What are the good and bad calligraphy works, and what are the appreciation standards

1 The stippling lines of calligraphy have infinite expressive power, they are abstract in themselves, and the calligraphic images they constitute are not definitive, but they contain all the characteristics of beauty. In this way, special requirements are placed on the stippling lines of calligraphy. It is required to have a sense of power, rhythm and three-dimensionality.

2. The stippling lines of calligraphy are intersected and combined under the premise of following the shape and stroke order principle of Chinese characters, dividing the space and forming the spatial structure of calligraphy. The spatial structure consists of three parts: the knot of a single word, the atmosphere of the whole line and the overall layout.

3. Radiance originally refers to the spirit and brilliance of a person's face. The spirit in calligraphy refers to the spirit, style, temperament, taste and meaning revealed in the dotted lines and their structural combinations. "The spirit is the first, the shape and quality are secondary, and the one who has both can be seen in the ancients"。

It shows that the spirit is higher"Morphology"(the form and appearance of stippled lines and their structural layout), shape and quality are the premise and basis for the existence of Shencai; Therefore, the essence of the artistic brilliance of calligraphy is the general harmony of the stippling lines and their spatial combinations. The pursuit of brilliance and the expression of spirituality have always been the highest state that calligraphers strive for. On the one hand, the acquisition of brilliance in calligraphy depends on the proficiency of creative skills, which is the premise and foundation; On the other hand, only when the creative mentality is calm and free, the creative center is both hands and hands, and the things and self are forgotten, can the true feelings be written and the nature can be integrated, and their own knowledge and aesthetic taste can be integrated.

In fact, it is not a standard problem, only if you have seen a lot and have a certain level of appreciation, you can see that some works can be described as ugly on the outside, but they can express the author's or even the voice of an era (for example, the paintings of the Bada Shanren are full of some strange and ugly birds and fish, and some even have only one eye, but in fact, he just wants to express his nostalgia for the previous dynasty and his strong dissatisfaction and resentment with the status quo. ）

The method of evaluating calligraphy works is as follows:

Article 1: The style of calligraphy.

The level of style depends on whether the words and deeds of the calligrapher are in line with traditional Chinese philosophical thoughts, such as the golden mean of Confucianism and the Taoist Tao of nature. This is not only the temperament of life, but also the style of calligraphy. Generally, a person's knowledge, culture, temperament, morality, cultivation, etc. can be reflected in calligraphy.

Of course, it is also necessary to fully understand the philosophical ideas in traditional Chinese culture, and it is not possible to do without this foundation.

Article 2: Richness of calligraphy techniques.

The pen is no longer a simple tool in Wang Xizhi's hands, many of his words are randomly generated, none of them are the same, and the same words can be found in different scripts. The words of Wang Duo and Fu Shan are full of changes at a glance, but some of the same words are easy to be similar.

Change is the source of beauty. If there is to change, there must be risk. The risks of calligraphy mainly include the risks of penmanship, chapter law, ink law, and calligraphy. One of the first things to solve is the risk of penmanship.

Article 3: The difficulty factor of the technology.

The quality of a word depends on the texture of the lines, like the words of Qigong, many people imitate them, and even many people go to fake, but connoisseurs can see them at a glance. In particular, his thin lines cannot be imitated by anyone, because it is very difficult to write. Whether a word is wonderful depends on whether there are "words", and every word will have words, just like poetry has a poetic eye.

"Eye" is about that little bit of change.

Summary. Appreciating the quality of a calligraphy work you can appreciate from the following 5 aspects, the first is to use the pen, calligraphy as a unique traditional art, mainly to see the use of the pen to write lines and glyphs, calligraphy is through the use of the pen line, with the hardness of the pen to express this materialized means to achieve the font to create artistic conception; The second is a successful calligraphy on the font structure, penmanship and calligraphy are important parts, is the basis for the identification of good or bad calligraphy, according to the ranking series of fonts to write calligraphy words, only to return to the beauty, make people look comfortable. The third is the chapter:

It is an important component and means of expression of calligraphy works. Chapters, brushwork, and knots together constitute the three elements of calligraphy art. This is an important sign that calligraphy as an art form is different from everyday writing.

The fourth is the unity of "form" and "god", which is the essence of the art of calligraphy, so in the process of calligraphy creation. The fifth is rhyme: to use the change of the knot to express the dynamic beauty and achieve the beautiful effect of the font.

