Does Peking Opera have foreign plots, and why do foreigners like Peking Opera?

I can tell you very clearly that Peking Opera is the quintessence of China and has no foreign plots.

The charm of national culture. Peking Opera is actually very avant-garde in many ways.

Peking Opera is called "Chinese Opera" by foreigners, you can listen to it with your heart, and the connotation of Peking Opera and the sound of Pi Huang are very infectious! ...Foreigners like Chinese culture, and the culture in Peking Opera is broad and profound...There are beautiful and moving melodies and historical stories.

Peking Opera is the quintessence of China and an important means for China to introduce its traditional culture to the rest of the world. The forms of expression of Peking Opera are generally singing, reading, doing, and playing. Peking Opera is distributed all over the country, and there are also different ways of expression of opera, mainly with Beijing as the core, and it has traveled all over the world.

Constant exchange and integration with foreign cultures.

1. The Formation of Peking Opera

Peking Opera is also known as Ping Opera. At the same time, Peking Opera also accepted the compilation of some other repertoire and the integration of channels and performance methods with folk creative methods, and finally formed the expression form of Peking Opera that we see now.

2. The Profession of Peking Opera

Peking Opera evolved according to historical stories, according to the gender, age, occupation, personality, expression and social status of different characters in the historical story, the actors' costumes and makeup and other aspects of exaggerated artistic expression, and the stage expression is divided into five forms, and the singing skills can be divided into old students, martial artists, small students, etc. The traditional roles of women, including Tsing Yi, Hua Dan, Wu Dan, Easter Eggs, Dao Ma Dan, etc.

3. The form of expression of Peking Opera

The singing voice of Peking Opera is generally divided into two kinds, also known as Pi Huang, there are mainly two forms of expression, two forms of expression, Peking Opera often has different ways of blowing, playing and playing, the face of Peking Opera is the difference between the Peking Opera masks that our modern audiences like to see the most popular Peking Opera is according to the different personalities of the characters they represent in the plot of Peking Opera, Guan Gong with a red face and a loss base, and Zhang Fei with a black face. The blue-faced Cao Cao all represents different character meanings, and also has different meanings for thin flatness. The accompaniment of Peking Opera is mainly based on ancient Chinese musical instruments, and some orchestral instruments such as erhu and sanxuan.

Peking Opera in China has a history of more than 100 years, and it has slowly gone through various integrations and exchanges to form the Peking Opera we have seen in modern times. With the maturity of Peking Opera performers and the fact that Peking Opera is now known, recognized, appreciated and developed. Peking Opera began to go to the world, and began to express China's cultural traditions to different people in the world, and it is also a form of expression for China to show its own cultural traditions to the world.

Peking Opera Zhou Bridge is the east of China's leather traces of Qi in the east and west of the Lingxi, which is ancestral and not foreign.

Peking Opera, as the mainstream culture of China, was originally a palace drama, a king's demeanor, singing and dancing, singing and dancing, but over the years it has been recommended by some people who are neither familiar with nor like Peking Opera, who have made Peking Opera suitable for performance according to the needs of the performance market of foreign audiences who subjectively imagined it, and as a result, overseas audiences think that Peking Opera is kung fu, that is, playing monkey juggling, not an orthodox drama with a plot based on characters. In addition, the cheap dumping of some grass stage troupes at home and abroad that were cobbled together regardless of the quality of the performances has seriously ruined the reputation of Chinese Peking Opera overseas.

Including the enthusiasm for appreciating new dramas, literary dramas, and modern dramas, it is no weaker than that of domestic theater fans.

Since the 55th year of Qianlong in the Qing Dynasty (1790), the four major Hui troupes of Sanqing, Sixi, Chuntai and Hechun, which had been performed in the south, entered Beijing one after another, cooperated with Han tune artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and integration. (The above content is from the encyclopedia).

To put it simply, Peking Opera is a genre of opera that was born in the Qing Dynasty by synthesizing a variety of genres.

Foreigners also sing Peking opera, but the number of people singing is limited, just like foreign opera ** drama is still limited in popularity for Chinese.

Mandarin middle-aged.

中年 [ zhōng nián ].

Interpretation: 1. The age of the medium harvest.

2. Every other year. 3. Refers to the age of forty or fifty.

4. Middle Ages, Middle Ages.

Source: Chen Rong "People to Middle Age": "Middle-aged people are the time to show their talents. ”

Example sentence: Generally speaking, when you are young, you are often pretentious, and when you enter middle age, you will be more sophisticated, and you will have self-knowledge.

Antonyms: childhood, adolescence.

1. Childhood [ tóng nián ].

Definition: childhood; Juvenile: Childhood. Reminiscing about life as a child.

Source: Ba Jin "New Life, April 17": "Whenever I think of my childhood, I see your kind face as if I have been graced. ”

Second, juvenile [ shào nián ].

Interpretation: 1. The stage from about ten years old to fifteen or sixteen years old: juvenile age.

2. Refers to the above age person: Children's Palace. Juvenile House.

3. Refers to young men: Pianpian youth.

Source: Liu Qi "Good Year Scenery": "The old man Wu Songming is a well-known active figure in the whole society, he was poor in his youth, and he learned to sing big drum books. ”

Since its formation, Peking Opera has undergone several changes in the division and classification of trades. Originally, the professions of Peking Opera were divided into "ten elements", namely: Sheng, Dan, Jing, Mo, Chou, Vice, Outside, Miscellaneous, Wu, and Liu.

Later, there was another kind of "ten elements of role" saying, that is, "Shengdan Jingmo is ugly, and he is up and down with his head (somersault)", in which "heel" and "upper and lower" all belong to martial arts, which is actually only six trades. In the 20s of this century, the "Liyuan Guild" (an organization of Peking Opera performers) once divided Peking Opera performers into "seven elements and seven sections". The stage performers are divided into "seven lines":

The old shengxing, the small shengxing, the danxing, the net xing, the ugly xing, the martial arts, are popular. "Martial arts" are all kinds of supporting roles in martial arts. "Popular" is an actor who plays flags and plays tricks during performances, also known as "Wentang Xing", in addition to playing flags and running tricks, he also plays a variety of male odd jobs.

Backstage service personnel and stage and backstage collaborators are divided into "seven sections" :* * sections, that is, civil and military scenes, now called bands; Brush and install department, that is, the management of the clothing box, also known as the "box", the management of coat boxes, two suitcases, three suitcases and flag boxes; The makeup department, also known as combing hair, specializes in makeup for Danjiao; Hats, i.e., those in charge of helmets; Drama Department, that is, the inspection of the field; The traffic department, the guy who used to be in charge of urging the drama and the runway; The staff responsible for contacting the theater and organizing the business of the company.

After the founding of the People's Republic of China, the seven elements and seven disciplines of Peking Opera have undergone changes again. The seven elements were further simplified and merged, and gradually determined to be the four lines of life, dan, purity, and ugliness. Among the seven sections, with the rectification of the troupe, the purification of the stage, and the improvement of the work management system, the economic and economic department, the drama department, and the traffic department have been abolished, and the remaining four departments have been mainly replaced by the band and backstage management personnel.