object first, and then set off the back object to make the main object stand out and be obvious.

Three facets and five key tones in chiaroscuro sketching.

Three major surfaces: the light-receiving surface (bright side) and the backlit surface (dark side) are two parts, plus the side-lit surface (gray surface) in the middle layer, which is often referred to as the three major surfaces: the backlit surface, the light-receiving surface, and the photometering surface. i.e. black, white, gray.

Five tones: Objects are illuminated by light, and objects are composed of many faces of different sizes. The direction of each surface is different, and the angle of receiving light is also different, forming different shades of layer, which is generally called "light and dark five tones".

That is, bright surface, gray surface, light and dark boundary line, reflection, and projection.

Sketches are divided into chiaroscuro, structural, and expressive sketches. In the process of painting, the most basic thing to master is the "three sides and five tones". Among them, it is most pronounced in chiaroscuro.

The so-called three major surfaces, the light-receiving surface (bright surface) and the backlit surface (dark surface) are two major parts, plus the side-lit surface (gray surface) of the intermediate level, which is often referred to as the three major surfaces: the backlit surface, the light-receiving surface, and the photometering surface. i.e. black, white, gray.

Objects are illuminated by light, and objects are made up of many different sizes. The direction of each surface is different, and the angle of receiving light is also different, forming different shades of layer, which is generally called "light and dark five tones". That is, bright surface, gray surface, light and dark boundary line, reflection, and projection.

Frequently asked questions in pentathon.

The boundary between light and dark: it is actually the handover of the surface and the hue of the surface, and it is not really a "line". There is more than one either.

Reflective: A part of the dark part, generally the brightness does not exceed the bright part.

Projection: Projection has a shape, and the brightness of the projection is generally separated from the brightness of the object.

Highlights: The brightest part of an object, usually left undrawn.

Middle tone: Generally drawn at the end, the subjective control of the level changes, easy to draw gray.

The three major surfaces and five tones are indispensable in actual copying or sketching, and only by dealing with these hierarchical relationships can we express the three-dimensional sense and spatial sense of the object.

Sketching is understood as the creation of a picture in monochrome, and tone is the core of sketching. Tone refers to the black and white levels of different brightness of the picture, which are divided into five layers.

Tools Raw materials.

Pencil, sketch paper.

Method steps.

1 5 Step by Step Reading.

One of the five key tones: highlights.

Literally understood as the brightest part of an object under a light source. The brightness is different for different objects and different materials. For example, the highlights presented by metal are very bright and the light spots are concentrated, while the highlights of objects with low refraction such as wool cloth and toys are not very obvious and photoelectrically dispersed.

2 5 midtones (grey surface).

Midtones generally refer to the brightness and color of the object itself. It is the contrast between the highlight and the projection.

3 5 Light and dark junction line.

It is easy to understand the dividing line between the light-receiving and non-light-receiving sides of an object. It is easy to find and distinguish between still lifes when painting objects, but it is necessary to look carefully when depicting more cumbersome objects. It also has to do with the material of the object.

4 5 reflective.

It refers to the representation of the environment in which the object is drawn when depicting. Reflections are also related to the intensity of light and the material, and are also affected by the color of the environment. The smoother the surface, the more affected it is by the ambient color.

For example, the depiction of objects made of glass requires careful observation of the state reflected in the surrounding environment.

5 5 projection.

The shadow cast by an object under a light source. Similarly, projection is closely related to the intensity of light and the material. The part that is close to the object is usually the deepest. Transparent objects are less projected. When depicting, it is necessary to carefully observe the position of the projection of the object.

It means that it is clear and unobstructed; Not obscure, not dull! The work painted in this way gives a very fresh feeling.

Understand and smooth, not obscure, not dull!