Appreciating the quality of a calligraphy work you can appreciate from the following 5 aspects, the first is to use the pen, calligraphy as a unique traditional art, mainly to see the use of the pen to write lines and glyphs, calligraphy is through the use of the pen line, with the hardness of the pen to express this materialized means to achieve the font to create artistic conception; The second is a successful calligraphy on the font structure, penmanship and calligraphy are important parts, is the basis for the identification of good or bad calligraphy, according to the ranking series of fonts to write calligraphy words, only to return to the beauty, make people look comfortable. The third is the chapter method: it is an important constituent factor and means of expression of calligraphy works.

Chapters, brushwork, and knots together constitute the three elements of calligraphy art. This is an important sign that calligraphy as an art form is different from everyday writing. The fourth is the unity of "form" and "god", which is the essence of the art of calligraphy, so in the process of calligraphy creation.

The fifth is rhyme: to use the change of the knot to express the dynamic beauty and achieve the beautiful effect of the font.

Hope the above is helpful to you.

If you are satisfied with the above answers, you can give a thumbs up!

Summary. Calligraphy is the art of line imagery, and there are four elements of "form". If you appreciate the "four elements", you will enter the first realm.

Calligraphy is the art of line imagery, and there are four elements of "form". If you appreciate the "four elements", you will enter the first realm.

Clause. Second, appreciating calligraphy is different from writing. Calligraphy should pay attention to "law", and "legality" can be "quality". There are four "laws". If you reward the "Four Laws", you will enter the second realm.

Books are like this, such as their learning, such as their talents, and such as their aspirations. In short, it is just like his people" (Liu Xizai). The purpose of calligraphy is to "send affection".

The most realm of calligraphy art is the abstract embodiment and expression of the human spirit and human temperament. Appreciating calligraphy is not only to see the profundity of skills, the exquisiteness of dot paintings and chapters, but also to see the author's spirit, mind and temperament. Therefore, the highest level of appreciation of calligraphy is to "dialogue and exchange" with calligraphers through calligraphy works.

To appreciate this realm, it is necessary for the appreciator to "see wisdom" and "see nature", and understand the "law", "artistic conception" and "temperament" of calligraphy.

Can you sum it up.

It is very difficult to judge the quality of calligraphy, and the subjective factors of the reviewer often play a decisive role. First of all, the hobbies are different, and the ups and downs have their own advantages. Some people like to be slender and beautiful, and some people like to be thick and rough; Some people prefer upright and calm regular scripts, and some people prefer vivid and smooth grass.

Secondly, there are shades of literary and artistic accomplishment, and there are levels of aesthetic taste. Some people pursue realism, some people pursue freehand; Some people advocate tradition, while others advocate innovation. ­

How to evaluate it in the big picture.

Calligraphy is judged from all sides.

There is no big picture.

1. The highest level of calligraphy is "elegant and vulgar appreciation". "Elegant and vulgar clothes and appreciation" refers to the learned and knowledgeable scholars and uneducated and uneducated laymen can get the feeling of beauty when appreciating calligraphy and artworks, so it is called.

2, elegant to extremely "or spring staring elegant", vulgar to extremely "vulgar", to do "calligraphy everyone recognizes, appreciates, praise", but also to do under the riba people are seen by the soul of the "shocked" and applauded, only to achieve "elegant and vulgar appreciation" Senxu can, so to truly achieve "elegant and vulgar appreciation" masterpiece is to achieve the highest level of calligraphy.

This ......First of all, the overall effect is very important, the structure layout and so on.

There is also a close look at the characters in the work to see how the characters are structured, how well the strokes are in place, and so on.

To evaluate a calligraphy work, first look at the chapter, look at the center of gravity, that is, the overall effect, and then look at the structure, whether the structure of each word is rigorous, whether the retraction is in place, and finally look at the glyph, which famous style is it, if it is self-contained, it depends on whether the glyph is beautiful, and the corresponding parity is given according to the evaluator's point of view.

I usually look at the overall feeling, and if it is a soft pen, I will look at whether the stroke of the work should be sharp when it should be sharp, and mellow when it should be round. I still like to be mellow overall, just like Yan Zhenqing's.

The text expression is accurate, the text is written quickly, the text structure is reasonable, and in short, it gives people a visual aesthetic enjoyment.